小平米居家美學 走進德克薩斯州奧斯汀的一座被大自然包圍的房屋

羅西的小屋
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2 次觀看·2026年6月6日
Hey, Homeworthy, I'm Mary.
Welcome to my home in Austin, Texas.
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Hi, my name is Mary Mandel,
and I'm a real estate developer,
and I'm the co-founder of a project called Sanctuary,
which is an eco-luxury fully off-grid community
here in Austin, Texas.
We're on a amazing 10-acre greenbelt.
It is full of amazing features,
caves and waterfalls and stalactites and fossils
and even dinosaur tracks.
And we have recently finished construction
on an approximately 3,500-square-foot home
with a pool house, four bedrooms and four bathrooms.
I had been looking for a home in Austin for quite a while,
and I couldn't find anything
that I was really, really excited about.
So I decided that I wanted to build from the ground up
and design a home.
So I found the land
while living in Buenos Aires, Argentina,
and I called the realtor immediately
because it was fairly close to downtown
and it said that it was over 10 acres.
And so I thought there must have been an issue
with the decimal point
and that it should have been 1.014 acres
instead of over 10 acres.
And so I called the realtor.
He, you know, checked with the sellers.
He called me back and he said,
No, this is the real deal.
And so immediately we bought tickets to Austin.
We literally came out within 24 hours.
It happened to be a massive rainstorm
while we were out,
and we only had a few hours
before we had to get back on the flight.
So we were trudging through the mud
and through the rain.
This land was undeveloped.
So it was a very, very steep forest, basically.
And so we were walking around
trying to just see whatever we can see.
And we just started noticing
all of these incredible caves
and a jetty of water
in this creek on the property
and waterfalls.
And so we just immediately
before we got on the plane
had our agent write up the offer
And by the time we landed in Argentina,
we had an accepted offer.
Welcome to my living room.
My favorite part of the living room
is actually what you see
through all of the glass.
So this entire wing is all glass.
And the reason for that
is there's so much incredible stuff to see.
So over here, there's a waterfall
and these massive boulders.
And then I love the way
these big boulders look like
they're kind of splaying down
the side of the hill.
And then on this side,
there's this really incredible fern wall
that's covered with maidenhair fern
all year round
and water all year round.
And it's just absolutely gorgeous.
I really love organic shapes.
And so I tried to do that
with as much of the furniture pieces
as possible.
The roof also,
since it's shaped as falling oak leaves,
is also organic shaped as well.
But these chairs in particular,
this is from an amazing artist
out of Australia named Brody Neal.
And they're called the cowrie chairs
because they are shaped
like the cowrie shells in the ocean.
And it's just all one piece
of formed bent plywood.
And I love those.
Very sculptural
and very organic.
Another piece that I really love
is this lighting fixture.
This is from an Israeli company
called Aqua Creations.
And this is a sheath made of wool.
And it's really textural.
It feels really amazing.
And I love things
that have texture as well.
So one of my other favorite pieces
in the living room
is this coffee table.
I co-designed this
with a group out of Italy.
And it's a blackened
or charred wood.
It's using this
ancient Japanese technique
called shisugi bond.
And then it also has
a living metal which patinas.
And I love mixing metals.
And I love living metals
that actually change
and patina over time.
This sofa is a vintage sofa.
Also from Italy.
It's called the DS6000.
And on it is a sheepskin hide
that I searched for high and low
in northern England.
I'm a big fan of all
natural and organic materials
including woods and metals and hides.
So I have a lot of those
throughout the house.
So the elevation of this living room
that we're sitting in right now
is at sort of the midpoint of the trees.
And so normally you're either
at the base on the ground
or you're very high above.
And you're looking out
above over the trees.
But what's so unique
and so special about this
is that we're in the middle
of the trees.
And so we get this incredible
first-hand look of nature
happening in the trees.
And so we'll see owls
right at eye level.
Birds' nests.
We see a regular blue heron
that we see all the time
in the creek that's bathing himself.
And fishing because there's
also fish in the creek.
There are bobcats.
Recently we saw a bobcat
walking down the creek
with a dead rabbit
hanging out of its mouth.
