【4K】成都博物馆:金银器里的宋代生活 | Museum of China

Museum of Chinese Antiquities
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This exhibition brings together the 120 precious relics of the two places in the north and south,
and covers the works of Jinyin, Yuqi, and Hupo.
From the Great Northern City of Yixian County in Hebei Province,
to Pengzhou, Sichuan, and Song Dynasty's Jinyin.
Together, they show the beauty of craftsmanship in the two Song dynasties,
as well as the beauty of life.
Let us walk through history together,
and feel the extraordinary aesthetics of the Song Dynasty.
Tonight, at 1127-1279 Nansong,
the Jinyin relics of Pengzhou City are on display at the Pengzhou Museum.
The golden bowl is exquisite.
The bowl is shaped like a chrysanthemum,
and has exquisite patterns on the surface.
It reflects the high-tech metal processing techniques of the Southern Song Dynasty,
and the admiration for natural beauty.
It may be used by the nobles.
Tonight, at 960-1127 Nansong,
the Jinyin relics of the Great Northern City of Yixian County are on display at the Pengzhou Museum.
The treasures of Yixian County are kept in the museum.
The Jinyin relics are made from exquisite materials,
and may be made by hammering and cutting.
In the Northern Song Dynasty, the economy was prosperous,
and the Jinyin was used as currency and important goods.
The Jinyin relics reflect the wealth accumulation and the Jinyin processing techniques of the time,
and reflect the craftsmanship of the Northern Song Dynasty.
The melon plate is soft,
and many of the melon-shaped gold and silver vessels are used.
The cup is cut, and the melon is cut into a peach cup.
The melon plate is soft,
and the descendants are prosperous,
and the boat is a beautiful jade boat for a long time.
Some scholars deduce that they are used as a birthday gift.
The melon-shaped gold exhibition of the Jinyin relics of the Song Dynasty in Pengzhou, Sichuan,
is like a melon cut in half.
The lotus-shaped silver exhibition,
from 1127 to 1279 Nansong,
the Jinyin relics of the Pengzhou City are kept in the Pengzhou Museum.
The silver exhibition is made of silver,
and the lotus shape is made by casting and carving.
It has the shape of multiple petals.
The melon-shaped gold exhibition,
from 1127 to 1279 Nansong,
the Jinyin relics of the Pengzhou City are kept in the Pengzhou Museum.
The two exhibitions are similar in shape,
with a square lip, a straight mouth, a slanted belly, and a ring at the bottom.
The whole is a five-column melon shape.
The melon-shaped gold exhibition is twisted into a circle.
There are five leaves at the bottom of the melon.
Each leaf has a fine leaf vein pattern.
The melon-shaped gold exhibition is made of small fish-like patterns.
There is a flower pattern at the bottom of the melon.
The pattern is made of small dots.
The melon-shaped gold exhibition is made of small dots.
The melon-shaped gold exhibition is made of famous characters,
which may indicate the owner of the item.
The lotus-shaped silver exhibition,
from 960 to 1127 Nansong,
the Jinyin relics of the Dabei City of Yixian are kept in the Pengzhou Museum.
The Yixian cultural relics are kept in a vault.
The silver plate is made of silver.
It is made into a lotus leaf shape by hammering plates.
There are details such as leaf veins.
The leaf-shaped silver exhibition,
from 1127 to 1279 Nansong,
the Jinyin relics of the Pengzhou City are kept in the Pengzhou Museum.
The silver plate is made of silver.
It is made into a leaf shape by hammering plates and carvings.
There are details such as leaf veins.
Kuihua.
The Song people are very fond of floral themes.
Among them, kuihua is an important one.
The kuihua of the Song people is originally a type of chrysanthemum.
The chrysanthemum is widely planted because of its high appreciation value and cultural significance.
In the literary and artistic world,
chrysanthemum represents beauty, elegance, nobility.
Chrysanthemum.
Those who like the mountains and forests use chrysanthemum as a pen of chrysanthemum.
It is said that it is a beautiful flower,
and the grass turns yellow when it falls.
It is a unique way of embroidering.
It is a beautiful wind and frost.
Although the quality of this elegant design is not good,
it is not bad.
It is not bad.
1127, 1279.
Pengzhou Gold and Silver Museum.
Pengzhou Museum.
