A beginner's guide to clay (what clay should I start with?)

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Hello potters. Today were talking about clay from a beginners point of view. I get questions all the time in the field of " what clay should I start out with?" " Why is this clay different from this clay" "what's the difference between earthenware and stoneware?"
In this video we aim to answer these questions in the most simple way with examples to boot. This is mainly aimed at the true beginner and the person who is just starting and has no idea what to look for as far as working with clay.
** My website ( where you can buy my work and frolic around)
https://www.earthnationceramics.com
** wanna send me food and make me fatter?
p.o box : 4540 florin road # E 138 Sacramento
zip:95823
name: Donte the potter
Hello you dirty potters, how are you today? Today's video is going to be a short overview
on a subject that I get asked a lot on my social media on Instagram and Twitter and the like
and that is what clay should I use first? A lot of you are probably just getting ceramic artwork
and pottery and you kind of wonder like what clay should I use first and there's a lot of
different clays in the world and I mean a lot of different clays in the world. Each of them
have their own categories, their own feels, their own colors, their own types, their own firing
temperatures but in today's video I'm going to give you an overarching definition of a lot of
the categories, colors, and types of those clays so that you can make the best choice for your work.
Now I do understand when people ask this question they're generally asking hey I'm just getting
into pottery what's the very first clay that I should pick up and there's no real one overarching
answer that I would give to anyone asking that specific question. Some people want to make
jewelry with their clay bodies and that doesn't really require a lot of consideration towards
food safety and your clay body. Some people want their stuff to be super white, super shiny, very
tasty with the color. In those cases I would suggest a porcelainous clay body. Some people
want to sculpt with their stuff, they want it to be extra hard, they want to build really well with it
but they want it to take water very well. Well in most cases I would suggest something with a grog
in it but for a real beginner most of you have no idea what category of clay any of those go into.
In today's video we're going to talk about those categories. Firstly before we start anything let's
go over the categorization of most clay bodies. You're going to notice that I'm using words like
most majority of the time it's because there's always outliers to these basic rules that I'm
about to give you. I'm just saying that because there's always one nerd in the comments below who's
like I have a cone 5 porcelain clay and you said they're only that cone 10. I didn't say always
I said generally shut your face. Generally speaking there are three different categorizations in which
clay can be put into. That's earthenware, stoneware, and porcelain clay bodies. Each of them have their
own utilities, each of them have their own feel, each of them have their own firing ranges, and
we'll talk about that as we go along. A lot of you might be confused with some of the definitions and
you're thinking we can't just oversimplify this and just say clay is clay why not? Well there's
generally three different categorizations of clay. There's earthenware, stoneware, and porcelain.
That's a very general thing. That being said throughout those or inside of those there are
different chemicals and different things that make clay different all throughout. I think a lot
of people seem to think that companies just dig clay out of the ground they analyze it and go this
is this type of clay but that's not true. What most companies do is they have recipes much like
glazes how people can make their own glazes they can make their own clays as well. What a lot of
companies do is they find a recipe to a certain feel color type and firing temperature of clay
they get clay out of the ground they filter it a bit they add those chemicals in much like making
your own glaze and it comes out a certain way. In the same way that glazes have certain firing
temperatures there are clays with certain firing temperatures as well and in the same way that a
glaze might come out a certain color so does a clay body. They're very different but you should
know that most of these are not what we call wild clay most of these are produced clay bodies. We're
very spoiled nowadays and that we can get exactly what we want out of the clay bodies with a company
that manufactures a lot of these chemicals for us. With that being said let's go over the three main
categories in which most of your pottery clay is going to be found. Earthenware. Earthenware
clay bodies are almost synonymous with low fire clay bodies. Most earthenware clay bodies are
fired around 05, 04, 06 the low fire ranges before it even gets into the positive scale. Generally
speaking when you fire earthenware clay bodies they end up being a little bit coarse and they're
not fired as high or as strong as other clay bodies in the mid and higher fire ranges. Because of this
they end up being porous and they're generally not accepted as a functional food safe thing. The
pores when you fire them don't open and close very tightly they kind of stay open a bit so sometimes
they will accept food, bacteria, liquids into the clay body themselves. They're seen as more of a
craft clay and generally speaking most potters do not use them for functional wear. Mainly because
their low firing point doesn't allow them to get anywhere near the point of vitrification
which is the fancy word for made into glass. When you fire clay bodies after a certain point they
become non-porous and generally speaking that's completed at cone 10 or above but the higher you
fire something the more the pores close up and become a bit safer to put glass or glaze like
minerals over them so they fuse into the clay body and become not only stronger but generally less
porous for everyday functional use. Low fire clays just can't go high enough in order to reach that
point so generally speaking earthenware is not really the call for a lot of functional potters
but a lot of us who just want to play around with clay and craft use this as a fine medium.
