Alien Disclosure Inside The Great Pyramids?

in 1879 British archaeologist Wayman Dixon successfully retrieved a number of mysterious artifacts from within the infamous lower Northern shaft of the Great Pyramid of kuu one of these artifacts was a small piece of a square wooden rod which has since disappeared the only artifact to conveniently go missing and the only artifact which could have produced an accurate dating for what seems was a rather elaborate prior attempt to overcome a sophisticated array of blocking stones and vertical passageways which confront all who try to breach the innermost sanctums of this mysterious pyramid the reason for this past mission or indeed who undertook such an attempt remain a mystery but their motive will soon become clear one of wayman's other finds resembling a small grappling hook with two rivets matches two holes in a square rope still lodged up in the vertical Northern shaft clearly left by these wannabe tomb Raiders it seems that these highly talented acrobatic grave robbers couldn't make it any further and once one becomes aware of the existence of a large Hidden chamber built into the pyramid's design placed just above this unexplored shaft you will inevitably begin to wonder what could possibly be hiding up there indeed it's a well-known fact that the Builders of these structures were no notorious for their superhuman efforts in concealment huge multi-ton blocking stones in front of the entrances to their kings and treasures and indeed in front of virtually every interior shaft and room within the Great Pyramid of kofu the upper region of this Northern shaft constitutes the last remaining unexplored areas due to the impossible access angle we know it's there and all we have to do is apply existing technology in getting in there Rudolph gaten Brink told the press it must be noted although the mention of tombs has been made the evidence to suggest such is based solely upon a number of parchments and a single Mark found within an interior chamber of the pyramid naming a gang and the fourth Dynasty Egyptian pharaoh kufu egyptologists have taken these fragmentary factors and concluded that all pyramids were therefore built as tombs the great one being built over a 10 to 20 year period concluding around 2560 BC it seems the entire thesis of ancient Egyptian Legacy is built around a few mentions of the pyramids as tombs no mummies or burial artifacts except a tiny box claimed to be that of the sarcophagus of kuu has ever been found in the pyramids additionally and perhaps more importantly cfu's Egyptian civilization along with all subsequent and prior dynasties catalog tremendous details regarding their existence yet all for some reason seemingly forget to mention the construction of the biggest most mysterious structures on Earth or indeed how they did it what could there possibly be hidden within this chamber this unexplored and clearly sought after secret room a room which is seemingly unrb with mainstream egyptologists archaeologists and academic historians alike insisting that these amazing pyramids were once unquestionably tombs which were robbed completely over the Millennia whatever this room contains May settle this once and for all we have often postulated as to the precise age of the great monuments of Giza undoubtedly the most astonishing structures left by the ancient world there are many questions which persist regarding this ancient site who built these extraordinary buildings why did they build them and of course when was this unimaginably enormous task undertaken interestingly there exists an enigmatic statue which it seems although predictably little shared by Academia actually predates this astonishing time within Earth's history quoted as possibly one of the rarest finds of its kind according to Dr Clarence Epstein senior director of urban and cultural Affairs at Concordia University where this remarkable item is housed not only can no one date the object but there also exists a language etched into its form which is yet to be deciphered as Dr Epstein acknowledges no expert among the countless he has personally consulted over the past decade can identify the sculptures age artistic tradition or indeed recognize and decipher the ancient language found etched into its base Dr Epstein believed the statue is of a pre-dynastic age it was originally taken from Alexandria by the dinopolis family it was then shipped with 20 crates of Antiquities from Egypt and the Middle East to Canada where it still resides however its whereabouts prior to the shipment are unknown the statue is of two nude subjects standing 67 cm High one male and the other presumed female this figure is also not as possibly holding a child they are depicted in a sitting position with noticeable elongated skulls now known as The Starving of Sakura this due to the figure's emaciated frames just what could this statue represent or indeed be trying to tell us how old could it possibly be and most interestingly of all what could the enigmatic writing upon its base actually mean as more researches is undertaken it is only a matter of time before we know its true identity once and for all we recently covered the ongoing debate regarding the true age of the Great Sphinx and the recent controversy found in the geological evidence which indicates that the monument long taught to be a mere 3,000 years old is in reality as much as 800,000 years this evidence is based on erosion patterns and shared characteristics with Coastal erosion patterns additionally we also covered the remarkable discovery of a possible second Sphinx found a short distance away however what