美國畫家爆炸頭 (bob ross) 鮑伯·魯斯 油畫風景視頻教程大全集 更新中 p76 - s21-01

《21st Joy of Painting》 Hello, I'm Bob Ross And I'd like to welcome you to the 21st Joy of Painting series If this is your first time with us Let me extend a personal invitation For you to drag out your little paint brushes and some paints And paint along with us each show Or just drag up the old easy chair And enjoy a relaxing half hour As we play some of nature's masterpieces on canvas And for those of you who've been with us for a while Thank you very, very much For inviting us back for another series of painting shows Tell you what, let's get right to it Let's start out today and have them run all the colors Across the screen that you need to paint along with me And while they're doing that Come on up here and let me show you what I've already done I have my standard old 18 by 24 inch canvas But you use any size that's convenient for you We just use this because it sort of fits the television screen The bottom of it I have covered with a little bit of black gesso And you can put it on with a sponge or a foam brush Or just a paper towel It doesn't matter, anything to cover it And then let that dry Then we've applied some transparent color Down here on the bottom of this And today I've used a little sap green And Van Dyke brown mixed together And it's still wet The black gesso has dried But the transparent color on top here is still wet And then the top we've just covered With a little bit of liquid white And it just makes the canvas nice and wet and slick And it allows us to actually blend color on the canvas Rather than working ourself to death on the palette So I tell you what Let's just take off and have some fun today Let's start with this little two inch brush here And we'll go right into a small amount Of the phthalo blue And all we do is just pull a little bit out And then tap it into the bristles By tapping and turn the brush over Tap both sides See that assures a nice even distribution of color All the way through the bristles And that's what we're looking for And it's easy to add more color But it's the sun that's going to take it away So start with a little bit of color And you can always add more if you need it We'll go right up to the top of the canvas And we'll start We'll just do some little X's Little crisscross strokes And we'll work all the way across the top And the color is continually mixing with the liquid white And it creates all those beautiful variations that we want Let me put a little more color on the brush here Here we go Let's start at the top and work down And that way our sky will get progressively lighter Toward the horizon And that's exactly what we're looking for In a landscape You want things to get lighter Toward the horizon And darker As they can come away from the horizon So by using the liquid white And allowing the color to blend That effect happens automatically You really don't have to worry about it It just happens And that truly is the joy of painting There And we'll just work this right on down I thought today we'd start this series With just a very basic little painting And if you've painted with us before This will be an easy one for you If this is your first time Then you can see one of the ways This fantastic technique works Okay now we'll just take And very gently go across the entire sky And this just removes the brush strokes That's all we're doing Okay And that simple We have a happy little sky And that's all you have to do To make a very very basic little sky Now let's build us a little mountain I like mountains And we'll take some black A little Prussian blue Some alizarin crimson And we'll just mix those together I'll even put a little van dyke brown there Just to dull it down some Pull the color out as flat as you can get it Go straight down with a knife Cut across So you have a little roll of paint And that little roll of paint Should live right on the edge of your knife Right on the edge of the blade Now then We have to make our first major decision In this painting Where does our mountain live And I think in my world It's gonna live Maybe right there It is now anyway But all we're doing here Is just pushing that color Right into the fabric Right into the canvas And this is pre-stretched canvas We do not recommend the canvas boards Because they have a tendency To absorb the liquid white You end up with a dry surface Almost immediately Maybe Maybe, yeah, right there We'll have another little bump there Just wherever you want them And painting is very individual Everybody Will see nature through different eyes And everybody has their own idea Of what a mountain should look like Or a tree All we want to do here Is show you how to make these effects What you paint Is totally up to you We just want to show you How to paint Just to get you Just to get you started There Now using a big brush And very firm pressure I want to pull this down The only thing we're worried about right now Is this nice outside edge We could care less What's happening in here But once again Because we have the liquid white On the canvas The color is blending with that And as you can plainly see Automatically as it goes down It gets lighter and lighter in value And once again That will happen automatically When you have the liquid white On the canvas And it's just an oil-based White paint That allows you to do all of this But you can just blend it right on down And already that mountain Looks like it's almost Sitting out there in the mist Tell you what Let's wash the old brush That's the fun part of this That's the fun part Shake off the excess And just Just beat the devil out of it As I say That's the part that's the most fun There