As a general rule and this is a very general rule because there are outliers to this that can be very
easily illustrated but the higher that you fire clay body the stronger and the less porous it
becomes. That's why porcelain is always seen as like the king of functional foodware although
most mid-fire cone five cone six stonewares work fine for general use. No one's dying out here out
of mid fire stone. If you're looking for the pure aesthetic of earthenware you have to be a bit
careful with it because earthenware usually fires out a little bit more opaque than higher fired
clay bodies especially that of a white clay body with non-grog in it or a porcelain or porcelainous
clay body. That means when you look at the bag you're gonna go okay that's the color it's gonna
come out. A lot of the times it comes out a bit more opaque than that. Potter tip! I just said the
word fired out. Some of you don't know what that means and yes it might be a word that I just made
up. Generally speaking the color of the clay body when you first buy the bag of clay doesn't fire
the same shade nor the same color as the bag of clay itself. What I mean by this is let's take a
very well-known low fire clay let's take steve's white for example. Steve's white looks like this
kind of grayish talcum powder type of base to it but when you fire it when it fires out it becomes
white, white opaque but still white. That's because when it fires out a lot of clays end up not
looking like the original base of what the bag of clay looks like. This happens with a lot of glazes
as well. It's more of a chemical reaction thing than anything else but a lot of you will probably
notice that your like rutile blue even in a bottle if you don't make the glaze yourself will look
kind of red. It's generally because the chemical reaction is what makes the color and it's not
exactly the base of the color that you're buying. So many people wonder how their clay body is going
to look after it fires out that the shop that I go to Alpha Fire Arts in Sacramento has an entire
test tile wall. A test tile is a piece of clay a tile that you test things on. I don't know how
to explain it to you other than that if you're super new but that is what it is. A test tile is
a tile that you test things on but the tile is made of so you get the point. In this shop they
organize it beautifully they have the clay body so you can see the clay body right below you then
they have this giant test tile it's cut kind of in half like this with the fired out product with
no glaze on it and then the fire product that's fully fired and fully glazed. You will notice a
very startling difference in between the clay body color the fired out clay and the actual glazed
product. They all look massively different and if they don't look super different they look a
tinge different with the shade of color they have in difference in between the clay body the fired
out products and the actual fully glazed product. They look very different so don't make the mistake
of thinking that just because you got a bag of clay that is a color then you're going to get
that exact same shade and color. Let's move on to stoneware clay body. Stoneware clay bodies
generally being fired to a higher fire than earthware clay bodies are generally considered
a bit less porous if not semi-porous more food safe and a bit stronger. Stoneware clay bodies
usually fire out a bit less opaque but still semi-opaque if you're looking for really strong
clarity in your glazes I wouldn't go for a stoneware clay body granted there are stoneware
clay bodies that don't have stone or grog in them we'll explain that in a second. Many stoneware
clay bodies are produced and have an additive added to them called grog. Grog is essentially
the fancy potter word that we use for little tiny rocks inside of our clay body. A lot of stoneware
clay has this but don't worry it doesn't really hurt your hands. Companies make sure that they're
kind of tumbled around, gridded, sanded down so that way they can put them in your clay body for
more workability. This works out for the durability the structure the stability for a lot of your clay
A lot of sculptors actually like grog in their clay body because it allows them to build a little
bit taller with a little bit more safety as for porcelain doesn't generally have these little
tiny grog rocks in them so it's a bit harder to work either wider or taller without the project
flopping down on you. Granted there are a couple of sculptors who work with exclusively porcelain
and don't let them drag you down they think their farts smell good and I don't know what their deal
is. There's always one of them in the comments below I only use porcelain
Potter tip there are different levels of grog I want to tell you that now different clay
manufacturers add different levels of grog to different clay bodies to make sure that the
workability is exactly what you want it to be so there might be a clay body and I'm just throwing
numbers out there with 10% grog in it or 30% grog in it and this grit of grog in it and this grit
of grog in it don't make the mistake of going up to the table or the cashier and saying hey don't
the potter said I need clay with grog in it I need a clay with a lot of grog in it they will
