The Giza Plateau in Egypt is one of the world's most well-known historic sites,
recognizable at a glance to most people on earth. But what if the enduring image of the Giza Plateau
we know today, its legendary sphinx gazing out from beneath its three mighty pyramids,
is wrong? According to some historical records, our modern conception of Giza is incomplete,
missing crucial features present at the time of the ancient Egyptians.
Could our modern understanding of the Giza Plateau and ancient Egypt as a whole really be mistaken?
If features are missing, where did they go? And what other mysteries of the Giza Plateau
might be waiting to be uncovered? Before we continue, we want to thank ExpressVPN
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months free. Frederick Louis Norton was born in 1708 in southern Denmark. The fourth of five sons
of an artillery captain in the Danish military. At only 14 years old, Norton entered the Danish
naval academy where he quickly proved to be something of a prodigy. He had an innate gift
for drawing and cartography, a talent so great that it caught the attention of the Danish king
himself. In short order, Norton was sent abroad by the king to utilize his unique skills in the
His drawings proved so valuable that he was instructed to continue to France and Italy.
By 1737, Norton's work was so well respected that he was personally chosen by the king
for a very special mission. He was to join an expedition down through Egypt to the mysterious
kingdoms of Ethiopia and Sudan, serving as the king's official representative and attempting
to forge economic ties. The expedition reached Egypt in June of 1737, but as it traveled south,
it quickly fell upon bad luck, together with weather and ship problems which prevented the
party from traveling further. Yet the expedition's bad luck turned out to be Norton's good fortune,
the stroke of fate that completed his evolution from prodigy to legend. Stuck in Egypt and with
little else to do, Norton had the opportunity to construct a comprehensive record of everything he
saw, the people, architecture and monuments around him, along with detailed hand-drawn maps. Few
Europeans had ever seen Egypt like Norton had, and fewer still had recorded their experience.
Upon his return to Europe in 1738, this incredible record was published in what became Norton's
seminal work, Voyage d'Egypte et de Nubi, while Norton himself was elected as a member of the
prestigious Royal Society of London. To this day, one particular aspect of Norton's voyage stands out,
the way in which he described Egypt's Giza Plateau. In his words,
the principal pyramids are at the east-southeast of Giza. There are four of them. They deserve
the greatest attention of the curious. Although we see seven or eight others in the neighborhood,
they are nothing in comparison to the former. The two most northerly pyramids are the greatest
and have 500 feet perpendicular height. The two others are much less, but have some particularities,
which occasion their being examined and admired. Norton directs much of this examination and
admiration to the fourth pyramid, which he describes in detail. The fourth pyramid is 100
feet lower than the third. It is without coating, closed, and resembles the others, but has no temple
like the first. It has, however, one particular feature that deserves attention, which is that
its summit is terminated by a single great stone, which seems to have served as a pedestal.
The fourth pyramid has been made upwards above the middle of a stone blacker than the common
granite and harder to work with. It is, moreover, situated out of the line of the others, being more
to the west. It makes a series with the three others. Wait, four great pyramids? What was he
talking about? How could Norton, with his prodigious and internationally recognized talent, have
documented four pyramids, when everyone familiar with the Giza Plateau in modern times knows that
there are three? Some modern skeptics of Norton's work have provided an answer. They assert that
he must simply have confused one of Giza's smaller satellite pyramids for a fourth great pyramid.
Despite his reputation for incredible precision, skeptics believe Norton simply made a mistake.
Except, in Norton's account, he specifically describes seven or eight smaller satellite
pyramids as distinctive and supplementary, nothing in comparison to the four great pyramids.
