如何畫風景－寫實風景畫教程

Hey, welcome back my friends In today's video we're gonna paint a little landscape painting We're gonna start right now So we grab a set of colors And I start to mix the colorful sky first See a lot of different blue tones here And I'm gonna paint the sky in one sitting Gonna oil it out, as you can see here Grab some linseed oil and start to seal basically the painting surface So that the color will not get dry too quick So we can blend it better Get rid of the exceeding amount of oil The old t-shirt that needs to be washed anyway This is the set of brushes that we're gonna use Very soft ones, a bit older ones Some blender brushes on the right side here Then I start to apply the color I use the darkest blue color here, as you can see On the top And the oil that we put on before Prevents the color from getting sucked into this painting surface too quick This basically helps us to be able to blend the colors In a very easy way Starting with the darkest color And then I grab the next one And start to basically slap it on more or less You can see it's in a very rough way Parallel to the edge of the painting And the same goes for the next, a bit even lighter color Then I start to blend the color with this very soft blender brush here I don't apply too much pressure in this stage here Then I start to establish the location of the clouds that we have On the lower end here So that I know up until where we need to put on the color Then I basically go on putting on the color Getting lighter and lighter Pre-blending with the brush that I applied the color with Then I grab this bigger blender brush and start to Really do a very soft transition between those colors Then I go back and put into this still wet color Some cloud elements as you can see here This can be done very easy By just adding some lighter color Adding some other color here, a bit more of a brownish color Cloud-wise It can hardly be seen but this is a very easy way of Basically mixing the color, slapping it on And blending it with a little bit of a bigger brush You can see here now what I'm doing Clouds can hardly be seen but I think they are vital So that we have a really nice death to the soul cloud scene here Then I start to work on the volume of this cloud in the foreground here Basically you want volume in your clouds Not just a flat amount of color You really need to flesh it out Make it kind of a round shape Giving it a really volume to this whole thing Therefore I go back and put in some lighter color Basically rework those applied colors in places Re-adjust them Same goes for this part here And the color is still wet that we have in the background This is a very nice way of really getting a very nice transition Between the color of the sky and the clouds themselves You can basically add more color to them If you want to have them a bit more coming to the foreground Or don't add any more color to it So that it's a bit pushed more to the back You see in detail, it's a very easy way of doing it Then I mix a set of colors for the underpainting For the tree line here and the foreground This part here is also done in a very just one sitting Note that we do very bluish colors in the back So that we have another really nice connection with the back And get a distance into this painting And in the water Then I let the whole thing dry for a couple of days Actually took quite a long time to get it dry Because I used this oil for thinning down the colors Then I'll go back and establish Or build up the line of the trees that we have here And the secret to this is to To really be extremely careful with the amount of color that you have in your brush I'm using a ragged filbert brush Dagger brush, ragged dagger brush And I basically Spare out the parts where we have Kind of a window in those trees Line here where we Have the color of the sky coming through And this is a very easy way of building up Trees in a very quick way Also note here that we have It doesn't look at the moment Very different But we have lots of brownish and reddish tones in there Not just a greenish one I'm adding now the details in the front part And you see when this part is very tiny So you have to use a very tiny brush To get on those details I mean they have to fit If you would use a bigger brush That would slap on those details They would look off Therefore make sure that you Get the relationship right Between those details and the Actual size of the painting itself Here we build up more of the trees And detail is key here In this part of the painting Poking in some holes Where we can see the background And also adding trunks and limbs And just a ton of detail that we Need to have here Make sure that you Don't go too dark with the Tree details on the outside The tree limbs basically Become thinner and thinner This is something that you need to Put in to make sure that this whole thing Looks realistic And then start to build up the grass line In the front part here With a filbert brush Thin out very heavy on the top part And this really was a big help To get in those details Those fine ones in a very quick way And note again we have here Lots of color variations We have this brownish color here On the tree line We have lighter greenish tones With darker ones We have this brownish tone here And then I start to build up the water That basically sneaks into the To the land part here more or less Basically we have here Kind of a swamp situation more or less This dark greenish color is basically The water that is covered by the grass And by the moss and stuff Therefore we also need to put in those Those windows where we have the water Shining through And also make sure that you do not That you blend the edges very very carefully Painting is I mean it's not a very tiny painting But it's not too big of a painting And people will step close to it And therefore you You want those fine details And those fine lines And those fine transitions Between the colors Here I'm building up Kind of an island with some grass Light on the top Darker on the lower end And then I start to add Details with a lighter color And also a darker color As you can see here And then on the final step I add some Some highlights of the grass That extends and that is reflecting From the sunlight And we start to work on the reflections That we have from this grass part here On the water And also I'm adding tons of detail Reflections on the water Some more grass details and parts here Again with lots of color variations We have some reddish tones Some brownish tones We have this more greenish thing Going on lots of yellowish tones here And so I build up those Red details here that we have The details here and there And we're working the water line And you know I'm adding Kind of a grass island on the front Basically sliding on the color Again with this ragged silver blush But we also need to put in Those finer grass details With a more or less leaf by leaf With this very fine blush here And yeah this is another key part here I'm not just adding pure leaves of the grass Or single bits of the grass I also add kind of a rough Rougher color up thing Like here for example Where basically we let the Darkish tones blend into the blue of the water here So that we have a really nice Chaotic and random looking grass scene here I mean this grass has never Has never been mowed before And this needs to be reflected in These kinds of paintings And I've add here some Again some Very fine details Again not just single bits of grass But also just tips of the grass And some flower kind of things here and there Some other shaped leaves So that we have a really nice Random looking arrangement of vegetation here Very important thing is Also we need to add those reflections From those clouds here Therefore I measure up where they are located Basically I measure from the Water line to the cloud And from the water line down to the Water we have here And then we basically Add on those These glazing thing going on here It's a very thin down Mixture of white and blue And you see I basically Do it very carefully I don't get too bright at the first go I just try to build up those The location And then I start to really Add more color To basically reflect Those reflections From the more whitish part of the clouds That we have here on top And this really makes this thing pop And look realistic Working my way forward And adding more and more details Doing basically the same thing To this other part here And then I add The reflections from the Vegetation here on this grass Onto the water See it's very tiny Very fine details And we are finished So that's it for today But make sure you check out One of these two videos here