we go Let's take Let's take some titanium white today And we'll reach up here And I'll get a Very small amount of the dark sienna I don't want much Just a little dark sienna A little bit Maybe I'll even put a touch Of the bright red in Oh that's nice I just want to flavor this a little Just enough to flavor it a little bit And when you do yours You make the determination How much you want Let me wipe the knife here And we just wipe our knife On a clean paper towel Then we can cut off Our little roll of paint again So it's right on the edge of the knife And let's go up in here No pressure Touch And let that knife just float Let it float Right down the side of the mountain Think about where light would strike Okay let's go right in here Zoom Gotta make those little noises Or it doesn't work right There Just pull See there how easy that is though And you can change it To any color that you want it Any color that you want it Sometimes I like to do this With a gray color It looks like stones and rocks It depends on where you live Maybe in your world You don't want a mountain Then you can paint this scene And it'll be very beautiful Without a mountain It's up to you It's really up to you As we mentioned earlier Painting is as individual as people are There Now then we have to start Thinking about little things Maybe in my world I think there's a little light Gonna strike right there So we'll put a little touch of light there I'm gonna take some white We'll use a little bit Of that mountain color with it And a little bit of phthalo blue with it What the heck Maybe a little more blue And with that We'll make us a nice shadow color And this shadow color Should be lighter Than the base color That you put on your mountain But certainly darker Than your highlights So somewhere in between You have to Have to reach a happy medium Once again our little roll of paint Okay let's go up here Now if this one's gonna be The farthest away We'll do this little rascal first Put a little bit of shadow right there All there is to it Now watch it, watch it Come distinctly through And look at Push that little devil back Bet you didn't realize You had that much power But on this piece of canvas You have total and complete power here You can do anything That you want to do You can move mountains Rivers, trees You can determine What your world is like Tremendous amount of freedom On this canvas And that's what makes it fun That's what makes it fun And you can come back in here See this line is very straight Now we can come back in here And we can put all kinds Of little ridges and bumps And little places Where the mountain goat Would have to live up here He's gotta have a little home too And we'll just let that run Right on down But each one of these little projections Needs a little shadow Where it just won't play It'll go hide See how that little shadow Just brought it right out Watch though Maybe Maybe it goes right over here I don't know No, it's up to you You have to make these big decisions There But notice Notice the angles here All the highlights Are going in one basic angle All the shadows Are going in one basic angle They vary a little But overall Overall They're going in the same angle Cause if light's coming through here It's only gonna strike On a given angle Now with a good clean dry brush We can tap the base of this a little And create the indication of mist That lives right down at the bottom Of this big old mountain here Lift gently upward Upward Following the angles in the mountain And that removes the little tap marks And brings it all together Over here Go in this direction Tap a little And blend There All right Maybe we'll get a little crazy today I like to do that Let's take I'll use a little mountain color And we'll go right into Some yellow We've got a little cad yellow here A little yellow ochre We'll just use the same old two inch brush Doesn't matter Maybe a little touch of the sap green Here and there Maybe in our world There lives Some little Trees that sort of grow Right up the side of this mountain And to do that All you have to do Is take the big brush And tap Most, most important here We need to follow these angles Need to follow these angles If you don't It just absolutely Won't look right Vary the colors Between darker green And lighter green Back and forth A little Just a little Maybe Sort of determine Where you think a little tree Would live right here And how far up the mountain It would grow Before you reach The tree line Or The place where It gets too cold and too high For trees to live There If you've painted with me before You know I lived in Alaska For well over a dozen years And I just absolutely Fell in love with The fantastic scenery that's there God was having a good day When he made Alaska It is gorgeous Absolutely gorgeous But these kind of sites Are pretty common there Now we'll take a clean dry One inch brush And very lightly Little short strokes I want to grab that And lift upward Just lift it upward Upward upward And sort of let it blend together A little And you just sort of work Back and forth here But gently Gently lifting upward Always going upward Think about the little trees Even though they're going At an angle here They would still grow Straight up So keep these lines Going straight up Sometimes the tendency The mountain goes this way To make the trees Like that And it'll look like The big giant Sneezed or something And blew them all over We don't want that And you can even Touch a little dark color Here and there And just pull up the indication Of some that are a little darker You can continually Play this back and forth Between the darker greens And the lighter greens And it's a nice way