give you rocks they will give you a clay body that feels like five o'clock shadow on your hands
for an hour while you throw with it trust and believe that you want to make sure you look into
the clay body itself and see how much grog is in there and maybe talk to the person behind the
counter and say hey how much grog does this have in it or compare it to other clay bodies and see
relative to other grog clay bodies really heavily grog clay bodies maybe like a straight sculptor
clay body in comparison to the other clay bodies that way you can fit something that feels a bit
nicer for your hands instead of throwing with a pumice stone generally speaking stoneware clay
bodies are fired at a higher fire than earthenware clay bodies like I said earlier but because of
that they're generally stronger less porous and a bit easier to work with for craft generally
speaking a lot of us use cone five cone six stoneware clay bodies in order to get a lot of
cups bowls mugs teapots there's no shame in using these for functional wear potter tea as a bonus
tip a lot of the clay bodies that are discovered by potters who make their own clays are bought
out by companies for that recipe and they end up producing and selling them to other people so for
example there's a porcelain out there called dave's porcelain a man named dave ended up producing the
recipe to make that porcelain clay body and it is now sold to the general public steve's white
is a low fire clay body a very popular one at that the recipe was produced by a person named
steve this person then sold it to a company that company now produces it coleman porcelain is a
very high-end porcelain it was made by a person named tom coleman tom coleman knows has developed
the recipe it was bought out by a company and now a company produces and sells that to the rest of
you that is essentially originally a potter's recipe that is being produced by a company
specifically for you to buy let's move on to porcelain clay porcelain clay being the last
on the list is the highest fired of all the clay bodies being outside of like space shuttles and
car breaks and things of that nature that we use for a lot of our equipment on here on earth as
opposed to mars i don't know these porcelain clay bodies are fired at a higher temperature than
stoneware and earthenware and because of that they're generally considered a bit more food safe
less porous and much more strong than the other two when they're fully fired because of those
three factors they're generally considered a little bit better for functional use everyday
use they take colors extremely well they usually fire out white they're not as opaque as stoneware
and earthenware meaning that if you put a glaze on them that glaze will really show its true colors
that being said don't think just because porcelain generally shows like real good tasty colors on
that clay body mean that the other clay bodies aren't as good i love other clay bodies with other
colors just because the chemical reaction in between what the clay is made out of and the
glaze itself give you a world of color a giant variety of them so you know if you're thinking
right now well porcelain is just the best you might want to get that out of your head generally
speaking porcelain is not really meant for sculpture unless you're a very niche sculptor
who loves to sculpt or carve with porcelain ware that being said i know tons of sculptors
who sculpt with porcelain specifically because it's their niche and it works for their work and
their colors and whatnot but even those sculptors will fully admit that if they could have a grog
version of their clay that wouldn't mess up the workability of their work or the smoothness or
maybe the opaqueness of their work they would probably take it in a heartbeat it would just
make it way easier for them to sculpt because they have that durability and stability while
they're working with a medium porcelain also generally has this kind of stereotype of being
difficult to work with but that's not really true it just requires a certain amount of respect you
can't really throw most porcelain around like you can with stoneware or grog like clay but the
porcelain at least that it's good quality phase is akin to cream cheese this is one of the reasons
why at least once a year on tiktok and instagram you see potters who will like get a package of
cream cheese from the store to wedge it and throw it on the wheel that's because to a normal person
it seems super difficult like wow you're so skilled that you can do that with food but realistically
speaking cream cheese kind of feels like medium quality porcelain and that's why we can basically
make a bowl out of cream cheese on the wheel if you wanted and although it makes great quality
for tiktok to other potters in the culture we're like yeah that's um that's not special it's very
normal for most of us porcelain clay is usually found in a white clay body it is very difficult
for me although i have found a couple it's very difficult for me to find a porcelain clay body
that does not fire out either purely white or some type of off white it's very difficult to
find a porcelain that is not a white clay body this means for all the darker clay bodies that
usually have a chemical reaction where some of the blues will become a bit darker some of your
