Louis COUPERIN (1626-1661) FUGUE sur le Cromorne OL 65 2023-06-29 16:51
A recording of the Fugue sur le Cromorne (Cromhorne) by Louis Couperin, the uncle of François Couperin (or Couperin Le Grand). Enjoy this colorful and characteristic reed stop of the Jean-André Silbermann organ in Wasselonne!
This is one of my all-time favourite stops for French music. It responds quickly to attack, has very different timbres and can be very screamy and fast speaking while it can also be very dark and melancholy-colored, without obscuring the counterpoint of the piece.
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Louis Couperin (c. 1626 – 29 August 1661) was a French Baroque composer and performer. He was born in Chaumes-en-Brie and moved to Paris in 1650–1651 with the help of Jacques Champion de Chambonnières. Couperin worked as organist of the Church of St. Gervais in Paris and as musician at the court. He quickly became one of the most prominent Parisian musicians, establishing himself as a harpsichordist, organist, and violist, but his career was cut short by his early death at the age of thirty-five.
None of Couperin's music was published during his lifetime, but manuscript copies of some 200 pieces survive, some of them only rediscovered in the mid-20th century. The first historically important member of the Couperin family, Couperin made contributions to the development of both the French organ school and the French harpsichord school. His innovations included composing organ pieces for specific registrations and inventing the genre of the unmeasured prelude for harpsichord, for which he devised a special type of notation.
Couperin was born around 1626 in Chaumes-en-Brie, a town 40 km south-east of Paris. His father, Charles Couperin, sieur de Crouilly, was a small landowner and part-time organist of a local church. Louis was reportedly an accomplished harpsichordist and violinist by 1650 (and was already composing by then), but had no connections whatsoever with any important musicians of the era. His sudden rise to fame, which happened during 1650–1651, is explained in Le Parnasse François. Titon du Tillet writes that Louis, his two younger brothers Charles and François, and some of their friends visited Jacques Champion de Chambonnières. The Couperins offered the host and his guests a short concert, playing several pieces composed by Louis. Chambonnières was impressed by Louis Couperin's talents, became his teacher and persuaded him to settle in Paris. There Chambonnières, who was the most prominent French harpsichordist of his time and musician to the King, introduced the young musician to the Court. Couperin's talents met with appreciation; by 1651 he was already living in the city.
He almost certainly met Johann Jakob Froberger in 1651–1652; Froberger's style becoming a major influence on Couperin's music. On 9 April 1653 he became organist of the Parisian church of St. Gervais, where he was paid 400 livres a year, plus lodgings. The position at this ancient church was one of the most important in France at the time. At some point Couperin entered the royal service as a treble viol player. Titon du Tillet writes that Couperin had refused, out of loyalty to his old friend and teacher, to replace Chambonnières as royal harpsichordist, and so the post of violist was created especially for him. During his last years, Couperin lived in the organist's lodgings at St. Gervais with his two brothers. He died on 29 August 1661, aged thirty-five according to Le Parnasse François.
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