Beethoven String Trio No.3 Op.9 No.1 9-1 G major 貝多芬 弦樂 三重奏曲 第3號 作品9-1 ベートーヴェン Score Sheet 譜 【Kero】
【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き
Beethoven String Trio No.3 Op.9 No.1 9-1 in G major
貝多芬 弦樂 三重奏曲 第3號 作品9-1 G大調
贝多芬 弦乐 三重奏曲 第3号 作品9-1 G大调
Beethoven Trío de cuerda n.º 3 en sol mayor
ベートーヴェン 弦楽三重奏曲 ト長調
Classical music Música clásica クラッシック 古典音樂 古典音乐
#Beethoven #String #Trio
00:00 I Adagio
01:11 Allegro con brio
09:15 II Adagio ma non tanto e cantabile
15:42 III Scherzo Allegro
18:15 IV Presto
The three String Trios, Op. 9 were composed by Ludwig van Beethoven in 1797–98. He published them in Vienna in 1799, with a dedication to his patron Count Johann Georg von Browne (1767–1827). They were first performed by the violinist Ignaz Schuppanzigh with two colleagues from his string quartet. According to the violinist and conductor Angus Watson, these were probably Franz Weiss on viola and either Nikolaus Kraft or his father Anton on cello. Each of the trios consists of four movements.
String Trio No.3 in G major, Op. 9 No. 1
String Trio No.4 in D major, Op. 9 No. 2
String Trio No.5 in C minor, Op. 9 No. 3
Although this opus does not contain the most played works by Beethoven it was a significant milestone in his development as a composer. At the time of publication the 28-year-old Beethoven regarded the trios as his best compositions. The trios can be seen as a part of the preparation for the upcoming string quartets, which became the leading genre among his chamber music. The musicologist Gerald Abraham has remarked that in terms of their style and aesthetic value the string trios of Op. 9 rank with Beethoven's first string quartets which ousted the trios from the concert halls. Beethoven composed no further trios after the first quartets (Op. 18) were published in 1801. Each trio is of four movements with sonata form in the first movements, suggesting that Beethoven did not intend them to be light chamber pieces.
The most vigorous of the three trios is perhaps the G major, with the fast movements' thematic richness and almost symphonic elaborations especially in the first Allegro. The Adagio in E major resembles in its beauty and melancholic atmosphere other slow movements written by Beethoven at that time. The trio ends with a brilliant and virtuoso Presto.