頭像課程-1:起形從角度與比例開始

大家好,我是 Matt 從 DrawingTutorialsOnline.com 開始 聽聽,我剛剛完成了一堂畫圖課 我非常興奮地與您分享 您在螢幕上看到的是什麼? 基本上您所看到的是完成的畫圖 它很小,大約 8 英寸 x 7.5 英寸 我完成了這幅畫圖大約 7-8 小時 我希望與您分享 在我在 YouTube 上發布的第一堂課中 我如何開始使用角度和測量 好的,讓我們進入 好的,我們開始吧 在畫面上的第一角度 我喜歡從頭髮的邊緣開始 所以您將角度放在畫面上 然後下一步您會說 好的,位置在哪裡? 我的肩膀有足夠的空間嗎? 我的下半身有足夠的空間嗎? 然後我意識到 我有足夠的空間 但是我不想用我的肩膀向我的肩膀傾倒 所以我把它提高了一點 然後我再次說 從角度開始 是一件我已經做了很多年的事情 這比較像 有些老師稱之為圖層 每個人都有自己的名字 但是如果您在 DrawingTutorialsOnline.com 和我一起做了一段時間 我喜歡從這些角度開始 就像我把一個控制器放在畫面邊緣 現在,您不需要用力按下 這些最初的線條 您必須把所有的重量放在手上 而不是在筆尖上 我還很喜歡把肩膀的一部分 放入負面空間來給予它一些概念 每當您畫一張畫 您總是想把肩膀和下半身放進去 來給予它一些概念 現在,這些最初的線條 如果它們不夠正確 剩下的圖層 就是在修正這些線條 好嗎? 現在,我還有不少 所以我調整了視頻 現在,請記住 我還在那裡做了什麼 我站起來 我從遠處看了圖層 是的,在最初的階段 我做了這件事 這是非常重要的 因為像我所說的 這些最初的角度 會設定階段 對於您的挑戰 或是對於剩下的圖層的娛樂 現在,不要留在陰影上 做一點在裡面 基本上 這是頭髮的形狀 和臉部的形狀 我下一個角度 是從頭頂到臉頂 只是給我一點概念 我嘗試做一個快速的動作 從頭頂 從頭頂頭髮 從頭頂陰影 一直到臉頂 別擔心如果它們不完全完美 只是這些最初的輕微的動作線 是非常非常非常有益的 你不想進入所有的小角度 微角度 小角度 這些叫做微角度 它們是非常非常大的角度 設定階段 對於頭髮的尺寸 臉部 臉頂 好的 現在靠後 靠後 看著畫面 看著你的照片參考 看著畫面 看著你的照片參考 現在我們可以做的 是我們可以開始設定 幾個目標 目標是頭髮的底部 目標是頭頂的角度 目標是臉頂 輕微的壓力在筆上 我不是在畫臉頂和臉頂 我只是在畫嘴脣和嘴脣的大角度 讓我們跳舞 現在我正在看的 你也應該在看的 是距離和尺寸的關係 這是評論畫面的重點 頭髮的尺寸和頭頂的厚度 頭頂的厚度 比頭頂的底部要大很多 這是需要考慮的 所以現在 我可能要把頭頂的厚度 再厚一點 如果我保持這樣 重新開始 然後調整 讓我們重新調整頭頂的厚度 這個視頻已經快20%了 而且還是有點慢 所以我真的很慢 現在我們可以做一些 小角度 我正在從眉毛 鼻子頂到頭髮 我們來做一個嘗試 在鼻子 好 從遠處看 不要畫嘴脣 現在我們在畫頭頂的厚度 鼻子的形狀 然後距離從鼻子底部 到下巴的底部 這可能要再長一點 所以你看 我馬上注意到 尺寸的關係 所以我做了什麼 我把尺寸 縮短了一點 我還沒有用筆 用力壓下來 現在我們可以加上 兩個小角度 到鼻子 這個角度 是鼻子的形狀 看 50%的時間 在對比 看距離 從鼻子底部 到上脣的角度 下脣的角度 現在我看到 我需要把尺寸縮短 所以這看起來是目標 這是第三次 第四次 我把尺寸縮短 但沒關係 因為那些尺寸 都會被 加入陰影的形狀 在下巴 如果你先計劃好 你會知道 你要做陰影 你可以把那些錯誤 或錯誤的測量 變成正確的 把尺寸縮短 把光從黑暗 放在頭頂 尾巴 尾巴附近 有陰影 髮臉在你前面 把頭髮紮進去 現在 還是不太好 當你開始畫 你可能不太好的 在最初的階段 但你要堅持 你要堅持 這是最醜的 竹籬竹技 這是很重要的階段 But you don't want to live here, okay? Now, what you've got to do is you've got to force yourself to start doing some measurements and drawing some shapes via the angles on the inside Now, I'm not really drawing any of my measure lines All of my measure lines are being done inside of my brain But what I'm going to do for you in the PDF is I'm just going to remind you of the measure lines that I'm thinking about And I'll draw on top of this in Photoshop First shape Okay, excellent Get an initial shape And why? Because when you draw Some artists, including myself Draw better with shapes and lines You don't want to draw with just lines Lines are pretty skinny And you're going to be able to see proportions And the character of the person with these shapes Don't wait If you're working on a drawing And you're going to say Okay, I only have an hour today to draw Don't wait until minute 55 to start shading Shade very early on We're very early into this drawing And I've already placed my first shape Now, I'm going to probably do another shape Very shortly here But remember That's a very light middle tone Light middle tones at this stage of the game Let's look at the distance Between the shadow under the nose And the eye socket shape Let's put in a little tone for the eye socket And the cast shadow on the forehead Angle of the cast shadow Okay, good Let's shade now a little bit of the hair This is called blocking in tone But we're blocking in In a very, very light way You see all those darks on the back of his hair If you start to mess with them right now That's just going to lead to heartache Save those darks and gradually build up That's part of the reason why I like The Col-Erase pencil so much Now, this style of drawing Does not necessarily have to be for you You want to take bits and pieces of what I'm doing And try to incorporate them into your own work process Some people like to press down hard immediately Some people like to draw much faster If you've ever seen me do a quick gesture drawing of the model I do draw faster I do everything that you're seeing here But just at a faster pace This is at a slower pace Even though we sped up about 20% So you see I widen the neck there So this is where you must get up off of your chair Reset your eyes Look out the window for a