鏡頭評測 尼康z 70-180mm f2.8 尼龍鏡頭評測

早安,大家好,今天你們好嗎? 正如平時一樣,很高興見到你們 我非常興奮地和你們分享一部全新的鏡頭 是的,這就是70-180mm F2.8 這部鏡頭已經在路上拍攝了一段時間 我得說,我非常興奮 它大概是70-200mm F2.8 S-Line鏡頭的成本的一半 但我告訴你,以我的短時間使用 我已經非常興奮 讓我們進一步探討吧 我們在這裡,我們將嘗試1.1秒 好的,我們是1.4秒 F2.8 ISO 64 掌握在70-180mm F2.8 我們在70mm F2.8 這是180mm F2.8 好的,我們來聊聊 70-180mm F2.8和70-200mm F2.8相比 在Nikon的範圍內 這裡有70-200mm F2.8 這是G版本的鏡頭 在大概20年前 這裡有我認為會是70-200mm F2.8的最終F版本 這是FLED 然後當然我們有70-200mm F2.8的最新版本 這是Z版本 S級版本 對於Z鏡頭 我們可以在這裡看到 很明顯的尺寸差別 尺寸的優勢 來自於選擇70-180mm 這是長焦距離的10%差別 但我們可以看到 尺寸大約是60% 我認為 是的,尺寸大約是60% 這兩個鏡頭都有VR設計 這是因為 沒有任何Nikon DSLR 擁有全身影像穩定 就像所有全面鏡頭 35mm Z鏡頭都有 當我們看Z8和Z9 它們的全身影像穩定性非常出色 這兩個鏡頭對於穩定性來說 這個鏡頭有VR設計 而這個鏡頭並沒有 我們可以看到它是短焦鏡頭 但短焦鏡頭和輕焦鏡頭 確實讓它比較容易控制 但焦距離相似 但我們看到的 在我所測試的所有鏡頭之中 我測試了幾乎所有Z鏡頭 在這兩個鏡頭中 尤其是穩定性非常出色 同時也非常出色 在Z5 Z6 Z7 Z6 2和Z7 2 所有鏡頭都很好 不過這個鏡頭沒有穩定性 我們來談談 這個鏡頭上的調節器和鈴 它有一條調節器 那就是它 所有調節器 都會鎖定 鎖定變焦 We do have this general control ring here which can control things like focus, aperture, ISO You can program it to do various different things And of course, well, we do have to be able to zoom As usual, the level of stabilization that we expect from the Z8 and Z9 is very high And I don't think there'll be any problem shooting at 1 tenth of a second at night time, and there you have it From a build quality perspective Well, I can tell that the exterior here is composite That's all composites Of course, it is a metal mount lens This lens is weather sealed But I don't think it'll be at the same level as the S class lenses Having used this lens now for something like the last two weeks I found it's pretty comparable to all of the Z lenses The Z lenses, I think, continue to be refined I think the glass and coatings that Nikon are putting into all of the Z lenses is just slowly being improved And one place where I think I can see this is in chromatic aberration Purple fringing, for example So I'm pretty excited what I'm seeing here in regards to chromatic aberration and flare It's looking really good And night time is great because the light is all So much of this light is harsh and unforgiving And I'm looking across all these buildings And I have to say I'm kind of not seeing anything in the way of chromatic aberration Yeah Like if we were on all of the old F mount lenses Or almost all of them, maybe not the absolute newest ones I just don't think you get this sort of result So Nikon are definitely applying some new coatings To help with flare and chromatic aberration It's pretty impressive All right, let's go back to the studio I've tested this at night Just looking straight into bright lights And I've tested this looking into the sun And in both cases, I couldn't really see any purple fringing So that says to me that this is something that Nikon is considering Trying to remove in every lens And if that's the case If this observation of mine is correct I think Nikon should be commended for that Is this lens for you? Well, it comes down to a decision of size and weight Versus strength, durability and reach and cost Clearly if you are a hiker, a camper or a traveler This sort of reach and light gathering capabilities In such a small and light package is actually pretty useful And I think it will be able to achieve fantastic results across the board Obviously when you buy this lens Well, you are getting Nikon's absolute very best optics You are getting vibration reduction in this lens And you are getting a little bit more reach out of this lens But what's interesting is I think for a lot of use cases, for a lot of people The differences between these lenses Are not going to be that obvious optically in your images And it's only, as we've talked about before It's only as you start to get to the bleeding edge of things Where you are pushing things to the limit You are pushing the speed of the lens You are pushing the lens by staring straight into the sun Or you are pushing the lens by being in extreme rain or extreme snow That's where the more expensive lenses Clearly are going to go that bit further But in the case of these two lenses For a lot of people This lens with 20mm less on the long end It might be a really good option And what's super interesting is in the past Nikon has created an F4 70-200 And as I've said before I think the trade-off between F2.8 to F4 Versus that 20mm difference I would totally go this way for sure Because cameras are just getting higher and higher megapixels I think that difference is becoming pretty negligible in 2023 Let's have a look at some images from the 70-180 OK, we are shooting on the Z8 version 1 firmware And we are on the new Nikon Z 70-180 F2.8 Now it's winter time here in Melbourne So the light is always low Let's have a look at some images We're going to adjust these together These are the very first time I have adjusted them I've just made a quick short list Now as I've talked about before I