8 Video Views·Apr 14, 2025 #Home #MidCentury #California First crafted by John Lautner in the mid-20th century, Silvertop is an iconic modernist home brought back to life. With the support of interiors firm Jamie Bush + Co, Bestor Architecture renovates the house according to its original design while lending the home a sense of contemporary foresight.
Set on a hillside in Silver Lake, Los Angeles, Silvertop overlooks a stretch of open space and greenery. The existing home brought seven years of collaboration between Lautner and his client Ken Reiner to a successful end. The result, with its arched concrete roof and glass walls, is as vital to West Coast design history as Fallingwater – crafted by the legendary Frank Lloyd Wright – is to the history of the East Coast. “This project was super well documented and that archive of all those drawings and documentation is at the Getty, so when we first started [the renovation], we were able to kind of create our own document of intentions,” says Barbara Bestor, principal at Bestor Architecture. The design brief involved restoring the systems put forward by Lautner and adding 21st-century technologies.
From the top of the driveway, a carport and ramp lead to a home brought to life. Immediately inside, there are two bedrooms and, further on, a kitchen and outdoor terrarium. Beyond lies a large living room with custom banquette seating. “There were a lot of functional requirements that this home had to meet. In a way, that’s preserving the integrity of the architecture but also creating a very liveable space for a family of four,” explains Jamie Bush, founder of Jamie Bush + Co. The interior design creates three clear zones within the central living space: the kitchen, the lounge and the dining area. While floating shelves define the kitchen, a tambour storage system hides the television in the lounge and bench seating draws diners close to a framed view. “These three distinct areas were about attaching elements to the existing architecture,” says Bush. “That gave a foundation for the programmatic separation of the spaces.”
Silvertop’s dramatic exterior consists of a concrete shell with glass walls, supported by four large concrete pillars. “Some of the futuristic systems in this house include, of course, the thin shell, concrete roof, but also the first infinity pool, and in the primary bedroom there's a great retractable skylight,” says Bestor. In the bathroom, a 10-tonne piece of glass allows the space to be opened to the patio, while in the kitchen, retractable wood cabinetry presents a clean visual that belies enhanced functionality. The home brought to life features timber elements, complemented by stainless steel, soapstone and terrazzo. The latter material is used to create geometric patterns flowing from indoor to outdoor spaces.
A respectful continuation of a bold Los Angeles house, Silvertop is a home brought to life and readied for the future. While heroing systems first introduced by Lautner, Bestor Architecture and Jamie Bush + Co make the changes necessary to retain the dwelling’s spirit of innovation.
00:00 - Introduction to the Mid-Century Masterpiece Home
01:02 - Reimagining from the Archives
01:53 - A Walkthrough of the home
02:47 - The Interior Design and Organisation
04:44 - Additional Materials
05:24 - Futuristic Systems
06:00 - Favourite Areas
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Photography by Tim Street Porter.
Architecture by Bestor Architecture.
Interior design by Jamie Bush + Co.
General contracting by Nate Wasik.
Landscape design by Studio MLA.
Filmed and edited by O&Co. Homes.
Production by The Local Production.
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#Home #MidCentury #California
I think this house and maybe in particular this living room is kind of like a lung for this
hillside and this area where it kind of breathes in and out.
Natural beauty, the air, the views, it's like a pavilion that's breathing and alive.
My name's Barbara Bester and my practice is Bester Architecture and we're here in LA at
Silvertop which is a John Lautner house that we kind of reimagined and restored.
We're in this neighborhood called Silver Lake which is on the east side of Los Angeles
and this house was a really long-term collaboration between Lautner and his client,
someone named Ken Reiner. The idea is like the first schematic drawings are from the late 50s
and I kind of think of it as the falling water of the west coast you know it really is that
significant. You know one great thing is that this project was super well documented and the
archive of all those drawings and documentation are at the Getty so when we first started we
were able to kind of create our own document of like intentions. So when we came into the project
it had been owned by the same couple for over 40 years who had bought it but also put in I would
say rudimentary kitchens and bathrooms and things the parts that hadn't been finished. So our job
was to kind of take it all back to the core and shell and then in some cases restore the kind of
futuristic systems and in other cases we tried to take inspiration from the idea of the house
of the future in terms of adding layers of what the house of the future would be today.
When you come up to the top of the driveway there's a carport
and a ramp that leads to the front door. There's two bedrooms to the left.
Coming through the house there is an outdoor terrarium and the kitchen spreads out but then
pushing forward you emerge into the huge ceiling and concrete shell of the main living room. Built
into that is this ingenious banquette built and designed by Jamie Bush who's the interior designer.
My name is Jamie Bush and I'm an interior designer here in Los Angeles.
Our studio is called Jamie Bush and Co because it's a whole team effort not just myself.
So we were brought on early in the project which was great because
we really got to collaborate with Barber's office, Bester Architecture. So there were a lot of
functional requirements that this home had to have but also in a way that's preserving the
integrity of the architecture but being a very livable space for a family of four.
So the biggest challenge that we had was how to furnish and organize this grand centralized space
and our goal was to sort of ground three distinct areas. So on the kitchen side we
designed floating shelving to ground the music area. On the opposite side we designed this
tambour cabinet that was floating on the brick wall to hide the television.
And on the view side we created a dining area with a bench seating attached to sort of ground
that area. So these three distinct areas were attaching these elements to the existing
architecture that gave a foundation for the programmatic sort of separation of the three spaces.
Also in the living room another piece that I absolutely love is this 1970s cast stone lantern
that to me has a dialogue with the fireplace that it's it's sculptural but it's in the same
sort of tactile unrefined finish of this sort of cast in place of concrete.
The other materials that we brought inside were this large stainless steel island. There is
a black soapstone getting used in a lot of the cabinetry and then there's also this terrazzo
and the terrazzo is used really to create these larger graphic patterns that go inside and outside
of the house and then there's this concrete shell that floats over that and all the walls of the
concrete shell are just glass and that concrete shell sits on these four big concrete pillars
which are kind of exposed in the house. So some of the futuristic systems in this house include of
course the thin shell concrete roof but also the first infinity pool. In the primary bedroom there's
a pretty great retractable skylight. In the bathroom there's a pretty amazing collection
of Lautner drawings about a large bathing area in the primary. So there's a 10 ton piece of glass
that's quite large that open up the bathroom to the outdoor patio that's adjacent to it and then
to match that there's a skylight, a frameless skylight above.
I have to say I feel my favorite area in the house is Barbara's reimagination of the kitchen.
It's such a tour de force where she devised a language of wood cabinetry but in a seamless
completely effortless way but it's also incredibly functional because the timber system
allows cabinetry to sort of retract upon itself. I think it's just a brilliant reinterpretation of
what I think Lautner would have been proud of and how the family likes to live today.
For me too the kitchen's probably the most fun place because it really is so people-centric
you know there's so many places to hang out and cook and catch up so that's always
great achievement for architects if people are happy and want to be in your spaces.