This ACTUALLY Makes Your VIDEOS Look Like FILMS!

Studio Solution
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#Education #filmmaker #teachnic filmmaker
The Hollywood look, the film look, the cinematic look,
whatever you might call it,
it's something that a lot of us dream of one day achieving,
making our videos look like the films we love
and look up to.
But how could we possibly get our digitally shot footage
to look even close to as if it was captured on film?
Well, in this video,
I want to show you a film emulation plugin called Dehancer.
This is not like adding a simple LUT on your footage.
Dehancer really transforms your videos
and truly creates a film-like look on your digital footage.
Now, this is not going to be a color grading tutorial,
but more of an overview of what's possible with this plugin.
I'm using Dehancer in DaVinci Resolve,
but it's available for all major editing programs
like Adobe Premiere and Final Cut Pro.
And it's also available for photo editing software
like Lightroom and Photoshop.
The greatest asset of Dehancer
is that it comes with an extensive selection of film stocks,
both photography and motion picture film stocks.
I really love that Dehancer has included
so many famous film stocks
to help you create a distinct look for your video.
A few favorites of mine are the popular film stocks
that are used in a lot of Hollywood films,
like Kodak Vision 3 and Kodak Ektachrome.
But also a lot of the photography film stocks
work really well with video,
like Aqua Color, Fuji Color, Kodak Portra, Kodak Gold.
And another one I really like is Cinestill.
Now you might be thinking that some of these
are not 100% accurate to the actual film stock
that they're supposed to represent.
While that might be true,
I personally don't have a problem with that
because I believe that most of us are looking for a plugin
that will help us achieve the feel of film,
taking the edge off our digital footage
and creating a certain look that we're after.
And Dehancer does a very good job at this
with these film stocks.
What's great about the film stock emulation in Dehancer
is that it can be quite subtle and it works really well
if you're not necessarily trying to create
this extreme vintage effect,
but you just wanna give your footage
a different, more organic look.
Print film emulation is another fantastic option in Dehancer
that will bring you closer to a real film look.
Film printing is the last technical stage
of analog movie production.
And this tool in Dehancer allows us to recreate
the characteristics of printing on, for example,
a Kodak 2383 print film,
essentially making your image look
as if it was printed on one of these mediums.
The combination of the film stock emulation
and then adding the print film emulation
produces a beautiful result that brings your footage
very near to a typical movie style film look.
You have a few options available here,
but I personally really like the Kodak 2383 print film.
It creates an aesthetically pleasing color contrast
in the shot, especially the combination
of the Kodak 2383 with the Kodak Vision 3 film stock
is really popular in big Hollywood movies.
An important component in getting rid
of that overly clean digital look
and something that will help make your footage
look more natural is Dehancer's film grain.
Now it's a little difficult to showcase this
because of YouTube's compression.
So I'll zoom into the video a bit,
making sure you can see what's going on.
The interesting thing about Dehancer's film grain
is that it's not a grain overlay, which you often get.
Instead, Dehancer actually recreates the image
with the grain embedded into the video.
You can play around with all the different settings
to get the result you're after,
or just use one of the presets.
But I usually find that less is more
with these kinds of effects.
Now, DaVinci Resolve also has a built-in grain effect
that works pretty well.
So let's compare it to Dehancer's.
Looking at Dehancer's and DaVinci's grain side by side,
you probably won't notice a huge difference.
But when zooming in a bit,
you might see that the Dehancer version is a bit softer,
which I personally prefer.
But let's be honest, if you're making videos for YouTube,
this difference will most likely
never be noticed by anyone.
However, if you're uploading to a platform like Vimeo
or using your footage for other purposes,
I think you'll get more pleasing results
with Dehancer's film grain.
Until a few months ago, I had never heard of halation,
and I had no idea what it was.
So if you also don't know what halation is,
here's a quick explanation for you.
Halation is a visual effect
that appears when shooting on film.
It's actually an imperfection in film.
It shows up in your footage as a red-orange halo
or fringe near high-contrast edges,
aka that red glowy effect.
I'll turn it on and off as we go through this shot
and see if you can tell where it appears.
I'll zoom in a bit to make it more clear
in case you missed it.
I turned it all the way to its maximum setting in this shot
so you can really see what the effect does.
Of course, I would not recommend using this effect
at such an extreme level.
Like film grain, this is a very subtle effect
to be added to your footage,
and you may not always actively notice that it's there.
It also depends on the shot.
In some shots, halation will appear stronger than in others,
but it generally adds to the overall cinematic feel
of your shots and helps create that film look.
You might notice the next effect more clearly.
Bloom essentially creates a soft glow
around bright areas in the image,
which works really well for adding softness
to those brighter areas.
It also often adds an overall softening effect
to your footage, which again,
contributes to that film aesthetic we're aiming for.
You can see it quite clearly in the following shots
where there are obvious highlights that start to glow
as soon as I turn on the bloom effect.
This is something you can also achieve
by using a mist filter when filming.
The Hanser's bloom effect just gives you a bit more options
when playing around with the settings.
However, if you really want that softer look
on your footage, I would recommend just using a mist filter.
I find that the results are better
than only using the Hanser's bloom effect.
And if you want even more softening,
you can still add the Hanser's bloom effect
when color grading.
Besides these very cool features
and a couple of other adjustment options,
the Hanser has a few more effects that you can use
to further enhance that filmic
or vintage look on your footage.
First, there is film breath.
This effect creates inconsistent changes
in exposure, contrast, and color.
I think this effect works best when used very subtly.
Next, there is gateweave.
This is when the film moves in the camera or the projector.
It basically makes your shot jump around a little bit.
Again, this is an effect to be used with caution
or you'll end up with some weird looking footage
unless that's what you're after.
Film compression emulates the compression you get
when shooting on film.
The highlights would then clip later
in comparison to when shooting digitally.
So it pushes the highlights a bit more
towards the mid-tones.
I really like this effect
as it creates a much softer, less harsh look.
Film damage is an effect that will most likely
only be used by some and in some specific cases.
It basically introduces dust, hairs, scratches, stains,
or irregularities onto your footage,
giving it a more dirty look.
Overall, I think the Hanser is a fantastic tool
for getting good looking filmic color grading quickly.
You have a ton of different options available
to create all kinds of different film looks.
And I really love the results
that I've been able to get with this plugin.
However, there is one big downside or drawback to the Hanser
and that is its price.
At $449, this is definitely not a bargain.
There is also a light version at 199,
but knowing that you could potentially get very close
to similar results with only DaVinci Resolve Studio,
this plugin might not be worth it for everyone.
However, you would have to be pretty experienced
in color grading in Resolve,
and it would most likely be a lot more work.
So if you're not a pro colorist
and you're doing a lot of projects
that require that filmic look,
yes, I think this plugin could be a lifesaver.
Anyway, if you wanna check out the Hanser
and see if it's something
that you might wanna add to your workflow,
you can download a free trial at the link down below.
And if you're interested in purchasing the plugin,
I've also left a 10% discount code down in the description.
By the way, another vital aspect
to creating that cinematic look is lighting.
So if you wanna learn more about that,
definitely go check out this video next.
All right, that's it for me.
Thanks a lot for watching and I'll see you in the next one.
Bye.
