貝多芬:第三號鋼琴協奏曲 丹尼爾·巴倫博伊姆,祖賓·梅塔和柏林國家管弦樂團Beethoven: Piano Concerto No. 3|Daniel Barenboim, Zubin Mehta & the Staatskapelle Berlin

Beethoven: Piano Concerto No. 3 | Daniel Barenboim, Zubin Mehta & the Staatskapelle Berlin
貝多芬：第三號鋼琴協奏曲 |丹尼爾·巴倫博伊姆、祖賓·梅塔和柏林國家管弦樂團

26,542 views Dec 25, 2024 BERLIN
The legendary concert for Daniel Barenboim's 70th birthday features one of the greatest classics for pianists: Beethoven's Piano Concerto No. 3, performed by the Staatskapelle Berlin under the direction of Zubin Mehta, with Daniel Barenboim on piano, of course. The concert took place at the Philharmonie Berlin in 2012. It was started off with “Happy Birthday to You.”
26,542 觀看 2024 年 12 月 25 日 柏林
丹尼爾·巴倫博伊姆70 歲生日傳奇音樂會將演奏鋼琴家最偉大的經典曲目之一：貝多芬的《第三鋼琴協奏曲》，由柏林國家管弦樂團在祖賓·梅塔的指揮下演奏，當然鋼琴也由丹尼爾·巴倫博伊姆演奏。這場音樂會於2012年在柏林愛樂大廳舉行，以《祝你生日快樂》開場。

(00:00) Entrance
(00:35) Happy Birthday to You
(01:30) Allegro con brio
(20:17) Largo
(29:50) Rondo: Allegro
（00:00）入場
（00:35）祝你生日快樂
(01:30) 快板與活力
(20:17) 拉戈
(29:50) 迴旋曲：快板

The Piano Concerto No. 3 is said to have electrified the audience at its premiere on April 5, 1803. Ludwig van Beethoven (1770 - 1827), a well-known piano virtuoso at the time, sat at the piano himself. He had asked his friend Ignaz Xaver von Seyfried to turn the sheet music during the performance. Unlike the orchestral parts, however, he had not yet written down the solo. Apart from a few marks that were illegible to his friend and some notations on how the piece was to progress, the sheets are said to have been completely blank. Whether Beethoven was in a hurry — as was often the case — and thus improvised the performance, or whether he played from memory and was having a laugh with his friend, is not known for certain.
據說，第三號鋼琴協奏曲在 1803 年 4 月 5 日首演時就震撼了觀眾。他曾請他的朋友伊格納茲·克薩韋爾·馮·塞弗里德 (Ignaz Xaver von Seyfried) 在表演期間翻閱樂譜。然而，與管弦樂部分不同的是，他還沒有寫下獨奏部分。據說，除了一些他的朋友無法辨認的標記和一些關於作品如何進展的註釋外，這些紙張完全是空白的。目前尚不清楚貝多芬是否因為太匆忙（通常情況如此）而即興演奏，或者他是否憑記憶演奏並和他的朋友一起開懷大笑。

Of Beethoven's five piano concertos, only the third is in a minor key. To be more precise, it is in C minor, inspired by Mozart's C minor Concerto K. 491. And yet Beethoven liked to experiment with classical forms and musical motifs. This is why this third piano concerto is also described as a symphonic solo concerto. This concerto form developed during the 19th century and is characterized by the close interweaving of the motivic and thematic development of the orchestral parts and the solo piano.
在貝多芬的五首鋼琴協奏曲中，只有第三首是小調的。更準確地說，這是 C 小調的，受到莫札特的 C 小調協奏曲 K.491 的啟發。這就是為什麼這首第三首鋼琴協奏曲也被描述為交響獨奏協奏曲。這種協奏曲形式發展於 19 世紀，其特點是管弦樂部分和鋼琴獨奏的動機和主題發展緊密交織。

In the final movement, the Rondo Allegro, Beethoven switches from the rather somber and sad key of C minor to E-flat major, bringing the concerto to a joyful and virtuosic conclusion.
在最後一個樂章快板迴旋曲中，貝多芬從頗為陰鬱和悲傷的C小調轉為降E大調，使整部協奏曲以歡快和精湛的技藝結束。

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