reds will become a little bit redder giving it that real iron high iron feel to it porcelain
doesn't really attribute to those chemical reactions if you have white porcelain pure
you're gonna get whatever glaze you put on it and the chemical reactions that you would get
from some stoneware or red clay bodies generally don't happen unless you have a very specific type
of porcelain generally speaking i don't really suggest people choose porcelain as their very
first clay body because it's nothing but negatives if you like or dislike it or if it's workable or
not workable for you you kind of close off a lot of avenues to you for example if you work with
porcelain for your first clay body and you end up liking it and you go with all the other porcelains
and you end up liking them then you never really get to discover the avenue the chemical reactions
the glaze possibilities that you would get with stoneware and other colored clay bodies cultural
potter tip i should warn you about this now there are two different types of people that over
fetishize porcelain in the ceramic art world well one of them is not really in the ceramic art world
but hear me out there's the beginner potter who seems to go along with the stereotype that
porcelain is a high tier high skill medium of clay and because of it they try really hard to
get to the level of porcelain thinking that oh if it's harder to work with and i can work with it
that must mean that i'm a better potter than other potters who cannot work with it so they'll do
things like brag like oh i can work with porcelain oh you work with porcelain i work with porcelain
oh my god oh porcelain but realistically speaking once you get into the culture of pottery and
you've been kind of indoctrinated and in the clay community for a while you will see that the the
highest tiers of ceramic artists not even potters in general will generally not work with porcelain
unless they're making something for pure function or selling on a production level most of the
what i call capital a artists are working with their own clay bodies they manufacture to make
themselves or they're working with a clay body that works very well for their specific medium
or things of that nature not many high class artists are working purely with porcelain unless
it is their niche and even then they're still kind of riding on the stereotype of people thinking
porcelain is fancy to that extent the other side of that coin are people who are not in the pottery
world at all and because of that they do things like collect old english pottery so when they
start off with ceramic artwork or they want to dip their toe into the field of ceramic artwork
they seem to gravitate towards porcelain because of course they have this in their homes you know
they think this porcelain is fancy porcelain is high class porcelain is standard porcelains for
the when the queen comes over okay now that we've gotten the three main categories out of the way
with details to note let's go over what i would suggest for some of you potters right now now if
you're someone who skipped specifically to this section because you didn't want to hear all the
other explanations and what i had to say on that because i most likely left you a time stamp at
the beginning of this episode congratulations you're not patient remember to click the like
button because i was right and you're mad about it if you're looking for some standard low fire
earthenware clay to practice with and you just kind of want to get your hands in clay you don't
really want to make anything functional you're not looking to sell your work anytime soon you're not
trying to make a business out of this go ahead and get yourself some steve's white steve's white is
a fantastic low fire earthenware clay body no you cannot do it in your oven i get that question all
the time because the temperature of 04 is still pretty high in comparison to regular conventional
oven temperatures i don't know why i even have to address that it should be blatantly obvious
steve's white is a fantastic clay body and as the name suggests it does fire out white but as i
mentioned earlier in the video just because a clay body has a different color doesn't mean that it
doesn't fire out a specific color or the color that you're looking for the color of the clay
body the color of how it fires out and the color of how it looks when it's glazed are all three
different colors if not shades on a general basis steve's white fantastic low fire clay body if
you're just looking to practice maybe have some fun at home maybe you have your own kiln you bought
a small little tiny kiln like i have a tester kiln over there very small one you just kind of want
to get some practice in some steve's white is fantastic for the stoneware potters or people
who are looking to get into the more production or sellable work or they want their clay bodies
to be a little bit more functional or strong b mix or b mix with grog is a fantastic way to go
i only say this because it's one of the few clays that i know of that have a grog and non-grog
variation of it that meaning if you want to work with something that doesn't have grog in it a
little bit more porcelainous you can definitely go the route of a non-grog b mix but if you want