expose for the highlights Because I know the dynamic range of the Nikon is so good We can bring up the shadows Here we are shooting wide open at F2.8 Shutter 1 5000 ISO 64 We're looking into the sun Focus is here on this grass And I think it looks great As I've talked about before Chromatic aberration Here we are looking directly into the sun I'm a bit confused but I don't see any As this is a first look at this lens This is not an in-depth look at its quality But it does give you a feeling for what it will be like In a later video I will compare it To some of my other 70-200mm lenses But what I can see here is Look I think it performs really really well I think if you were coming from F class Anything older than the 70-200 2.8 FLED You'd be saying this is similar or better And honestly that lack of chromatic aberration I'm still a little bit stunned from what I'm seeing there Looking into the sun Let's just as I said We're going to edit these together I actually quite like that the way it was I'm not sure I'm going to change anything about it Let's just leave that Again the water is where the tops of water These contrasting areas here is where you would see it I don't see it We are at 100% How are these cranes resolving That is where the focus is I think they're resolving well I think it looks great Now water This is ultra high chance to get chromatic aberration Now I'm not sure how much is being done In camera software or in Capture One software It doesn't really matter Whether it's in the lens or not in the lens And the software is doing it Although I've been running this software for years And it doesn't get rid of chromatic aberration Like what I'm saying here Unless they've continued to tweak the algorithms Which of course Capture One could have done that But they do have this slider over here Which helps to remove purple fringing Which kind of suggests to me that They're not doing it Just bringing up the shadows here The focus we can see is right in the middle here So as we get to the back It is starting to fall off Again another image untouched And I was just loving I was just really loving what The clouds and this tower were doing over here There was something about those textures And I think my focus point was here on this tower When it should have been on that tower But that's just the way it goes So that's why this looks sharper And this looks a little bit softer to my eye Look at these results We're in at 100% We're reading these high tension power lines super well For an entry level 70-182.8 That's compact and light So far so good Here the fence is sharp Everything around here is sharp And again signs of purple fringing are And I mean I'm not even seeing green fringing What's going on here This is cool Is this something the Z8 is doing I'm not sure More testing required in another video But that is a great result We're pulling up the shadows I was exposing as best I could for the sun Which is difficult Because you'd actually have to just make everything else Neuron black But that there shows you The dynamic range of these cameras So hidden in that complete darkness It's still the wall So if you wanted to bring that up in post This is bringing it up too far You might want to bring it up To something like that But that's incredible I do believe that there is Great suppression happening in this lens I'm really impressed And it makes me think That the application for this lens would be Say shooting sports, hiking, wildlife Just being out and walking around This lens is light and it's small So it's for people that are on the move And I feel like If you're designing a lens That spends a lot of time outdoors Then suppress chromatic aberration Suppress purple fringing Now let's not forget this is a pre-production lens And Capture One certainly does not know About the existence of this lens There would be no profile for it So we are seeing this lens in its natural state As best as possible And in this particular image Which does make me laugh It is the bent building With the white picket fence That's just too funny In my world I think that bird is distracting In Capture One We do have basic pixel level capabilities Editing capabilities It's pretty cool that that's built in Almost never have to go to Photoshop It's one in a hundred images if that That I might have to remove something That's more complicated It's pretty powerful Considering you're just doing it all in here And then off you go I think these balconies These windows All of that Is being really nicely rendered 180mm So here we are at full stretch On this lens Bring that up a bit It's possible this lens does not have Quite as much contrast As some of my other Z lenses This is something obviously That can be addressed in post-production 125mm F2.8 ISO 1600 Hand-held on the 70-180mm