My Old Kentucky Home 薩克斯風 サクソフォーン Saxofón Play-Along accompaniment【Kero MyPlay Saxophone】

【Kero MyPlay Saxophone】
My Old Kentucky Home
Saxophone 薩克斯風 サクソフォーン Saxofón Play-Along accompaniment
#Kero #薩克斯風 #Kentucky #Home
🔥訂閱Subscribe: https://www.youtube.com/channel/UCXwExSLMSpQUiFijSujdZiA?sub_confirmation=1
Source: https://www.youtube.com/watch?v=IFlZ3hz0zLI&ab_channel=TheVictorianChinese
----- My Old Kentucky Home
The sun shines bright in the old Kentucky home
'Tis Summer the darkies are gay
The corn top's ripe and the meadows in the bloom
While the birds make music all the da
The young folks roll on the little cabin floor
All merry all happy and bright
By'n by hard times comes a knocking at the door
Then my old Kentucky home good night
(Chorus)
Weep no more my lady
Oh weep no more today
We will sing one song for the old Kentucky home
For the old Kentucky home far away
They hunt no more for the possum and the coon
On the meadow, the hill and the shore
They sing no more by the glimmer of the moon
On the bench by the old cabin door
The day goes by like a shadow o'er the heart
With sorrow, where all was delight
The time has come when the darkies have to part
Then my old Kentucky home, good night!
The head must bow and the back will have to bend
Wherever the darkey may go
A few more days, and the trouble all will end
In the field where the sugarcanes grow
A few more days for to tote the weary load
No matter, 'twill never be light
A few more days till we totter on the road
Then my old Kentucky home good night!
"**My Old Kentucky Home, Good-Night!**" is a sentimental ballad written by Stephen Foster, probably composed in 1852. It was published in January 1853 by Firth, Pond, & Co. of New York. Foster was likely inspired by Harriet Beecher Stowe's anti-slavery novel _Uncle Tom's Cabin,_ as evidenced by the title of a sketch in Foster’s sketchbook, "Poor Uncle Tom, Good-Night!"
Interpretations of the song vary widely. Frederick Douglass wrote in his 1855 autobiography _My Bondage and My Freedom_ that the song "awakens sympathies for the slave, in which antislavery principles take root, grow, and flourish". However, the song's publication by Firth & Pond as a minstrel song and its use in "Tom shows" (stagings of Stowe's novel of varying degrees of sincerity and faithfulness to the original text), and other settings, have clouded its reception.