something a little bit more standard a bit more sturdy as you work with it you can go with the
grog variation they both fire out to cone five and a little secret here i fire mine to come six
it works out just fine i'll tell you what a lot of stoneware clay bodies will fire in the mid range
that being in between like four and six and a lot of earthenware are usually low fire as i named
earlier the higher the tier list you go usually the higher the temperature goes moving on to
porcelain i would suggest probably a porcelain called dave's porcelain dave's porcelain is a very
inexpensive version of porcelain and if you're trying to get your hands on it and you like the
way it feels and you want a higher quality of it you can always move up to hoggy porcelain to
coleman porcelain things of that nature but be warned dave's porcelain as far as i know is one
of the cheaper porcelains on the market things like georgia coleman and hoggy porcelain are very
expensive it's more expensive than gas so here's the thing coleman porcelain at my store right now
goes like 27 a bag and a bag is about 25 pounds it's more than a dollar a pound okay that's
technically if you compare the two more than a tank of gas for 50 pounds of clay just for me
so keep in mind that if you want to experiment with porcelain and you want to get the higher
tiers of porcelain the stuff that's a lot more quality a lot more creamy feels better on your
hands i would suggest playing with some other clay first to see if you want to go that route
that clay would be dave's porcelain for my suggestion because these porcelains over here
they're expensive they're they're real expensive i don't know what they put in this clay
it might be fairy tears i don't know i don't know where they're getting fairy tears but it better
have fairy tears in it if it's going to be that expensive you know it's actually really funny
because a lot of the clay bodies are named after the people that produce the recipe they sell them
off to companies and then those companies in turn sell it back to the everyday person so dave's
porcelain was made after a man named dave you know it's steve's white steve coleman porcelain tom
coleman you know and a lot of other clay bodies that are manufactured straight from the company
have like little code names to them so like like uh redstone it's called redstone but
its code name or at least the name that it pulls up when it gives you the code is wc-420
but beemix is very special because beemix doesn't have these weird code names but it does have a
different name it's not called like white stone it's not called stone white it's nothing like
that there's there's nothing like that beemix is a b and then mix added to it that's because the
last name of the person who made the formula to beemix his last name is butt yeah you heard me
his last name is butt not like b-u-t like b-u-t-t like buttocks his his last name is
butt and i know you don't believe me right now so i'm gonna leave a link below to verify that
but i think the company realized they can't sell butt mix so so they call it beemix and there's a
grog and non-grog version it is currently one of the most popular clay bodies in the world especially
for stoneware users such as myself i have two bags in front of me i have like two red stones
two aardvark somethings two experimental horse and clays and then like two bags of butt mix well
thank you dirty potters for joining me today i know that was kind of a longer video but i get
this question at least once every week and i wanted to make a time stamp to give you one generalized
answer while also giving you a little bit of education about the three main categories that
most clay bodies come into the the general answer though is that it kind of depends on what you need
for your specific taste of artwork some of you are out there making earrings some of you are
out there making pipes some of you out there making mugs and bowls some of you are sculptors
some of you out there making bonsai plants so you know going a little not the plants but you know
things bonsai go into you don't talk about don't look at me like that but all those things that i
just named would be better suited for different types of clay body i can't suggest the same clay
body for all facets of artwork so generally speaking if you're just getting started my
recommendation would be a white or maybe even a red stoneware grog like clay so you can practice
and get used to it after that you can kind of expand on your stuff but generally speaking if
i were to get if somebody just wanted an answer right here and now it'd be be mixed with grog
so that way you can mess with that you can then go to be with no grog see if you're going up the
scale or maybe you want some more workability you can go down the scale of grog and call it a day
at least that way we have a middle point from which to work from hopefully this video helped
you out and if it did remember to click the like button um every single time you click the like
button youtube actually gives me a cookie that's why i've been gaining weight recently thank you
for your patronage nature wow it is getting really bright for some reason it was rainy like a second
ago my guy that's not the indoor lights that's a whole sun that's that's the sun