And so we are really
in the middle of nature here.
So we do a lot of
just relaxing and socializing
in this room.
We play chess with my son here.
We listen to records.
We brought in a vintage
record player recently.
And so we listen to music
in here all the time.
And we just kind of relax
and enjoy nature.
So what really drove
the design of the house
was the land itself.
I really used the property
and the topography
and all of the various
environmental features
to really drive the design.
So now we're going to move
to the dining area
and the kitchen.
This slab is a black walnut slab.
It's over 12 feet long.
We brought this in a big U-Haul
from San Francisco.
And I had the base
custom made and custom designed
to actually mimic
the natural curves of the live edge.
So they're geometric forms.
But they're made to mimic
the live edge
on both sides of the slab.
And then these chairs
are also living metal.
So these also patina.
I love the idea of
wobby-sobby
where things are imperfectly perfect.
And they get better with time.
So these chairs are always changing
and getting more beautiful
the more use and love they get.
And this bench
is also made in Italy.
It was done by the same group
that did the coffee table.
And it's also two slabs
of live edge wood
that we blackened
using this ancient Japanese technique
shisugi-ban.
And that was something
that I carried throughout the house.
So all of the siding on the house
it's like a charred wood.
And so I brought that indoors as well
And did that with several
of the furniture pieces.
And this is one of them.
And the lighting fixture
I really loved
because also the flowing
and organic shapes of it
just worked really well
with a lot of the other pieces
and with the roof itself.
And one of the things
that I love about
being in the dining room
is I love to be able to look
at the ribboning of the roof.
And on this corner
this roof is at 4 feet tall.
And then on this corner
it's at 16 feet tall.
So it goes from 4 feet to 16 feet.
It's really dramatic.
And you can really enjoy it
when you're sitting
at the dining table.
So then the other thing
I love about being in this room
is being able to see
the swimming pool here.
And because we have
the aquarium glass
it's just really fun
to be able to sit and eat
and then be able to enjoy
the water and the outdoor seating area.
I grew up in mid-century modern homes.
And so that type of design
always has had a special place in my heart.
So I knew when I was designing
a home from scratch
that I wanted to have an ode
to mid-century modern design.
Things like the ceilings
which are tongue and groove
and large wood beams
and a lot of glass
and a lot of indoor-outdoor connection
and clear story windows.
Those are all things
that I grew up with
and that I loved.
And so I knew that I wanted
to incorporate those in the design.
I also,
one of my favorite things
to play with with design
are actual roof structures
and the shapes of the roofs.
And you can do such beautiful things
with roof shapes.
And I think it's
one of the missed opportunities
in a lot of architecture
is playing with the roof.
So the roofs on this home
actually drove the rest of the design.
They are hyperbolic paraboloids.
And there's three of them,
one for each building.
And so they have
opposite high ends and low ends.
So they actually twist in the middle.
So the shapes of the roofs
were really designed
to mimic the look of a falling oak leaf.
This property is full of red oaks
which are native.
And they're all through the creek.
And so the idea was that
each of the boxes of the homes
would be mostly glass
so that they would disappear.
And then the roofs
would be in the shape
of a falling oak leaf.
So when you were looking
at the residence
from further up on the site
and you were looking
down at the residence,
it would look almost like
leaves kind of falling.
And that's why the name of the house
is the Falling Leaves House.
I really wanted the ceilings
to be the hero of the home.
And so a lot of the furniture
and a lot of the rooms
are much more monotone
and quiet and minimalist.
And that way,
your attention is really drawn
to the beautiful
Douglas fir wood ceilings.
And so the kitchen
is all done in a matte black.
We have a huge island
which we love.
We entertain a lot.
And so we're able to have
a lot of food and drinks.
On the island,
it's actually over 12 feet long
and over 6 feet wide.
So it's nice and big.
And then we have
all Gaggenau appliances
which are really wonderful
to cook with.
So since the island is so big,
we brought in a 48-inch trough sink.
And it comes in really handy.
You can use one side
for preparing all your like
fruits and vegetables and so forth.
And then the other side
is where everything else goes
waiting to be washed.