Zhizihuazhan Nansong 1127, 1279.
Deyangxiaoquanzhen Qingzhen Temple.
Sichuan Museum.
Fengtongniuzhihu Song 960, 1279.
Chengdu Cultural and Archaeological Research Museum.
The lake is exquisite.
Its Fengtongniu shape is unique.
It may have been forged and carved.
Yingzhi Lake, Beisong 960, 1127.
Yixian Dabeicheng Gold and Silver Museum.
Yixian Cultural and Archaeological Preservation.
Ningzhu Bay, Beisong 960, 1127.
Yixian Dabeicheng Gold and Silver Museum.
Yixian Cultural and Archaeological Preservation.
Zoushou Huacaowen Jingping Song 960, 1279.
Chengdu Cultural and Archaeological Research Museum.
Jingping, Fanming, Karasan,
is made of pottery and metal.
It is used as a tool for making water.
It is one of the Eight Things of Autumn.
It is used for drinking water or washing clothes.
It is also used as a water bottle or a bath bottle.
It is also called a military pool.
This container is high and has two holes.
One is big and the other is small.
One is used to make water.
The other is used to purify water.
It is a tool for washing hands.
It is also one of the Buddhist tools.
It is often held by Bodhisattvas.
Ruyi Yunwen Yingjingping Nansong 1127, 1279.
Qingzhen Temple in Deyang Town, Xiaoquan Town, Sichuan Museum.
Huakou Yingpan Nansong 1127, 1279.
Pengzhou Jinyingqi Jiaocang Chutu.
Pengzhou Museum.
This container is shaped like a flower.
The bottom of the container is a round flower.
The top of the container is a round bead pattern.
There are three petals around the flower.
The bottom of the container is connected to the wall.
The wall is double-layered.
The top of the container is a leaf pattern.
The bottom of the container is a leaf pattern.
The edge of the plate is a short and dense arc.
Shiwen Fanghe Song 960-1279.
Chengdu Cultural Relics Archaeological Research Institute.
Wuchu Shouwen Chato Song 960-1279.
Chengdu Cultural Relics Archaeological Research Institute.
Chato is exquisite.
It is decorated with wuchu patterns.
Wuchu Kuikou Dayan Wenwenwan Song 960-1279.
Chengdu Cultural Relics Archaeological Research Institute.
Heye Guiwenying Beinan Song 1127-1279.
Pengzhou Jinyingqi Jiaocang Chutu.
Pengzhou Museum.
Yishouwen Zhihu Song 960-1279.
Chengdu Cultural Relics Archaeological Research Institute.
Zhihu is a common wine or tea set of the Song Dynasty.
Yishouwen reflects the myth and cultural beliefs of the time.
Niaowen Gaozubei Song 960-1279.
Chengdu Cultural Relics Archaeological Research Institute.
Niaowen is more common in the decoration art of the Song Dynasty.
It reflects people's love for birds and appreciation of nature.
Guizuo Jiuchou Song 960-1279.
Chengdu Cultural Relics Archaeological Research Institute.
In the Song Dynasty, wine culture was prosperous.
Jiuchou is an important tool for drinking wine.
Guizuo's shape is auspicious.
It reflects the cultural customs of the time.
Beisong 960-1127.
Yixian Dabeicheng Jinyingqi Jiaocang Chutu.
Yixian Cultural Relics Archaeological Research Institute.
Huakouyingdie Beisong 960-1127.
Yixian Dabeicheng Jinyingqi Jiaocang Chutu.
Yixian Cultural Relics Archaeological Research Institute.
Yinglongzhu Jiexingqi Beisong 960-1127.
Yixian Dabeicheng Jinyingqi Jiaocang Chutu.
Yixian Cultural Relics Archaeological Research Institute.
Huakouyingzhan Beisong 960-1127.
Yixian Dabeicheng Jinyingqi Jiaocang Chutu.
Yixian Cultural Relics Archaeological Research Institute.
Jingchai Beisong 960-1127.
Yixian Dabeicheng Jinyingqi Jiaocang Chutu.
Yixian Cultural Relics Archaeological Research Institute.
Zanhua Jingchai Beisong 960-1127.
Yixian Dabeicheng Jinyingqi Jiaocang Chutu.
Yixian Cultural Relics Archaeological Research Institute.
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