🔥風水師何漢明師（3）： 玄！ 香港風水格局變陣 全因呢棟建築物！ 鳳凰山心經簡林風水陣！無人講過的秘密！ #Lucy 連線

If you want to kill Hong Kong, it has the ability to do so. I will cut your head off. This building has made the whole of Hong Kong in a state of turmoil. There is indeed a good reason for it. Inside and outside, it is divided into two circles, right? The circle in the front is 17 pieces of wood. The circle in the back is 22 pieces of wood. Counting all, it is 38 pieces of wood. If you know math, you already know that 300 plus 2 is the sum of the number of pieces of wood. Many of my colleagues have said that the case is very sinister and vicious. I don't understand it. Because I feel that the whole thing in Shenzhen is a culture of demolition. It has a feng shui effect. But in my eyes, I can clearly see the demolition. Because the whole thing was initiated by the Legislative Yuan. The master of science, Ma Bo, was placed on top of the two pieces of wood. I already feel that it is very strange. Does this really cause feng shui? Or yes, any object can have feng shui. But these few pieces of wood affect the safety of Hong Kong, I think it is too much. If we look at the Legislative Yuan like this, it has already brought the Legislative Yuan to the stage. The master of feng shui is very powerful. Do you think so? First of all, how do I interpret the feng shui of the Heart Sutra? It has this phenomenon. First of all, it is internally and externally divided into two circles. The front circle is 17 pieces of wood. The back circle is 22 pieces of wood, including 38 pieces of wood. If you know math, you already know that 38 pieces of wood are a set of wood. So why do we need to build a set of wood? You have to ask the Legislative Yuan. There must be a master of feng shui in the Legislative Yuan. He has introduced this phenomenon. If the number is not large or small, why do you need to use 38 pieces of wood? Why is it not random? Why do the two circles have to be equal? Many people will equate the two circles. There are 22 pieces of wood on one side, and there are 22 pieces of wood on the other side. And it is an infinite number. Should it be equal? No. And you have to see that the front circle is a solid circle. That is to say, if you stand in the middle, in feng shui, it is said that it is a snake head. That is a solid circle. Okay. Then enter the back circle. You have to stand outside and look at those pieces of wood. That is called outside. That is to say, when it was built, it was deliberately made a different phenomenon outside. The front is solid, and the back is empty. Because you have to stand outside and look at the back. And the 17 pieces of wood in front, you have to look inside. Isn't that black fish? Who are you cheating? But their introduction has never said this view. Why should there be a solid circle inside? And the 22 pieces of wood in the back have to be seen from the outside. What is the design? Why is there this motive? Has it ever been said? This is a cover. It is clear that there is a feng shui effect, but it is not told to you. But who benefits from this feng shui effect? I don't know. Because it's a matter of choice. Why choose Fenghuang Mountain? Right? Why not choose Haibin? Why don't you choose to do it next to the Forbidden City? Oh, it turns out that you have to stick to the Great Buddha. Of course you can explain it like this. But the problem is that the mountain is so desolate that you have to put a few pieces of wood on it randomly. And then it rains in the water. How many pieces of wood are you going to burn? What kind of design is this? So, in fact, it's not just a matter of choice, but also a matter of culture. I believe that the whole thing is driven by a large number of people. Wow, I got this master's treasure. How did you make it? Lui Fat-gong said, OK, how can these treasures drive the tourism industry in Hong Kong? Of course, why not put it next to the cable car? Let people walk around. Why do you have to make it so hard on that path? And it's raining there. It can't be protected. So where is the motivation? There is no explanation. But the problem is that if you look at it from a Feng Shui perspective, it's not a very Feng Shui place. So how can you benefit Hong Kong? In addition, if these few pieces of wood can nail down the Phoenix Mountain, I really disagree. These few pieces of wood can nail down the Phoenix Mountain. It's like you hang a chain on the top of the Phoenix Mountain and say, can I nail down the Phoenix Mountain? You answer me, right? That is to say, you hang a chain on the Phoenix Mountain or use a few pieces of wood to surround the Phoenix Mountain. Then the Phoenix Mountain will die. Do you believe that this is Feng Shui? I don't think so, right? So the only thing I can see is that there are indeed some people in Lui Fat-gong who know Feng Shui. They do things with a sense of pride. And it's obviously a project that they're working on. But they have their eyes high and their hands low. It's the same motivation as the chicken feet on the Phoenix Mountain. So I think that Hong Kong's talent is really in need of talent. But is it from Mr. Lee's hand in hand to get the talent back? You think about it yourself. Right? I don't know where the Feng Shui talent is now. So why are the Feng Shui masters in Lui Fat-gong able to create such a unique Feng Shui? We really need to ask them. Okay, I'll pass it back to you, Lucy. Feng Shui people make a lot of Feng Shui. Do they use it? Is it like you? Feng Shui people, do they use it? Yes. You go first. Okay. I really think that there is a reason why they don't use these folk Feng Shui masters. Because Hong Kong's Feng Shui masters are generally not willing to bow down to the nobles. Generally speaking. So if you say that using money and positions to attract these Feng Shui masters to become an official, first of all, I don't think so. Right? Because it's already very scary in the official culture. Everyone knows that if you go to be an AOI or EO, these positions are the light of the people of Hong Kong. But now, how many people have resigned and left? Right? They can't stand the official culture. Don't talk about any reason. Certainly, Hong Kong's official culture is very difficult to stand. If you go in to be a Feng Shui master, don't I have to go and work for a few big companies? Don't I have to look at your face to go to work? I won't. Feng Shui masters can't do it. They have to work hard. I know this. You just said that there are so many abnormal things in the heart. So what is the motivation of Feng Shui? I don't know. Because it's obvious that it's Feng Shui. Of course, if you think about it in a positive way, the Legislative Yuan hopes that after being an AOI, it will trigger a high-efficiency tourism business or a figure, right? But I just said that the election paper and the structure are very low. You also told us, that is, the Hong Kong media said, that the design of your Heart Sutra is very related to the Wu Jin. Is this Wu Jin a will in the Heart Sutra? I don't think so. Right? And the most important thing now is not the problem of the Heart Sutra, but the problem of Master Guo He's treasure. You have to make the treasure into a Heart Sutra. It's not because of the Heart Sutra that you make a Heart Sutra. You have to distinguish the main character. Right? You want Master Guo He's treasure to go to the Baxi Dynasty. OK. Then you can find a stone house or a museum to make it. Why do you have to make a Heart Sutra? It's raining now. Who will go to the Baxi Dynasty? who will go to the Baxi Dynasty? Who will go to the Baxi Dynasty? who will go to the Baxi Dynasty? Who will go to the Baxi Dynasty? who will go to the Baxi Dynasty? Who will go to the Baxi Dynasty? who will go to the Baxi Dynasty? Who will go to the Baxi Dynasty? who will go to the Baxi Dynasty? Who will go to the Baxi Dynasty? who will go to the Baxi Dynasty? Who will go to the Baxi Dynasty? who will go to the Baxi Dynasty?