Pre-production edition We are shooting 8K And this is part of Rising Festival We can see here These domes in the distance They look pretty cool It's night time It's 11 o'clock at night This is a street light We're at 180mm We're hand-held 140th of a second We can see the cobwebs This is extraordinarily harsh For any camera Any lens I think this result Is pretty cool Again Buildings Night time Purple fringing ISO 640 1 tenth of a second F2.8 I do not see any There are a lot of light sources here 100% Pixel for pixel 1 sixth of a second Hand-held 135mm Just the idea of shooting A moving train Hand-held at night With a long lens like this 10 or 20 years ago You just wouldn't even Contemplate it Would not contemplate it And think that You'd be able to get a result Got a picture of Joe here Thanks Joe for lending me Your 70-200 G lens From 2003 ISO 640 1 sixth of a second Hand-held F2.8 At 120mm There's a portrait for you I've just brought up The shadows a little bit But if you want to see the file Untouched The idea of getting a portrait At night time Under street lights I don't know I think it's pretty crazy It's crazy stuff ISO 640 1 sixth of a second Hand-held F2.8 70mm There's the moon Image is untouched Just being able to capture this stuff I don't like that sign So I would either remove it Or crop it You get the idea And this image is sharp 1 sixth of a second Hand-held I think for the market This lens is aimed at It's performing really really well There's a few adjustments This image you can see here But you can bring it back To its base position I prefer seeing the smoke From the fire I like the moody trees In the background That's the sort of look for me We're at ISO 640 1 twenty-fifth of a second F2.8 At 120mm Hand-held I'm not sure There's much more That you can ask for Out of this image What I'm seeing here Out of this lens is It suppresses Chromatic aberration Purple fringing Super well It might not have Quite as much contrast As some other S lenses But I will do some Side by side testing In another video Let me know in the comments If you'd like me to do that Further testing to come This is just the first look Otherwise I think it handles well It's light It's more affordable Than the S class 70-200 The choice is yours First impressions of this lens is Yes it's a cracker I think being able to get These sorts of results At night These images are clean I do not see a lot of Flaring within the lens There is good color rendition And any more contrast Or other aspects That I want to adjust Well I can Even if we look in the corners here For example Up in the top right hand corner Do we see much vignetting I don't really see any there And it's hard to tell on the left But I don't see any And on the bottom right I don't see any That seems to be controlled Well too It's hard to know these days About vignetting Because we do have it In our cameras And it can be corrected And of course it is Ridiculously easy to correct In post We can add it in By doing that And see I actually like it I like what vignetting does It kind of brings you in And makes things more intimate Well I'm pretty excited By the fact that Nikon is giving us this Affordable range of 2.8 lenses It's really cool So what we have Is the 17-28 The 28-75 And now the 70-180 And they're all 2.8 lenses So you've got this trinity of 2.8 Affordable lenses These are not S class lenses But I've used all of these lenses And they're all pretty good This 70-180 It's great It's working from what I see so far And from all of these lenses You've got an epic range of capability Whether that's on your Z30 Your Z50 All the way through to your Z8 And your Z9 This is fantastic Now are they for everybody Well the build quality No it's not the same And as I've talked about in the past You know this lens extends Now plenty of lenses extend Probably half the lenses in the world Probably extend like this Zoom lenses And that's just the way it is How else do you keep this lens Small and light And it's great What you get in this package It's really awesome Just keep in mind It's not S class But that's okay You're not paying for S class It's almost half the price It's really interesting stuff And now the fact that You've got this kind of entry level Trinity of 2.8 zooms Have we ever seen this before I don't think we have In the past It was an F4 70-200 And from my perspective I don't mind losing 20mm But gaining 2.8 through the range That's pretty awesome But really What's more important is What do you think Let me know in the comments below What you think about this new 70-180 I can't wait to hear your thoughts Are you gonna get yourself one And it's been so great to see you And if this is your first time here I'd love to see you again So please do Subscribe, please share And please like And happy photography