如何畫水——海灘陽光反射在海浪上的繪畫教程

Hey my friends, welcome back, in today's video we're gonna do this nice little water reflection painting here So, we grab a set of colors, as you can see here Seven, all together, and start to mix the colors for the underpainting And, in case of the sky, I'm, yeah, doing the sky, the clouds here in one sitting See, I start with the darkest blue color on the top And get a bit lighter for the next blue color that we pre-mixed here And then I blend it, more or less First rough with this hard flat brush here And then with the ox hair blender brush I, yeah, blend the colors so that we have a nice transition And then I start to build up the cloud details here They appear to be white, but again, of course, they are not white They are far off from white But in comparison with the blue, the background, it really appears to be white And another important thing for you is to get away from this principle of thinking that clouds are white And they appear to be white compared to the colors surrounding them, but they are really far off You see we have on the palette this titanium white blob here On the left upper part of the palette And this is pure white And the color we use for the clouds basically are very, pretty far off It's a mixture of titanium white and a bit of lemon, yellow, straw sienna, a bit of a greenish touch to it Some areas where we blend into this background color But basically the colors are really not that white from the clouds here I'm using this flat brush here It's a bit of a stiffer one And this really helps to get the color very easy In a very blended way so that we don't have to Rework the edges of the white part here And it's again kind of a You need to know what tool you have to use for getting in effects very quick In a very effective way On the left part we add some smaller cloud details here Reworking the colors, remixing them, getting a bit more grayish Get those bluish colors into it And overall a bit of this greenish tone I see we have a ton of details but we don't use too small brush Therefore it's, yeah Those brushes are really easy, really handy for Painting those cloud details on a very small scale The next part we do is the underpainting for the water part It's done in a very thick way As you don't have to, yeah Basically try to really get the white of the canvas covered completely On the left we have a bit of a more grayish, greenish color Lighter one That blends on the right side into the a bit darker one So we already have some transition from the colors that we need to have To make this thing look realistic Of course blending the edges Just a bit softening down and Yeah, remix the next set of colors Grab some fine brushes as you can see and Yeah, start to build up those wave details On the now dry surface that we paint on And the water in this painting here was pretty greenish As you can see here Darker greenish tones, more lighter ones And this bluish color is used for the shadow beneath this Yeah, wave that breaks on this part here This lighter bluish color is basically the reflection from the sky And this is something you need to put in to make it look realistic Then I grab some smaller round brush and start to build up the foam and the white water In this area here It took quite a while to get in those details I mean, of course in this small painting here Very small size painting you Yeah, you need to get a bit overboard with those details And this is done by using very small brush of course And I'm also using here the dry brush technique Reworking areas, getting darker, lighter Also using the background color from the first layer To let it shine through the white water part Yeah, splashing around here And then I start to build up also again the reflection These purplish, bluish reflections we have on the wet part of the beach This grayish, darkish color here Because we still have a very thin layer of water here And this also reflects the sky And so basically I use this darkish, greenish color To build up those breaking waves And I'm using not that much of a color Not that thick And then I go over this whole thing While it's still wet And put on those white reflections that we have here And they also need to be, at least in parts, kind of blended Kind of a bit blurry looking And now put on the reflection parts The white water foam parts, the front part here Also of course, a bit blending is involved here Just to make those edges not too sharp looking Not too edgy, not too cut out And I think this is a key part here That you just need to take the time to put in those very fine dots I mean, you see my hand is... Looks huge compared to the size of the painting And I'm still trying to get in details that are really tiny And also try to shift around on the reflection part that we have here That it's not too... Not everywhere looking completely like titanium white pure It needs to have some variation to it And then I'm building up the other breaking wave parts here And then I start to put in the reflection from the sky Between those waves that we have here And this is now the final part The reflection of the sunlight here And you see those dots are really extremely tiny And the more you step to the front The more they need to be on the top of the wave that we have here So make sure that you put in those reflections Really on the upper end of this darker greenish color here Yeah, we're finished And don't forget to check out one of these two videos here