minute And then come back And look at your drawing from far away Let's adjust some angles now Don't just look at that lip in a vacuum Look at that lip And how it relates to the eye socket shape Look at the lip and an angle Say from the bottom of the nose How is it angled out more Look at this cast shadow And how big is that cast shadow Underneath the lower lip In comparison to the width of the shadow on the chin Everything is relevant And another one of the big things That I always see A lot of people's art in the critique gallery Is just a size relationship issues The way to conquer that Size relationship dilemma That boggles a lot of people Is it's just comparing shapes That's all it is You always have to compare Shapes to other shapes Don't live in a vacuum And don't get that tunnel vision Where you just work on one area of the drawing And then an hour goes by And you're like oh okay That ear looks ginormous You see the ear is one of the most important Measuring tools on a portrait And I I'm surprised I'm getting to it so late But it's it's an important It's an important shape Because I can look at the distance From the top of the ear To the edge of the hair And the bottom of the ear To the edge of the neck That ear is almost It's leaning more towards the hair There's less space between The top of the ear and the edge of the hair Then there is to the bottom of the ear and the neck Okay, let's get rid of those first angles I mean we're just going to cover them with tone But I don't want them that powerful Let's just block in the hair Don't put a lot of pressure down on that pencil Keep it light right now In case Now the hair is going to be Drawn It's texture via different Pencil stroke direction I'm trying to keep that in mind Very early on in the drawing Okay Now I need to do a little bit lower I I don't want to live here I I need to put a little bit more of that Shoulder in Looking at that negative space See what I just did I I use the gesture line going through the neck To the other side of the shoulder Draw through the neck To the other side of the shoulder And now I can look at The negative space from the chin to the shoulder I can start to get that sternomastoid muscle That long skinny muscle That originates from the back of the neck Back of the ear I should say Get a little bit of that deltoid in Lean back Look at those negative spaces In between the hair and the shoulders Let's revisit some of the angles And now put in some Micro angles on top of the macro angles Good This is called a head gesture In class we usually do this I I I have my students do Four five minute head gestures Now I've spent a little bit more time Than five minutes on this one But this is the idea And this is the type of thing that you want to practice You want to practice getting in these head gestures Because this is how you get The solid shape of the head This is not yet Busting with the details of the eyes Or the eyelashes or the nostril Or any of that stuff This is just the structure of the head Thank you so much for watching that video I really appreciate it I hope that you learn something from it If you'd like to jump to the course And watch it in its entirety Check out some of the links In the description below You can head on over to members.drawingtutorialsonline.com And see our entire course offering Not only do we have a ton of drawing courses there But every single Monday I critique member artwork So if you watch the course And you try to draw the drawing with me I will definitely take the time to critique it Like I said, I critique every Monday And I also offer up a member podcast every Monday Where I help members with their art questions It could be art related questions Business related questions pertaining to art Or just pencil questions Those are my favorite All right Thanks again for watching And don't forget to subscribe to the channel I'll talk to you soon Be good