鏡頭評測 銘匠75mm f1.5旋焦玄學鏡頭評測

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3 次觀看·2025年10月25日
Hello and welcome to Analog Insights
In today's episode, I take a closer look at a special lens
and that is the TD Artisan 75mm f1.5 swirly bokeh for the M42 mount
This lens immediately caught my attention
because it was marketed in combination with an original Pentax film camera
and I mean, this is 2025
and they could have easily just shown
how you can adapt it on a digital camera and so on
but they deliberately decided to market it also to us here
to the film community and enthusiasts
showing it with an original Pentax camera
and I really appreciated that
and then digging deeper, I realized
this is actually quite an interesting lens
because it is more or less directly modeled
after the original card size Biotar 75mm lens
the version 3 of that lens, a classic portrait lens
that was famous already in the 1950s and 60s
but has kind of a reputation until today
and this is also why it is quite expensive on the US market
so you can expect to pay around 1,200 euro easily
to get into that market
and then if you want one in great condition
it can go really, really up
and here we have suddenly an alternative
completely new, introduced with a warranty
a metal and glass construction that costs 270 US dollars
so definitely a lens worth paying attention to
from a film community perspective
so I brought out my Pentax SP 500
to kind of be in line with the marketing material here
and adapted the lens to this M42 mount camera
and took it out on a couple of portrait sessions
I used it with Sydney, the model from Most Wanted Models
that was recently featured in another video here as well
shooting some Kodak Portral 160
and my friend Lena was kind enough also
to come out for some black and white portraits
shot on Ilford FP4
and in addition to that
I also wanted to take some telephoto street shots
and kind of details and so on with the lens
exposing some Ilford Pan 100
as always these films were developed
and scanned by my trusted on film lab in Frankfurt
and of course I can't wait to show you the results
and take a closer look at this very interesting lens
So what about the features and the optical design
just like the original
this lens is a six elements
and four groups double gauss design
with a slight difference
that you have two high index lenses in there
and the lens of course is visually beautiful
but it is really directly modeled
after the Carl Zeiss Jena
Buta 75mm f1.5 original
that was produced between 1952 and 1968
and affectionately is called the Big B
because of kind of the size that it has here
The lens was at one point replaced
of course by a better lens
the Pan Colas 75mm f1.4
that was introduced in 1965
but until that time it was really
considered one of the best
and most excellent portrait lenses out there
and had already made itself a name
and a reputation that lasts until this very day
and apparently enough so
that TD Artisan felt encouraged
to create an homage of this lens
The TD Artisan homage
is an all metal and glass construction
that is available in both black and silver
and weighs between 562 and 669 grams
according to the website
and I was instantly drawn to
the silver version of this lens
find it quite appealing
and also could already see
how it would perfectly match my Pentax SP 500 camera
So I reached out to TD Artisan
with full disclosure
and asked them whether I could
get the lens for review here
and they were kind enough to send it to me
and I don't get any money from this review
The only thing is if you would use
the link in the description
to purchase the lens
I would get a little bit of a kickback
but I'm really not here for the money
I'm here because I was excited to see
my lens manufacturer introducing something
specifically catering to the needs
of us film community
I'm a film camera enthusiast
and I jumped at the opportunity
to review this lens
The classic 75mm focal lens
is of course interesting
It's ideal for shooting portraits
but also for telephoto street photography
and this lens here comes with 13 aperture blades
and to close it down from f1.5 to f16
and create that swirly bokeh
that it promises in the marketing material
but of course
whenever you discuss bokeh
this really comes down to the background
of your subject
to the distance of your subject
and of course how wide open you shoot the lens
because that of course affects
how the lens will actually look like
and we will discuss that a bit more in a minute
The closest focusing distance is 0.75 meters
and that of course lets you
nicely fill the frame with a tight portrait
and I did that here a couple of times
during my portrait sessions
and I really really like how that came out here
and the filter size is 58mm
and the angle of view is 32 degrees
The lens comes with a metal front and rear cap
as well as a manual, a warranty card and a box
and in my opinion this is quite a package
for the 270 US dollars that you get
Now the big question is of course
how does it perform optically
So what about the optical performance
and results
As you can see from my results here
there is a lot of sharpness
in the center of the frame
already when shooting in wide open
but it immediately improves
once you stop down to f2 or f2.8
which is typically what I do for portraits
so f2.8 is my sweet spot so to speak
and here you do get a lot of detail
a lot of resolution and sharpness
in the center of the frame
and yet you also see that mid frame
and towards the corners
you lose quite a bit of sharpness
and you have some fall off
In contrast the vignetting is surprisingly good