Further, he describes the fourth pyramid as constructed from a stone blacker than the common
granite and harder to work with, while the satellite pyramids of the Giza Plateau were
constructed of sandstone. Norton was not unaware of the satellite pyramids. He did not appear
confused. Rather, he actively documented the satellite pyramids as different from the main
four he recorded. To suggest Norton simply mistook a satellite pyramid for a fourth
great pyramid seems lazy at best, disingenuous at worst. But regardless of the veracity of Norton's
account, there is something else, something which modern skeptics seem to ignore. Evidence of a fourth
pyramid on the Giza Plateau goes beyond just the work of Frederick Louis Norton. Prior to the 18th
century, what most European nations knew about Egypt was mostly made up of a hodgepodge combination
of biblical accounts, ancient records, and the imagination of historians. Egypt was little more
than a fantasy. It had yet to be depicted by someone who had actually been there themselves.
This is why early European depictions of Egypt showed things like the biblical Noah in a flood
scene with a large pyramid as the backdrop, or the biblical Joseph standing before the pyramids
with bales of wheat. But that all started to change at the end of the 17th century.
It perhaps began in 1674 when the Dutch artist and famed traveler Cornelius de Bruyne set off
on the first of two legendary tours he would take in his life. For almost 20 years, he traveled
through the territories of Western Asia and Northeast Africa, recording in detail his
observations on the people, plants, animals, and architecture he came across. In 1698,
having returned to Europe, de Bruyne published an incredible illustrated book on his journey,
Travels in the Principal Parts of Asia Minor. The book, regarded as one of the most beautiful
travel accounts of all time, was an immediate hit, providing Europeans with first-hand information
that was far better than anything known at the time. Within the book, one section stood out for
the portion covering de Bruyne's travels through Egypt. While he was not the first European of his
time to have visited Egypt, the few who'd come before him had merely been passing through on
their way to the Holy Land and Jerusalem. De Bruyne was the first to stop and spend time there
and record in detail what he saw. He was the first to depict the Grand Gallery and the interior of
pyramids, and the first to give an accurate description of the Sphinx. It should be no
surprise that to this day, de Bruyne's work remains relevant and sought after. Yet, to revisit this
work today, one might be struck by something most curious. Look at de Bruyne's depiction of the Giza
Plateau. That's right, like Frederick Louis Norton, Cornelius de Bruyne showed the Giza Plateau
with four great pyramids, not three. Could both of these celebrated illustrators and historians
really have each made such a glaring error on something as straightforward as counting the
number of pyramids on the Giza Plateau? Maybe there was no error. Maybe confirmation of this
has been hiding in plain sight all along. Only a few hundred yards to the south of the Sphinx
lies an enormous ancient wall constructed of giant limestone blocks weighing many tons each,
standing at over 650 feet long, 30 feet high, and 30 feet thick. It is known as the Wall of the Crow.
Despite its magnitude, the Wall of the Crow is not usually part of the popular conception of
Giza Plateau, not a tourist hotspot, and not depicted on postcards. But why not? One answer
might be that modern archaeologists are baffled by the wall. They cannot figure out what it's
doing there. Some have suggested it could have been built to protect the Giza Plateau from the
floodwaters of the ancient Nile River, while others have proposed it was the boundary wall
of an ancient city. But neither of these theories have explained why the wall does not then extend
past the end of the Pyramid Gallery complex. If it were a wall in this sense, surely it would
encompass the entire settlement. Some have a different explanation. Consider that all three
of the Giza Plateau's main pyramids have their own causeway leading to where the Nile River once
extended. The eastern end of the Wall of the Crow extends to where the Nile would have been,
leading some to suggest it is not a wall at all, but a fourth causeway. The only problem with this
explanation is that causeways lead to places and connect things, while the Wall of the Crow leads
to nothing at its western end but desert sand. If it was an ancient causeway, then why does it lead
to nothing? Maybe the answer is that it didn't always lead to nothing. In fact, the Wall of the
Crow seems to lead to where Norden and de Bruyne described the location of the fourth pyramid of
Giza. It makes a series with the three others. Could the Wall of the Crow really have been a
causeway for the missing fourth pyramid? Here, the question must be asked. If there really was a fourth
pyramid on the Giza Plateau, what happened to it? Why is it, unlike the other three, not standing
today? Some historians have proposed that if there was a fourth pyramid, it must have been dismantled
in the 1700s and used to build the nearby city of Cairo, while others assert that its remains may
still be buried beneath the desert sands. One thing is for sure, if a fourth pyramid of Giza is
concealed under the desert, it would not be the only thing hidden there. In late 2020, a team of
archaeologists began an excavation project at an innocuous desert site near Luxor, some 300 miles
south of Cairo. What they discovered under the sand shocked them. Within weeks, a series of
ancient bricks began to appear in all directions. Within months, archaeologists realized they had
discovered the site of a large city in a good condition of preservation, with almost complete
walls and with rooms filled with tools of daily life. What they had discovered was the largest
ancient city ever found in Egypt. Longtime Egyptian minister of antiquities Zahi Hawass
dubbed it the Lost Golden City, and with good reason. Already, extraordinary jewelry and colored
pottery have been recovered from the site, but researchers believe there is much more to come.
