Infinite Lamp Found Still Burning Inside Tomb?

Often within adventure movies, the household hero will be traversing some deep, dark, ancient corner of our world, accompanied by a trusty flaming lantern, a light source which will often seemingly have an endless fuel supply. Additionally, the lamps which litter the walls of these elaborate film sets were presumably lit many hundreds, even thousands of years prior to our intrepid explorer's entry into the ancient booby-trap-laden lair. Many perceive these flaming props as mere stage trickery, a subtle showbiz deception, helping with the lighting of often-dungeon-esque locations. Amazingly, however, it seems that these apparent ever-burning cave lanterns may have been included, by an astute understanding of as-yet unexplained historical realities. One Egyptian death tradition, a custom rarely shared academically, was the frequent placement of an eternal burning lamp somewhere inside the sealed chamber. How were ancients able to produce seemingly ever-burning lamps? Lamps which could burn apparently without fuel? Based on overwhelmingly large volumes of reports of their existence, discoveries in tombs, underground chambers, temples, and many other places dotting the entire Earth, it's hard to see how these amazing light sources could have just been a mere rumor, yet unfortunately, or rather conveniently, not a single lantern is known to exist today for study. At times in human history, before the birth of particular global commercial agendas, inventors and pioneers of many scientific fields were encouraged, rather than stifled, into the investigation into the functioning of such ancient high technologies. During the Middle Ages, for example, 170 exploratory, in-depth reports surrounding these astonishing finds were published. Stating that they clearly demonstrated a valuable phenomenon. In the year 140, a lamp was discovered in the tomb of Pallas, son of King Evander. This light source had apparently been burning bright for over 2,000 years. Upon an in-depth examination involving a testing of the flame's robustness, it could apparently resist all ordinary methods of extinguishment. In about 1540, during the papacy of Paul III, a burning lamp was found in a tomb in Rome. The tomb belonged to the daughter of Cicero. She died in 44 BC, meaning this lamp had been burning in the sealed vault for 1,550 years, yet it strangely extinguished the moment it left the room. When King Henry VIII broke away from the Catholic Church in 1534, he ordered dissolution of monasteries in Britain. Many tombs were opened. In Yorkshire, a burning lamp was discovered in a tomb of Constantius Chlorus, father of the great Constantine. He died in 300 AD, which means that this lamp had been happily burning for more than 1,200 years. With such overwhelming numbers of reports, reliable testimonies attesting to the existence of these lamps, it's hard to see how they could just be a product of Hollywood. Regardless, it seems all have successfully been erased from public view, presumably hidden within the chasms of scientific institutions whose financial insurance policy is, unfortunately, often implicated in the concealment of historical artifactual evidence, physical objects in direct disagreement with their highly profitable yet shoddy foundation for scientific direction. Thanks for watching, guys, and until next time, take care. From time to time, we will share with you one of the more intriguing exhibits that can be found within the museums of Giza. Beyond the mountainous displays of precious jewels and finely cast golden relics which captivate the crowds who flock to experience this extremely rich history, we personally find the more valuable of objects are often overlooked. Indeed, these precious masks and past pharaohs' possessions are undoubtedly exquisite in nature. However, there are some objects, never designed to stun or impress, but built with a function. Functions which could shed light on the most intriguing and mysterious aspects of this past civilization. The Khufu ship being but one of these said artifacts, a boat found disassembled under the Great Pyramid, once said to have floated through the sky. And although the physical idea of this ship actually flying is a leap too far for some, there is, in fact, an artifact which exists, found in 1898 during an excavation of the Padi Ayman tomb in Saqqara, Egypt, which you may find a bit more practically designed for flight through the Egyptian skies. Although numerous sources over the past century have surfaced accusing Egyptian authorities of concealing the discovery of vimanas, ancient flying machines, within the Pyramids of Giza, our said artifact seems to have slipped through this net of secrecy. Often with these well-stocked and well-preserved tombs, resting places of past pharaohs, whom once possessed unimaginable riches, numerous