we didn't cover was the anomalies that can be discovered regarding the continued mainstream posit of the Sphinx experiencing modern manipulation and the possibility that the face now found upon the Sphinx was a much later even possibly modern Edition now concealing the the true identity of the Sphinx we have touched upon the rather amateurish Stone cuts that are visible around the Sphinx's headwear in the past along with its ears and many other interesting yet largely unknown and we feel academically ignored features found all over the Sphinx's face and head from the neck down the Sphinx still shows its age in all its Glory not only a match to the far more eroded now unrecognizable second Monument found a short distance away the question is if mainstream academics or those bestowed with the responsibility of protecting the Sphinx were not aware of the controversy in regard to the Sphinx's true identity all these years ago then why did they do these works why did they clearly Implement great efforts and clandestine at that if they were not aware of its fragile and seemingly hung existence hung off a far older Relic not only hiding its true age but continually pushed as the authentic original appearance of this great Monument not only is our evidence mounting in regard to the true age of the Great Pyramids and possibly for this exact reason the numerous additional Works clearly made by later yet also Advanced ancient now lost civilizations are now visible to all who visit these monuments but it seems that the cracks are also beginning to form thankfully only within the modern paradigms in regard to the true identity and true age of the Sphinx as well who built the Great Sphinx who added the head we see today one now synonymous with the plateau why were manipulations done to the Head clearly to preserve it yet in complete secret we find our research and the mounting evidence supporting our posits highly compelling the necrom Manon once used as a greek temple of necromancy devoted by the Greeks to their god of the underworld Hades and his female consort pepan this site was believed by the Greek devotees to be the door of Hades allowing entry to the realm of the Dead located at the meeting point of the acaron pelathon and coidus rivers which were believed to have also flowed through the kingdom of Hades with names given to the rivers presumably by the Greeks in interpreted to be joyless burning coals and lament wilst other temples such as the Temple of Poseidon at teneran the temples at Hermione and in Italy and heraclea within pontos were known to have been used for the practice of necromancy it was the necromanteion that was the most famous of them all according to ancient Greek beliefs while the bodies of the Dead decayed in the earth their souls would be released traveling to this purported underworld via fissures within the Earth these spirits of the Dead according to the ancient Greeks were said to possess abilities that the living did not have including the power of precognition the power to foretell the future they therefore claim that these temples were erected by them in locations that were entrances to this mysterious underworld used as altars for the Believers of such to practice necromancy a a belief form of communication with the dead this practice was attempted in order to receive prophecy however if one explores the architecture of such site not only does this ancient Greek claim of construction become a clear dubiously attested claim but the evidence for highly Advanced Precision block building now known as polygonal masonry is discovered throughout the site this existence of such sophisticated block building which is not only found within and upon nearly every as yet unexplained ancient side upon the Earth but is incredibly similar in form to that of many other ancient sites within Italy specifically the ancient wall which can still be found surrounding the Acropolis of allatra and at other sites including within the ancient ruins of Deli this astonishing feed of ancient engineering is as yet unexplained by modern academics strongly indicating that this ancient site was originally built by a civilization now lost to history furthermore like the enigmatic metal clamps whose remnants are to be found within a number of these same ancient sites that were originally used by this highly intelligent group these once utilized to keep the stones in their fitted positions as they shifted and settled over the Millennia these clamps design vary from from continent to continent our reason for mentioning this curiosity is that although the sophisticated methods of creating these ruins often remain similar or the same depending upon the continent they are found is dependent on the style and material these methods are made from this to us strongly suggests that these ancient structures may have indeed been built by the different races found within these differing countries the commanding Force the leading power of these groups was the same worldwide power and font of this knowledge who with their clearly incredible technological prowess successfully created such structures and indeed the necrom Manon which regardless of their tremendous age has successfully survived a vast amount of Millennia successfully making it into our own modern ancestors lives predictably adapted due to their wondrous nature in into their historical belief systems often being adopted surrounding spirituality either for a theistic worship burial or in the case of the necromanteion for the use of contacting the dead through the Mystic teachings of necromancy it is undoubtedly highly compelling [Music]