In their words, the mission expects to uncover untouched tombs filled with treasures. Think about
it! The largest ancient city ever found, and we didn't even know it existed until 2020? In fact,
this is part of an ongoing theme in recent times. In the past, archaeologists searching for ancient
sites had to work off of ancient texts, hand-drawn maps, rumors, and guesswork, often searching for
years without ever finding anything of note. But over the last 20 years, this all changed as
satellite technology became more prevalent, allowing researchers to survey terrain from
thousands of miles away and investigate potential sites without digging. In the first decade of the
21st century alone, archaeologists using satellite technology located over 3,000 ancient settlements
hidden underground in Egypt, awaiting excavation and exploration. Simply, the rise of satellite
imaging and so-called space archaeology revealed a stunning truth. Much of the history of ancient
Egypt is still buried beneath its desert sands. That is to say, despite everything we have learned
about Egypt so far, we have barely scratched the surface. In 2008, a new era in Egyptology began
when archaeologists tipped off by satellite imaging uncovered two massive pyramids buried
under 25 feet of sand in Saqqara, barely 15 miles from Giza. Consider that this discovery happened
only a few miles from perhaps the greatest and most well-studied archaeological site on Earth.
Under barely enough sand to cover a two-story house. As one researcher put it, the site at Saqqara
just shows us how easy it is to underestimate both the size and scale of past human settlements.
So what else might we have underestimated about ancient Egypt? Interestingly, almost 200 years
before the discovery at Saqqara, German archaeologist Karl Richard Lepsius reported
the remains of a mysterious pyramid in the area. Yet nobody paid any attention to his claims,
and his report was dismissed and forgotten. But today, all across Egypt, new evidence is emerging
that not only confirms forgotten or dismissed centuries-old accounts, but that seems to confirm
ancient accounts believed for centuries to be little more than myth. In the 19th century,
archaeologists discovered a series of remarkable carvings on the wall of an ancient Egyptian
temple. They told the story of an ancient sea voyage to a mysterious land known as Punt.
For hundreds of years, scholars insisted that the story of Punt was not meant to be taken literally,
that desert peoples like the ancient Egyptians weren't seafaring, that the story, like many
ancient myths, was an allegory, not a historical fact. That is, until an astonishing discovery in
2011. That year, archaeologists uncovered the remains of an ancient harbor along a desolate
stretch of the Red Sea coast, including the remains of many seagoing ships. The discovery
caused researchers to conclude that the ancient Egyptians must have had considerable seagoing
experience. More incredibly, archaeologists uncovered numerous stones and other materials
engraved with extraordinary inscriptions, which made specific mention of missions to a land known
as Punt. In other words, archaeologists had found concrete evidence of something which,
to that point, had been labeled myth, dismissed, and written off. One might go back further,
to the work of 5th century BCE Greek historian Herodotus, who wrote of a hidden underground
labyrinth that he had seen with his own eyes on his travels to Egypt. The baffling and intricate
passages from room to room and from court to court were an endless wonder to me, as we passed from a
courtyard into rooms, from rooms into galleries, from galleries into more rooms, and thence into
yet more courtyards. The roof of every chamber, courtyard, and gallery is, like the walls,
of stone. The walls are covered with carved figures, and each court is exquisitely built
of white marble and surrounded by a colonnade. For many centuries, the existence of a hidden
Egyptian labyrinth was thought to be a myth, brushed off and dismissed by purportedly serious
scholars, until in 2008, a study known as the Metaha Expedition used ground-penetrating radar
to probe the desert in Dahshur, some 50 miles south of Cairo, and shockingly discovered a huge
structure hiding below the sand. Further exploration revealed the presence of grid-like
and ordered structures, leading researchers to a mind-blowing conclusion. In their words,
the great lost labyrinth of ancient Egypt had been found. Unfortunately, the official results
of the Metaha Expedition have never been released due to national security sanctions on the part of
the Egyptian authorities, and all further exploration of the site has been prohibited.