So we did an induction cooktop.
And we worked really hard
with our craftsmen
to get this flush
so that you don't feel anything.
It's a detail that took
a really long time to execute.
But I love the details.
And so that was something
that we spent a lot of time
and effort on.
And then we did the downdraft
in the island
so that we didn't have to have
anything else coming
from the ceilings.
We were really trying
to keep the ceilings
as clean as possible.
And so I didn't want anything
hanging from it.
So we did this downdraft
in the island
which works really well.
And then we did the full set
of Gaggenau appliances.
So we have the espresso machine.
It makes all kinds
of different things.
It's amazing.
And then we did a warming drawer
which we actually get
so much use out of.
We've never had this before.
And it's something
that we really love.
And then we did
full-size convection oven.
We did a steam oven.
And we don't have a microwave.
So trying to be
a little bit healthier
in our food warming.
Now instead we use
the steam oven for everything.
And then we did
a vacuuming drawer
which is for sous vide cooking.
So you vacuum your fish,
your vegetables,
whatever it is here first.
And then you put it
in the steam oven.
And it's proper sous vide.
And then I love
really minimalist things.
And so I don't really
like a lot of hardware.
And so Gaggenau
makes these incredible
refrigerator and freezer units
where you can just push
and they open
without needing handles.
And so this is our freezer column.
And then this is our
refrigeration column.
So these bar stools,
they are shaped as origami.
And so they almost look like
they would fold
as an origami,
you know, paper would.
And this is also
made out of living metal.
So these patina over time.
And what's nice
is you can really see
like how many parties you've had
and how many events you've done.
Because it starts to change
and patina with time
and with usage.
So we try to be
really light on the land
and not touch the rim rock
wherever possible.
And so you can see here,
I love to look at this
from the kitchen.
You can see the entire foundation
is floating over the rim rock.
And so where the foundation
of the home touches the ground
is past the point of the rim rock.
And then over the rim rock,
the entire building
floats right over it.
I decided to have
multiple buildings for the home
because I wanted to interact
with the creek as much as possible.
It's a long creek
that runs the entire length
of the property.
And it's really beautiful.
And it's about 20 feet below us.
And so in order
to have the most interaction
with this really incredible creek
and landscape,
the idea was to splay
the different buildings
somewhat informally
along the edge of the rim rock
or along the edge of this creek.
And then the middle building
juts out vertically
and cantilevers over the creek.
And so that was kind of
the best way to see.
Got some really beautiful
seeping fern and moss walls
and then a waterfall
on the other side.
And so it was very,
very specifically placed
so that then you can see
both of those things.
Now I'm going to show you
the primary bedroom.
Follow me.
So something else
that's super cool about our hallway
is this transition
We made the front door
which is right here
to be directly across
from the entrance of the creek.
So you can walk
right through the front door
through the slider
and then go down into the creek.
Before we get to
the primary bedroom,
I want to show you this hallway.
It's something that I enjoy so much.
So you can really see
the parabolic roof.
You can see it ribboning down
as your eye goes down
and then at the very end of the hall
your eye ends
at this really beautiful
red oak tree
which has really had
this beautiful
sculptural twisted trunk.
The other thing I love
about this hallway
is we did this
with this all natural
limestone plaster.
And this plaster,
it actually breathes
and it filters the air.
So if you did it
on just a wall or two,
it wouldn't make any difference.
But if you did it
through the whole house,
which we did,
the actual air quality
of the house is so much improved
because of the filtering capacity
of the plaster.
Welcome to our primary bedroom.
It's small but mighty.
It's a really minimalist space.
There's nothing in here
that we don't need.
It's completely surrounded by glass.
And the building itself
is cantilevered
over the edge of the creek.
So while you're laying in bed,
you literally feel like
you're floating out into the creek.
We did a fluted white oak wall
as an accent wall.
And we also did the blackening
Shishigibon technique
on the white oak.
So I designed this bed.
I wanted to have
a lot of storage space.
I didn't want to have to have
any other furniture in the room
like nightstands or dressers.
And so there's these massive drawers
that just like keep going
and going and going.
And there's four of them.
