膠片攝影 黑白膠片：祿萊 rollei retro 80s

Raleigh Retro 80S有什麼好玩的呢? 我們來看看吧 我想做一些跟Tri-X比較的影片 就像我上一年開始的那樣 但為了保持穩定 而不是每次都做這些影片 我就去買了49個不同的錄影套件 我可以在B&H和Freestyle買到的所有東西 所以除非它們沒有套件 我就買了 如果這部分的影片看起來很熟悉 是因為我用這部分的影片 錄影49次 而不是錄影49次 所以如果你想跳到H&D的圖案 或是印刷 時間碼就在這裡 如果你們還沒看過這部分的影片 這就是我做的 所以我想用 每部影片都用同樣的鏡頭 就是我自己的鏡頭 配上Kodak Grey Card Plus 它有紅綠綠色的遮瑕膏 還有鮮艷的藍色遮瑕膏 還有黑色和中性膚色 然後 用這些鏡頭 我把每個鏡頭分成三段 以確保我們有 同樣的陰影濃度 對比Tri-X的主鏡頭 我用Tri-X的原因 Tri-X已經有很久了 它是一部非常受歡迎的電影 所以它是一個很好的基礎電影 對比所有的電影 然後 當所有的東西發展 發展在D76的原廠 廠商推薦的時間 我印刷了所有的東西 在ILFORD 使用同樣的開闊度 對比設定 開發者 和所有的東西 我唯一改變的是 遮瑕時間 那是為了確保 我可以補償 任何基礎遮瑕的變化 從一部電影到另一部電影 除此之外 一切都保留了相同 讓我們可以對比 電影的質素 現在會有 對比的差異 尤其是高端電影 那是因為 廠商的發展時間 可能沒有使用同樣的目標 那是因為 Kodak用了Tri-X 這還好 我們不是在看 對比所有的東西 我們在看的是 色彩特徵 色調 電影對比 陰影和高光 之類的東西 我們在看的是 視覺感應 因此是灰色卡 而不是普通的灰色卡 所以 我們會去看 H和D的曲線 如果你們有看過 我之前的視覺感應影片 我喜歡用筆和紙 來畫圖 然而 我的妻子 非常非常 準備好 完成這個項目 所以她把一切 放進了筆記本 給你們 所以即使我不喜歡它們 我也想給你們看 謝謝她 然後我們會去看 對比的圖片 同樣是Tri-X的圖片 從這裡 你可以決定 你喜歡這部電影 或是想使用它 我們先來看看曲線 然後再看圖片 Tri-X在藍色 Raleigh Retro 80在紅色 所以我們有 一般的順暢的頭髮 然後 提升到中段 然後我們有 一個 肩膀 開始在 上半段 然後有一個 慢慢的曲線 以及 一個高音的 平淡的曲線 這裡有 一個非常戲劇性的曲線 所以 我們來看看圖片 是什麼樣 如果 我們可以看到 那些分別 好,這裡我們有 Raleigh Retro 80 和Kodak Tri-X 我們開始之前 我想說 我發現 我不是 Raleigh 的正確中文 I don't speak German So I apologize to those that have to listen to me say it incorrectly Unfortunately, that's just the way it is OK, now at the film itself It is pretty contrasting I feel like this is going to be a theme with the Raleigh films The other ones I've looked at also exhibit this sort of punchiness We are developed correctly if you look at the whites But the curves are a little strange We have good blacks, we have matching whites But then our mid-tones tend to drop a little bit Compared to the Kodak We don't have quite the shadow separation Which is why we kind of have a dark background here As opposed to a light here Because our mid-tones are separating different Again, we have a lighter medium gray And here, with our highlights being the same That's just a feature of the film So I feel like your mid-to-lower tones Are going to blend together more than the upper tones Now, when it comes to the lightness here in my skin We can see that we have an extended red Sort of spectrum response And a lower cyan So we do have a little bit darker T-shirt Which is a cyan color Versus over on that side And then we do have a little bit of a drop In our green and blue OK, so that's on the large scale Let's go ahead and look at the close-up I will say, however, before we go down there That this is marked as an 80-speed film But I'm actually getting 64 So a third of a stop slower than advertised All right, let's zoom in And look at the grain structure and sharpness All right, here we are up close And we can see the background grain Is actually pretty fine compared to Tri-X So nice, fine grain structure We are getting good sharpness in the detail Around my shaded side of the eye Down in the shadows underneath And you can see the little wispies of my hair Coming out nice and sharp Down here on the shaded shoulder We can see the edge of the fabric Silhouetted against the background So we are getting nice little detail In some of those fuzzies on the shoulder We are getting a good sense of the grain In the smooth background section Very fine grain, which is good Because we've seen some films in this speed range Which definitely had much larger grain So Raleigh coming in with Pretty good small grain structure Which is awesome Here on the lighted side of my portrait We've got really fantastic sharpness With the collar of my shirt The ribbing there is really sharp In those lines The stitching on my shoulder is nice and sharp And quite frankly, I'm picking up in here Some of the actual weave of the shirt Now I've seen this before In the Raleigh 25 If you missed that video Or haven't published it yet Spoiler alert there As well as some of the high resolution copy films That have been repackaged for general use This is the first time that I've seen it In a film this fast Relative to the others So being a 64, 80 speed I would expect it to be blurred Or rather just not quite as high resolution But this is coming in very, very sharp So that is really quite impressive I realize with the retro name That they're going for that Old school retro film feel I don't really see that in any of this I'm just getting a red extended spectrum Which we've seen with other Raleigh films We've seen with Across 2 And some Ilford films And FOMA and whatever But I've not seen the combination Of high resolution The extended red And starting to get into A slightly faster speed The high resolution and red extended We saw with the 25 But that one being at a 16 speed Much, much slower Right here in my face As we've seen before We are getting the lightening and smoothing Of the red in my skin We're getting the darkening Of the blue of my eye And it creates a higher contrast portrait For me anyway Being Caucasian with blue eyes But we are getting nice detail Nice sharpness All those things that we've seen With other films It's a good film A third of a stop slower than advertised But that's not a deal breaker If you're looking for something In this speed range Overall I think if you shoot this film You'll be very, very happy All right, that's going to do it for this film Thank you for watching If you would like to help support this channel You can go to my Patreon page Or my merchandise page Down in the bottom in the description Until next time, thanks again