Liszt Etude en douze exercices S.136 No.7 136-7 李斯特 12首 練習曲 リスト Score Sheet 譜 Partitura 楽譜付き 【Kero】

【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き
Liszt Étude en douze exercices S.136
12 Etudes
No.7 136-7 Allegretto con molto espressione (E♭ major)
李斯特 12首 練習曲 作品136
李斯特 12首 练习曲 作品136
Liszt 2 Études en douze exercices dans tous les tons majeurs et mineurs S136
リスト すべての長短調のための48の 練習曲
Piano 鋼琴钢琴 ピアノ Etude Study Études
Classical music Música clásica クラッシック 古典音樂 古典音乐
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Liszt Étude en douze exercices, 12 pieces, S136
No.1 136-1 Allegro con fuoco (C major)
No.2 136-2 Allegro non molto (A minor)
No.3 136-3 Allegro sempre legato (F major)
No.4 136-4 Allegretto (D minor)
No.5 136-5 Moderato (B♭ minor)
No.6 136-6 Molto agitato (G minor)
No.7 136-7 Allegretto con molto espressione (E♭ major)
No.8 136-8 Allegro con spirito (C minor)
No.9 136-9 Allegro grazioso (A♭ major)
No.10 136-10 Moderato (F minor)
No.11 136-11 Allegro grazioso (D♭ major)
No.12 136-12 Allegro non troppo (B♭ minor)

The genesis of the Transcendental Études goes back to 1826, when 15-year-old Liszt wrote a set of youthful exercises called the Étude en douze exercices (Study in twelve exercises), S.136. These pieces were not particularly technically demanding. Liszt then returned to these pieces for thematic ideas, elaborating on them considerably, in the composition of the Douze Grandes Études (Twelve Grand Studies), S.137, which were published in 1837.