Of making Very effective little trees That are growing up The side of this mountain There Okay Shoot That's so much fun I'll tell you what Wash the old brush again I just look for reasons To wash the brush Alright We're in business again here Let's take Let's get crazy Let's have some fun We'll take some Prussian blue Some Van Dyke brown Some midnight black Maybe even a little sap green We'll just mix all those together Just mix them together Make a Make a big old pile of Dark color here It should look black Okay Now then, tell you what Let me wipe the old knife off I think we'll get a Let's get a fan brush Shoot, that's fun We'll load the fan brush For this dark color Both sides A lot of color Let's go right up in here Maybe in our world There's a little Maybe there's a little foothill That lives right here Tell you what I'm gonna do I'm gonna add a little A little bit of white to that I'm gonna lighten it just a little Oh, that's much better I want it a little bit lighter There But there's There's some little footy hills That live right here Some evergreen trees are growing on it And they're much closer to us Much closer to us So they're darker They're much darker Than this background back here Just tap down with a fan brush This is one of the neatest ways That I've ever come up with In making the illusion Of a lot of little trees That live far away There we go And you determine How many and where And all that There we go Now then We can take a clean, dry Two-inch brush I'm just gonna tap the base here a little I wanna create a little bit of mist At the bottom of these trees And this tapping Will cause the liquid white To come through And a little bit of that color Will show Lift upward Just to take out the taff marks And bring it all together See there There we go There we are Now then Maybe Maybe maybe In our world We'll just use that same old fan brush It's working so well Here let's keep going Load a lot of the pure dark color on it Let's go right up here Maybe there lives A happy little evergreen tree Right there We'll just use the corner of the brush And just go back and forth See there That easy And let's give him a few friends We don't want him to get lonely back here My gosh This is just too nice With a scene Like he's got to look at here He'd have to invite All of his friends over to see it too This is just This is just too nice For him to keep for himself There's a little one The little guy right up here In the front row So he can see all of this too Maybe There we go Notice how these little misty areas Make those trees Really stand out That's why they're so important That's your separator That's your good friend Take care of it And you put as many Or as few as you want In your world One thing that we're trying To do here Is just to teach you a method We're really not trying To teach you to copy That's the reason we have No patterns or We don't do any Tracings on the canvas We want to teach you Freedom with this technique And turn you loose On the world Just absolutely Turn you loose on the world Because once you know the technique You can do anything Take a little blue Little tiny bit of blue And white And little bit Of the dark sienna Pull it out flat And we get a Least little roll of paint Right out here On the edge of the knife And let's just make The indication here and there Of a little tree Right in there We don't want many Because you wouldn't see All of them Or you're just going to see A little here and there And you can just Because you've picked up Some paint on your knife You can just Make the indication Of some little Sticks and twigs And all kinds of things That are just projecting Out of that Because in the woods In the forest They're always there Now then I have Several fan brushes going Let me just grab another one here Let's put some highlights on that We'll take a little Little bit of this color We've made the trees out of Because it has blue in it And mix it with some Cad yellow And a little yellow ochre And a little Indian yellow What the heck And we'll make us a nice If you want it darker Add a little more of that Tree color to it And instantly Because it has blue and black in it So it gets darker That easy Let the paint work for you Let's go up here Now then Our light's coming from the right Because our mountain tells us that So we want to Place more emphasis On the right side of the tree Than on the left We'll just put the indication Of some highlights That are showing through On these trees Now sometimes Sometimes this gets feeling good And you cover up All the dark We don't want to do that We lose all that nice dark Then our tree becomes flat It's that darkness That's deep in that tree That creates the illusion Of shadows And makes depth in the tree Otherwise it'll be A very flat little tree We don't want that We don't want them flat We want trees that Son of a guns Have personalities They're like people Each one's different Some are tall Some are short Some are heavy Some are thin They're like people And this painting Can really and truly Become a world On its own You can You can find anything That you want in here You can find peace You can find Calm times Anything It's right here Shoot Let me get off my soap box here And find a brush Let's get crazy Let's make a Let's make a big evergreen Right there And for that Pick up the old oval brush here We'll go right into That same tree color And this is the oval brush The end of it Let me hold it up As you can see The end of it's sort of round And it's easy to distinguish Because it has a black handle And the rest of them have white handles Easy to tell the difference Okay Pull it like that Until it comes to a nice sharp edge Let's