so the lens doesn't vignette a lot
even when shot wide open on a full frame
35mm film frame or a full frame sensor
It just performs really really well
if you're adapting it to a smaller digital sensor
then of course that problem is not even there
But here for my use case
I was really surprised to see that
especially for such a vintage lens
and yet I did have trouble producing a swirly bokeh
I mean this lens is called a swirly bokeh lens
and this is my primary expectation
that I would get a lot of swirly busy background
bokeh portraits
and I've tried to force it a little bit here and there
especially in the portrait session with Sydney
having a busy background here
and yet once you stop down a little bit
what you do get is a really nice
freezing bokeh I would call it
that is not busy at all
and just really nicely draws you in
has a nice foreground background transition
you have that typical vintage character
you do have a nice 3D pop
but I didn't get these crazy spherical aberrations
that these kinds of vintage lenses
like the card size big B are typically famous for
or also some other lenses
some Russian, yeah, the Helios 40 and so on
that these kinds of lenses that people go for
to create these crazy spherical aberrations
I didn't encounter them here
and maybe it was because
I had to stop down a little bit here and there
also because of using film and the light available
and the maximum shutter speed was limited and so on
but I also felt like
what comes into play here
are the two additional high index lenses
and these small improvements
that TDR has made to the lens
and to me I ended up realizing
okay, if I shoot it all the way
wide open at F1.5
I get a lot of character out of this lens
and once I stop down to F2.8 I would say
it just becomes a very nice solid lens
and you can basically have character on demand
by switching to wide open or closing it down
and that to me is almost a feature of this lens
where you can say
I don't have this craziness all the time
but I can have it if I want to
and of course the light available
and my maximum shutter speeds and so on play along
then I can just have it
but I don't have to have it
and this I found interesting
how the spherical aberrations here are there
but they are not as prominent and dominant
as you would sometimes have it with vintage lenses
So some of you might even be disappointed
potentially if you really go into this lens
to get this swirly bokeh
but I was pleased to see that
that I can have it but I don't have to have it
So overall I was quite impressed
by the optical performance
Also I really like the color reproduction
So I'm looking at this bright winter day here
with a lot of sun out
and still some snow on the floor
and a lot of white in our surroundings
I get really, really nice colors
in my Kodak Portra here
and when trying to shoot against the light
and forcing some ghosting and flaring
it performed surprisingly well
even here it retained quite some sharpness
but again the sharpness
is mostly in the center of the frame
which again is perfect for portrait lenses
and maybe not so perfect for other use cases
but I would argue this is the lens
that you get for shooting portraits
and at least for my money
you get a lot of lens for the 270 US dollars
and especially if you are
occasionally shooting portraits
and have M42 mount cameras
I would highly recommend
taking a look at this lens here
It's a great addition to our lens collection
So what about the handling
and my personal impressions
The lens looks and feels really good
and you can see the TDR
doesn't went all in here
when it comes to the build quality
but that also results in a relatively heavy lens
which we will get to in a minute
In terms of handling
what I really appreciate about the lens
is that it comes with a very nice aperture ring
that gives you a nice haptic feedback
clicks nicely into place so to speak
The only thing is that
the focusing throw is relatively long here
So focusing from a short minimum distance
to a further way
especially during a quick portrait session
takes a little bit of time
I found and it's not ideal I would say
It's kind of common for these kinds of
vintage inspired or vintage lenses
but yet I noticed it
Visually I find the lens quite appealing
and I also appreciated the beautiful markings
and the finishing of the material here
So really really nice and highly appeal
There's one important thing to mention
about the handling
Before you can even start shooting it
You should align the center line of the lens
to your camera that you're using it with
So the way this works
is that you would mount the lens on the camera
And there's a little instruction
that comes with the lens
And then you have three screws here
around the mount
that you would unscrew
with a T5 Torx screwdriver
That is not part of the packaging
but that you would have to have
And then once you release them slightly
You can turn the lens while still mounted
and align the center line
to make sure that all the inscriptions
are in the right place
when looking at the lens from above
And then you tighten the screws again
and you're good to go
And I found that remarkable
and a little bit unusual
and reached out to Jules
who kind of knows his way around
when it comes to manufacturing techniques
and so on
And he explained to me
that this is basically
the most inexpensive way of doing that
Letting the user use T5 Torx screwdrivers
And so on
He basically said
there would have been a more advanced
and better way of solving that
from a TD artisan perspective
But of course also a more expensive one
Because it would have to make the user
