Filming Lions in the Namib Desert

Animal kingdom
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Wildlife filmmakers Will and Lianne Steenkamp tell the behind-the-scenes story of “Lions of the Skeleton Coast.”
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Step into the untamed world of the Namib Desert with these extraordinary storytellers, whose cinematic journey spans an unparalleled eight-year desert odyssey. In "Lions of the Skeleton Coast," award-winning wildlife filmmakers Will and Lianne Steenkamp unveil the gripping saga behind their exploration.
Three little cubs were born in the Namib desert and they had such a promising future.
There were three little girls, they were going to stay with their mother and their aunt
and we had a really good feeling about their future until tragedy struck one day
and their mother very unexpectedly died and that changed everything.
For those first few weeks after their mother had died, these cubs were just sitting there,
they were just waiting for their mother. Here you see three cubs that are really lonely,
they are desperate and they stopped playing, they didn't do anything and it was extremely hard to
just be with them day in day out knowing they were waiting for someone who was never going to come
back and that feeling of we're here with them, we follow them every day but how much longer are
they going to live? When you follow an animal that suffers, that's not easy and probably in
today's day and age the back of your mind you think shouldn't we help, shouldn't we interfere?
You want to do something, you want to help them, you want to give them a future and yet here you
are and all we can do is document their story. This is where nature plays its own role and
writes its own script and one thing we've learned from Philip working with him for more than a
decade is that the resilience of a lion is just unbelievable. So you might think oh I need to
interfere but what if this lion will survive and become one of our biggest ambassadors for lion
conservation in history? So we had to hold on to those thoughts and trust that something good will
come out of it. Once the orphan sister started walking and wandering around they could go
anywhere and even though there was a small collar on one of the orphans it was just a VHF and Philip
struggled to find them often because they would go and wander far and wide and we had no idea
where they'd end up. These orphans had no knowledge of the extent of their homelands, they had no
knowledge of anything, they had no culture, they didn't know yet how to hunt prey, they didn't know
yet where the boundaries of their home range were and so they could go anywhere and in a way that
gave them a kind of freedom but it also made it very hard to keep track of them and to follow them.
One of the most adventurous parts of making this film over eight years was the life we lived.
It was quite an adventurous life and something we will cherish forever and ever
because we had to be nomads ourselves and in today's day and age that can't happen so much
anymore. Living in the vehicle with a tent on the roof and all the food supply and water and fuel
and battery power we can fit into the vehicle, solar powered, you start finding a way to live
very lightly. You know you don't need so much actually and that was quite unique and special
for us. We were nomadic ourselves which was an incredible experience and an incredible way of life
but it was also very difficult because even though the lines are colored
they go to places where we as people with our vehicles cannot go because often the terrain
in the desert is extremely sensitive and we would scar the landscape with our vehicle tracks
that would stay for decades. So even though we knew where they were we often couldn't be with
them. I think we were always worried that they'd end up somewhere where we could not find them
again especially when their aunt chased them into the dunes we thought this is it how are we gonna
be able to still follow them. I'm on the wrong dune. Oh no I need to be one dune over but there's a saddle here
so you can come up here and then we can quickly check this. We're on the wrong dune
so Flip is just checking if there's a way to get to the next dune without getting stuck.
We had no hope for the orphans. Philip and us we thought this is it they're gonna have a really
tragic end and then it all turned around. When they discovered that oasis that was the turning
point that was gonna change their lives forever. What's truly phenomenal is that the three little
sisters with no knowledge of anything figured out that this oasis with all these wetland birds
could be a solution to their struggle. Their starvation led them to do something that is
once we saw that they were successful hunting birds we knew these girls actually have a chance.
The only way to get the right perspective of a landscape as massive as this we knew from the
start would be aerials. We brought in the helicopter with with gyro-stabilized camera
systems which means that the camera can be quite far from from the animal and not have that such a
bad influence and disturbance of animals. That's when we start showing what the desert really looks
like giving that incredible perspective that aerial perspective also showing how big this
place really is. I think that was crucial part to truly reflect the world they live in.
The most remarkable thing that happened and it's something that Philip has always dreamed about.
The two sisters continued going west and they went further west they crossed the dune belt
and eventually they reached the coast and what happened there was unbelievable. The skeleton
coast is a really tough place. It's a place of death. It is very harsh and we couldn't possibly
imagine that a lion could survive along this coastline yet when the two orphan sisters Alf and
Bravo discovered this coastline they decided to make this their home. They discovered that at
nighttime a lot of seals would come to the shore. Individual seals all stretched out along the
coastline and they would start roaming the beach and just going up and down and they learned to
catch seals. But for us the challenge was of course that them only coming to the coast at night
how were we going to film this and it became obvious that we needed a nighttime camera a thermal image
camera that would have little impact on their hunting behavior and yet we could capture everything
in detail. Here we've got a terrestrial predator hunting a marine predator that excited us that
that's something that drives you on you know that gets you through the weeks and the months of not
finding them or finding them and nothing's happening because we got to share something
new about lions. We got to share something that people never seen before. The orphan cubs rewrote
desert lion history there's no other way about it they did the unthinkable they did the unexpected
they did what Philip never could have predicted. We wanted to be the ones to to to share
the most incredible side of lions people often underestimate and that's resilience that's
surviving in a place like a desert where we think there's no food but they found food and they showed
us that you can actually thrive here. What it's taught us is that out of the worst tragedies
sometimes come the most astonishing ways of survival.