toy models of their once favored crafts and vessels will be discovered, exquisitely constructed miniature replicas of their favorite forms of travel. It seems this artifact may have indeed been filtered through the security netting of public paradigm, as doing so, it seems to have lost its tailplane. Known as the Saqqara Bird, it is now largely thought by many to have been a replica of an ancient flying craft, more specifically a glider. Initially inspired by a bird's flight, the fixed wing upon its back has been found to be perfectly angled to create lift. Egyptian physician, archaeologist, parapsychologist, and dowser, Kaleo Messia, has concluded that the ancient Egyptians developed the first aircrafts. Predictably, he has experienced considerable hostility regarding his expose of evidences. One particular effort was undertaken by a character known as Martin Gregory, a builder and designer of free-flight gliders. He apparently built an exact replica of the Saqqara Bird made of balsa wood. After testing this replica, Gregory would conclude that the Saqqara Bird never flew. He told the interested parties that it was totally unstable in flight. Even after a tailplane was fitted, he claimed that the glider's performance was disappointing. He finished by concluding that the Saqqara Bird was probably made as a child's toy or a weather vane. This clear attempt to suppress the truth, however, failed, and Martin has since been proven to have lied regarding the abilities of the glider. The question is why did he lie? According to Messia's son, Dawoud Kaleo Messia, a successful architect who has thankfully continued the work of his father, Gregory's suggestion that the Saqqara Bird was a weather vane is impossible due to the lack of markings or any holes on the model that would serve as a means of hanging it. Additionally, and most importantly, aerodynamics expert Simon Sanderson also tested a replica model in a wind tunnel without a tailplane, and found that it produced four times the glider's own weight and lift. In Liverpool University, Sanderson then subjected it to another, more powerful wind tunnel, this time after adding the missing tail. He stated that the Saqqara Bird actually flew quite well, clearly to the annoyance of certain people who are probably now regretting not seizing the entire artifact some years ago, rather than just the tailplane. Over 2,000 years after the ancient Egyptians carved this mysterious bird, modern technology has proven beyond doubt that at full size, it could have indeed once flown through the Egyptian skies. We most recently covered the remarkable discovery, fortunately made in the presence of numerous parties from a number of international research panels, including media personnel. Fortunate for reasons we previously covered in our last video regarding the difficulty when such an event occurs in such a situation to suppress it in the modern age, and the subsequent unusual characteristics of said discovery. A discovery the world has been fortunate to witness, further cementing mounting evidence for the past existence of an ancient giant civilization. With this next discovery, although completely different in characteristics, we feel its scale alone, with other intriguing features, makes it as equally perplexing. An apparent polar opposite approach in some areas, such as methodology and symbology, even including stone selected. Yet another enigmatic mystery, currently sprouting up all over the Giza Plateau. What we found initially interesting was, just like the other enormous tomb we have covered prior, its sheer size, estimated at nearly 9 feet tall and 3.5 feet wide just on the insides. Amazingly, it also initially appeared, and was initially presumed, to have still somehow been a mysteriously hermetically sealed tomb. This is where the open presses line runs out unfortunately, for although it would seem the sarcophagus has indeed been opened, it has been done privately by the Smithsonian Institute. The details of what was found inside, what sort of remains, and indeed their claimed identity, continue to be a closely guarded secret and a subject of hot debate. With the Smithsonian merely stating, further examinations on the body found inside are being conducted. According to the head of Egypt's Supreme Council of Antiquities, quote, there has been a remarkable find in the coastal city of Alexandria. During a routine excavation, experts uncovered a baffling Ptolemaic stone sarcophagus. It has been hailed as a major find, as it can provide insights into the great Hellenistic period in Egypt and its unique culture, end quote. Regardless of academic historians and certain institutions instantly pushing the notion that they know all about this incredible find, and also what exactly could have been found within that black sarcophagus, we find the ordeal highly compelling.