【國畫】勾 皴 擦 點 染 國畫五點基本筆法，一幅山水畫講清楚 #繪畫 #國畫教學 #中國畫 #水墨畫

It is said that the difference in thickness is the basic secret of the scene in our Chinese painting. Today, Mr. Xie will use a painting of Shan Shui to let you know. The side wind is good. The side wind comes over and we start to stick the tube to this place and drag it down. Then the side wind comes over again. When we draw the line, we have a line rotation. We need to draw the line in a broken way. Don't merge together. Otherwise, the line we draw will die. The middle side wind is used. The line is basically based on the side wind. This must be remembered. Otherwise, we can't draw a good feeling. Let's finish this hook step by step first. Next, we have finished the hook. In the spring, we cross the lines of different lengths and lengths. When drawing, you must pay attention to the changes in the lines. Long and short changes, cross changes. The brush must be dry. Only when it is dry can we draw the texture and texture of the stone. Use less middle wind and more side wind. In fact, after we practice, the hook and the spring are used together. Next, let's wipe the ink a little lighter. Wipe it again on the basis of the spring. Wipe is not a mess. It is to make up for the shortcomings of the spring. Make it more smooth. In the process of painting, we pay attention to the relationship between light and dark. In the back of this stone, we paint a light color. The ink color is called light dye. In this way, we can distinguish the front and back of the stone. Next, we start to dot and draw a small tree. On the top of the mountain, there is a difference between the top of the mountain and the back of the mountain. We can draw a long and short tree. Next, we draw a small tree. The small tree is drawn with different horizontal dots. This represents the small tree on the mountain. Next, we dot. Dot is the point of origin. The point of origin is to go down along the vein of the mountain. A is to go down now. First, we dot the deep place. Then, we dot on the top of the mountain. Dot along the bottom. Dot represents the tree. The tree is in full bloom. After dotting, we start to dye. We dye the ink. There are two ways to dye. The first way is to draw a three-dimensional feeling. First, we use the ink to paint the place. When the ink is dry, we start to dye. Where do we dye? We dye the place where the hole is. When we dye, it is not flat. We use the ink to paint the place where the hole is. This is called condensation. We use the ink to paint the place where the hole is. We can draw a distant mountain behind. First, we dip the brush in water. After dipping the brush in water, we dip the tip of the brush in the ink. The tip of the brush is up. The top of the mountain is deep. The bottom of the mountain is light. Then, we use the belly of the brush to pull down. We connect the ink to the bottom of the mountain. Then, we draw a distant mountain behind. Pay attention to the three-dimensional feeling when painting. Today, we have finished painting the horse.