To this day, the site which researchers believe to be the great lost labyrinth of ancient Egypt
has never been excavated. Why? If something as amazing as the lost labyrinth has potentially
been discovered, why would it not be investigated further? How could an archaeological site be a
threat to national security unless it contained something truly paradigm-shifting? Could it be
that what is buried underground in Dahshur might force us to totally reimagine ancient Egyptian,
and even human, history? Despite centuries of archaeological research,
the unavoidable fact is that ancient Egypt remains as mysterious today as ever. The question is,
what new secrets will be revealed in the coming years, and what other long-dismissed
myths will be proven true? What of the work of 10th century Arab historian Massoudi, who wrote
of not only an Egyptian labyrinth, but the unfathomable Hall of Records which was housed
there? Written accounts of wisdom and acquirements in the different arts and sciences were hidden
deep, that they might remain as records for the benefit of those who could afterwards comprehend
them. I have seen things that one does not describe for fear of making people doubt one's
intelligence, but I have still seen them. Could we be primed to discover an ancient Hall of Records?
And if so, what kind of secret knowledge might be recorded there? And what of 4th century Syrian
philosopher Iamblichus, who appeared to record the advanced electrical capabilities of the
ancient Egyptians? Writing of his experience in the tunnels under the Great Pyramid of Giza,
he explained, We came to a chamber. When we entered, it became automatically illuminated
by the light from a tube being the height of one man's hand and thin, standing vertically in the
As we approached the tube, it shone brighter. The slaves were scared and ran away in the direction
from which we had come. When I touched it, it went out. We made every effort to get the tube
to glow again, but it would no longer provide light. Think about the numerous ancient Egyptian
carvings and inscriptions discovered in modern times, which appear to show light bulbs and
other advanced technology. Might it be possible that we are about to discover hard evidence the
ancient Egyptians were more technologically advanced than we ever imagined? Already,
a scientific study published in the Journal of Applied Physics in 2018 has revealed that the
Great Pyramid of Giza could concentrate electromagnetic energy in its internal chambers
as well as under its base. Will new evidence emerge in the coming years that proves once
and for all the Great Pyramid was constructed to funnel electricity through its chambers
and out into the world, powering an ancient electrical Egypt? Follow this line of thinking
back to the missing fourth pyramid of the Giza Plateau. Perhaps this missing pyramid is part
of a much bigger puzzle. Remember that Frederick Louis Norton described the fourth pyramid as
blacker than the common granite. In ancient Egypt, black granite was used to symbolize
regeneration, black being the color of the life-giving silt left by the Nile and the
color of the underworld where the sun regenerated each night. Black granite was often used to make
sarcophagi and other important decorative artifacts and charms. So why build an entire
pyramid out of it unless that pyramid was of particular importance? What regenerative
properties could the fourth pyramid have had and why was it purportedly topped by a single
great stone which seems to have served as a pedestal? What could have been on this pedestal
and could it have connected to the mysterious qualities of other Giza Plateau monuments?
Perhaps in the coming years we will find out. Perhaps it will change everything. If you want
to know more about the hidden secrets of the Giza Plateau, about the Hall of Records and an advanced
electrical ancient Egypt, we've listed a list of our videos on these topics which you can find in
the pinned comment and in the description. Thank you for watching. If you enjoyed the video,
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