go up here Make a decision Maybe our big tree We're gonna have one That's gonna live right there And we start out By just making a little line That sort of gives you a guide Take just the end of the brush And this is gonna be one Of the big evergreen trees That's sort of saggy The limbs hang over I like this brush For making these kind of trees See how the limbs hang though I like that But you can do this with a one inch brush And have straight limbs You can do it with a fan brush I use a fan brush very often Or you can do it with a two inch brush It all works very well But if you want these Hangy down looking limbs like this I find it much better To use this oval brush Now then all we're doing here Is just placing in Some very basic little shapes Just think about the arms On this tree that live out here Where you want them There Maybe this old tree lives I don't know Somewhere down in here We don't care That was fun I like making trees with that oval brush Tell you what Let's make another one Maybe our other tree Maybe we'll have one right there And we start out the same way Just make a little Little line And Back and forth Just sort of let that rascal Come right out of that brush It lives in there He lives in there Old tree Now sometimes they'll hide in there You have to sort of force them out But isn't that a fantastic way Of making some very beautiful Evergreens I think everybody needs a friend So we're gonna give him one Right here Right there There see There he comes And we're not concerned In this area That's all so dark We'll separate all that With highlights All that with highlights Let's take a little bit of that Color we had for our trunk And we'll just Touch with a knife And just once again We're not gonna see much of it All we wanna do here Is just show a little Just here and there Just Wherever you think it should show Like that Let me wash the old oval brush Out here Let's have some fun With some highlight colors Okay Now then for highlights I'm gonna take a little of that Tree color And mix it with The cad yellow And the yellow ochre And a little Indian yellow But mix all these colors On the brush So you have a multitude of things Happening on the brush You don't end up with One dead old color All right Now then Think about your lights Coming from the right Now we can go up in here And just begin putting in The indication Of some beautiful highlights That live right here on this tree See them? There they are There Let's just put some in But this is where you make All those old hangy down limbs And we're going straight in With the brush Straight in And just touching Just touching Letting those top Part of the bristles Just the top part of the bristles Let those bristles touch There, see there Now then Let's go over to the other side here And do the same thing for him If we left him out Shoot, he'd probably be angry Probably be angry We don't want that We want happy trees in our paintings I get some letters Sometimes people say Everything in your world is happy And that's true We try to keep everything happy in here Shoot, if you want bad stuff Watch the news In this world There's a lot of bad things Now then sometimes It's fun I'll just dip this into A little bit of the liquid clear And I want a real thin color Much lighter But I use the clear to thin it And then it'll It's very thin paint now You can go back up here And pick out where you think Light would really zing through here And just put on a few sparklers Don't overdo this Don't overdo Cause it gets good Just here and there But that clear Thins the paint If you've painted with me before You know our golden rule here Is a thin paint Will stick to a thick paint We use a very firm paint Until we get to the highlights And maybe just a few over in here I don't want too many Just a few There All right there Let's have some fun Now we have a transparent color here This was sap green And a little bit of A little bit of Van Dyke brown Just to dull it I'm gonna take pure white Just titanium white On the two inch brush Make a big decision Where is your water I want some water in here Touch this And pull it straight down It's important That it comes straight down And that sap green And Van Dyke brown That'll make some Beautiful, beautiful colors And it's fun to prepare this canvas When nobody's looking And when you do this Especially if you're painting For someone They think it's magic Now we go straight across And that'll create the illusion Of water That easy I'm gonna take a one inch brush Put a little liquid white on it And go right through Some of that color Just a nice green color And let's back in here Put the indication Of just a happy little bush or two That lives right here Right on the edge of the water A little Van Dyke brown A little dark sienna Mixed together And we can put the indication Of some land Back in there See there That easy A little bit of brown and white Put a little highlight on it Shoot We're in business A little more of that color Or maybe there's a Shoot Look at there A little bank lives out here too See just sort of let that go Barely, barely touching though A little bit on the other side See we can put another bank over here In your world You make these decisions Decide where all these little things live Take a little touch of the liquid white On the knife And we'll just cut in A little water line And this separates Just separates It's just straight liquid white A few little ripples here and there Shoot we about to have a finished painting I think we'll call that one done But this is a good example Of how easy this technique is So I look forward to seeing you In the next show And until then Happy painting God bless my friend