Give the user a way to mount it properly
And then still loosen it up internally
to bring it into position
And then tighten it again
And then of course
the easiest way to do that
There are these three screws here
Optically the lens completely
lives up to my expectations
Except for the swirly bokeh part
As I've mentioned
You can create it
But other than that
It's just a very nice vintage lens
Beautiful 3D pop
A really nice foreground background
Transition sharpness
Particularly in the center
Not so much in the corners
So basically what I would expect
But in contrast to the original
To the card size Yenab Utah
Or also the Helios 40
That I've mentioned earlier
This is a brand new lens
That comes with a warranty card
And that comes with a nice packaging
A metal front and rear cap and so on
And finding something in great condition
On the vintage market
Would potentially be quite difficult
And also costly
And here it really comes down
To your use cases
And what you want and expect from it
I mean if you are a top-notch
Portrait photographer
And only do that all the time
Then investing in a 1200 euro
Vintage card size lens
I get that
But if you are more like me
And really enjoy shooting portraits
Do that occasionally
And want to have a nice character lens
That you can bring out
When shooting an M42 film camera
Or a digital camera that you adapt it to
Then this lens here
Makes a lot more sense in my opinion
Because you get that warranty
You get a brand new lens
You don't have to be concerned
About chasing one down
That doesn't come with fungus
Or balsam separation
Or similar problems
So this at least in my opinion
Needs to be taken into consideration
Before jumping at the opportunity
Just because this is an alternative
Doesn't mean it's better or worse
There are additional factors
To take into consideration
To the optical performance
One thing to note is
During one of my portrait sessions
With another friend
I brought out this camera and lens
And he was commenting on it
Now we're bringing out the big guns
Kind of insinuating that this would be
A more professional lens here
And I'm assuming he did that
Because from a layman's perspective
It looks like a very heavy and big
And remarkably professionally
Appearing lens so to speak
And I found that interesting
Because TD Artisan is not just offering
That for the M42 mount
Where it makes complete sense to me
But they also hinted at on their website
That they will introduce the lens
For the Leica M mount
And here I feel if I'm not adapting it
But using it on the Leica M
It would be simply too big
And heavy for my taste
And this is the only major downside
Of this lens
That is relatively large
But most importantly
It is quite heavy
With at least around 600 gram
And this is of course the weight
Without the camera
And without a potential adapter
So once you add an adapter
You can consider at least 100 gram
Or 150 more
In terms of weight
And the way I noticed it
That usually I use my PENTAX SP500
On a overbeard wrist strap
Like all the time
With a 50mm f1.4 original PENTAX lens
And once I attached this lens here
I basically immediately switched
To a neck strap instead
Because I found the weight
It didn't feel secure
To just hold it with a wrist strap
On my hand
And it was not really comfortable
With that kind of weight
And even when carrying it
Around my neck with a neck strap
I felt myself often
Using my right hand
To kind of alleviate that pressure
And make it a bit more comfortable for me
And compensate for the weight
And this I found interesting
In thinking about it
I also thought okay
This is not the perfect
Telephoto street lens
If I want that
I think there are better alternatives
On the market by now
On one of the lenses
I recently reviewed
So I feel like
It's a great lens for bringing out
For deliberately
Specifically shooting portraits
But it's not so great
For that always on
Carry around lens
To capture the street shots
Or be on a city trip
Or so on traveling
This is not the lens
That I would bring personally
But for shooting portraits
It's a really really nice alternative
And personally I'm just glad
To see TD Artisan
Introduce such an homage lens
To the vintage alternative
That would be really really expensive
So it comes down to your search
And to your personal preferences
For my money
This is a great lens
And especially the silver version here
For the M42 mount
Is a really really nice offering
In my opinion
So thank you very much for watching
I hope you enjoyed this episode
Of Analog Insights
And my review of the TD Artisan
75mm f1.5 swirly bokeh
A beautiful lens
That certainly lives up
To its ambition
And what it promises to do
It's a very nice homage
That comes with a few
Disadvantages and weaknesses
Most importantly its weight
And it's really up to you
Whether the weight
Keeps you from purchasing it
As I've said
It's not ideal for traveling
And carrying it around all day
But if you want to bring it out
For a portrait session
And deliberately get
That vintage look
That card size
Lena or Helios 40 look
And just get a very nice
Vintage rendering
With a lot of sharpness
In the center
3D pop
And overall some falloff
Towards the corner
That draws you in
Then this is a really really nice
Value proposition
Coming here from TD Artisan
And in my opinion
If you're just shooting it
On an M42 film camera
It's a must have lens
If you enjoy shooting portraits
So I hope you enjoyed this video
If you did please remember to like it
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Jules, Greg and I
Really appreciate
Each and every subscriber
Coming our way
So thanks for watching
I hope to see you soon
Bye
