亨德爾 - 奧姆布拉·邁夫 | 菲利克斯·克萊澤到達而作... Handel - Ombra mai fu | Felix Klieser & CHAARTS Chamber Artists | Arr. for French Horn

As-DurHandel - Ombra mai fu | Felix Klieser & CHAARTS Chamber Artists | Arr. for French Horn
亨德爾 - 奧姆布拉·邁夫 | 菲利克斯·克萊澤 與 CHAARTS 室內樂藝術家 | 菲利克斯·克萊澤到達。為法國號而作

Felix Klieser
CHAARTS Chamber Artists
菲利克斯·克萊瑟
CHARTS 室內樂藝術家

Felix Klieser, on his new album Beyond Words, focuses on the language of music, the stories that it tells – all without any words at all. He places the emphasis on the images that arise before our mind’s eye when listening to the music, on the emotions triggered by the music. For Beyond Words the hornist has chosen various arias by Bach, Vivaldi, Handel and Gluck, each of which describes the various, self-contained musical worlds they encompass in a very individual manner.

Felix Klieser 在他的新專輯《Beyond Words》中專注於音樂的語言及其講述的故事——所有這些都沒有任何文字。他強調我們聽音樂時腦中出現的圖像，音樂引發的情感。在《Beyond Words》中，法國號演奏家選擇了巴赫、維瓦爾第、亨德爾和格魯克的各種詠嘆調，每首詠嘆調都以非常獨特的方式描述了它們所包含的各種、獨立的音樂世界。

For many listeners, the repertoire will probably conjure up memories, since many people will be very familiar with Handel’s Hallelujah Chorus and Ombra mai fù or Bach’s Bereite dich Zion and Wohl mir, dass ich Jesum habe. On this album, they will hear them in a very different form: the choice of Baroque arias and chorales by the master composers Johann Sebastian Bach, Antonio Vivaldi and George Frideric Handel gives the horn the role of the human voice, allowing it to trace the melodic flow and imitate the sound of the voice. Klieser is accompanied by the CHAARTS Chamber Artists ensemble, founded in 2010 in Zurich. The musicians are able, in harmony with Klieser’s soft timbre, to breath new life into the Baroque works with their modern instruments.
對許多聽眾來說，這些曲目可能會勾起回憶，因為很多人都非常熟悉亨德爾的《哈利路亞合唱團》和《Ombra mai fù》，或者巴赫的《Bereite dich Zion》和《Wohl mir ，dass ich Jesum habe》。在這張專輯中，他們將以一種非常不同的形式聽到它們：作曲家約翰·塞巴斯蒂安·巴赫、安東尼奧·維瓦爾第和喬治·弗里德里克·亨德爾選擇的巴洛克詠嘆調和合唱曲賦予了圓號以人聲的作用，使其能夠追蹤旋律流暢並模仿聲音。 Klieser 的伴奏者是 2010 年在蘇黎世成立的 CHAARTS 室內藝術家樂團。音樂家們能夠與克萊澤柔和的音色相協調，並用現代樂器為巴洛克作品注入新的生命。

What is really important for his album however is not virtuosity, but tonal expression, according to Felix Klieser: “It needs to be easy to put into action. The songfulness and the expressive range of sound should always be at the heart, always be the focus.” Listeners are being told a story that is open to any interpretation at all, and this allows them to immerse themselves in a purely musical world. “They don’t have to know what is happening content-wise, just let themselves be led by the music.”
然而，對於他的專輯來說，真正重要的不是精湛技藝，而是音調表達，菲利克斯·克萊澤 (Felix Klieser) 表示：「它需要易於付諸實踐。聲音的歌曲性和表現力應該永遠是核心，永遠是焦點。聽眾所聽到的故事可以有任何解釋，這使他們能夠沉浸在純粹的音樂世界中。 “他們不必知道內容上發生了什麼，只需讓自己被音樂引導即可。”

From the point of view of content, the stories told in the arias could hardly be more different. They tell of praise and worship, of horrible fates and freedom lost; problems that were in existence when the works were composed and that are still relevant to this day. “When we play music that is very old, we are communicating with means of expression that people had long before there were such things as smartphones, or airplanes or cars – and yet the subject of music back then was no different to today. That seems to be something that can still move us today, and I find that fascinating.”
從內容來看，詠嘆調所講述的故事有著天壤之別。他們講述了讚美和崇拜，講述了可怕的命運和失去的自由；這些問題在作品創作時就已經存在，並且至今仍具有現實意義。 「當我們演奏非常古老的音樂時，我們正在使用早在智慧型手機、飛機或汽車等事物出現之前人們就已經擁有的表達方式進行交流——但那時的音樂主題與今天沒有什麼不同。這似乎至今仍能感動我們，我覺得這很有趣。

The universal, connecting element attributed to music that still seems up-to-date across the centuries is not down to the language of words. It lies in the language of its sound and the associations, emotions and stories that are being related. “You don’t need years of music training in order to connect with music. As a performer, it’s not important what you’re trying to communicate, but the fact that you succeed in getting your message across,” says Klieser, who is an expert in that language like no other. Through Beyond Words he has created a sphere beyond the language – he speaks through music and melody alone.
音樂所具有的普遍性、連結性元素在幾個世紀以來似乎仍然與時俱進，這並不取決於文字的語言。它在於其聲音的語言以及相關的聯想、情感和故事。 「你不需要多年的音樂訓練就能與音樂建立聯繫。作為一名表演者，你想要傳達的內容並不重要，重要的是你是否成功地傳達了你的訊息。透過《超越言語》，他創造了一個超越語言的領域——他僅透過音樂和旋律來說話。

Provided to YouTube by Berlin Classics
由 Berlin Classics 提供給 YouTube