We have two here,
two on the other side.
And then all of the whole
top of the bed also
has tons of storage space.
And then also the foot of the bed,
this also opens up
and is also storage.
And so you can just fit
so much stuff in here.
Yeah, the bed is like all storage.
We did this also
with a blackened walnut as well.
And my favorite part of the bedroom
is out here from the deck.
You can actually see
how beautifully the bedroom itself
cantilevers over the creek.
There's so many things
that I love about this home.
It was years and years
of putting all of my heart
and my love into this design
and into the build.
So it's hard to pick one thing.
But if I had to,
I would say that it is
the interaction with nature
and with the creek
and the way that it is,
the various volumes and shapes
are designed in order to
best interact with nature.
Welcome to the primary bathroom.
So my favorite part of this bathroom
is a bathtub.
It's all one piece
hand-carved stone.
And we cut the actual building back.
Later on in the design process,
this building went all the way
back to the bedroom.
And then later on in design,
we actually cut the building back
so that when you're sitting
in the bathroom,
you have glass in front of you,
glass on the side of you,
and you really have a beautiful view
while soaking.
I also really love
that this whole wall is glass.
It's really private.
And so it just feels really nice
when you're showering
to have the glass,
be able to see nature.
This opens up
so you can also hear the water
from the creek below,
which is really nice too
when you're sitting in the bath.
So I really tried to use
organic shapes as much as possible.
So with the tub itself,
it's, you know, asymmetrical,
curved, more organic in nature.
And then I found these sinks
that are also asymmetrical
and really sort of mimic
the shape of the tub
and have these kind of beautiful curves.
And then the faucets themselves
are also, they're hand-blown glass.
And so they're imperfect
and also organic in shape.
They kind of twist.
And then you can see
the water.
There's a vortex right here.
And that's where the hot
and the cold water are mixing.
And so it's kind of fun to see.
It's another way to bring
the water element into the home.
We had the water in the creek.
And so we've tried to bring
more water into the home as well.
And so one way we did that
was with the bathroom faucets.
So I think what gives this home soul
is really the thought and the energy
that went into designing and building it.
And every little corner and detail
was so intentional.
And it was intentional in every way,
both from an aesthetic
and a design standpoint,
but also from trying to be
as light on the land as possible
and trying to conserve nature
as much as possible.
And so we went through great lengths
to save every single tree
that we could possibly save.
And we really meticulously
would just carve only the branches
that we needed
in order to get the building in.
And so the building really is
hugged and wrapped by nature.
And we have various sitting areas
that it really has this feeling
of embrace by nature.
We also have all of our
foundations are floating
because the rim rock
that's underneath it
is thousands of years old.
And so we wanted to
do everything we could
to disturb it as little as possible.
And so we really tried to keep
nature as intact as possible.
And then we went back in
after the build.
And we did a lot of work
to get everything to thrive again
and to really feed nature
and to make it even healthier
than it was before we got here.
Now I'd love to show you the pool house.
Let's go.
This is our pool house.
The office is in here as well.
And the pool house for us
is really multi-use space.
We have a lot of guests
that come in from out of town.
And so this whole back wall here
is actually a wall bed
and closet and cabinetry space.
And then for our friends
that stay with us that have kids,
then this sofa folds down as well.
And it turns into
almost a queen-size sofa.
So it really sleeps comfortably.
At least three or two adults,
two kids.
It's gotten a ton of use.
And this coffee table
is a slab
that I actually got in Mexico.
And then I found
this really beautiful stone base for it.
So I really tried
as much as possible
to use all natural
and organic materials.
For all the furniture pieces,
the wall coverings.
And so we did that
with the table and the base.
And then the walls in here
are also the natural lime plaster.
We did these in a gloss black,
which is a hand-done technique
to build a gloss in it.
But it's also filtering the air
just like the plaster in the main house.
We also do music production.
And so we have
all of our equipment in here.
And then lots of desk space
that wraps around the whole office.
And there's a punch out
so that the glass and the desk itself
sits proud of the building.
And this is actually where
my favorite view of the entire house is,
is from this room.
There's these massive boulders
that are down here in the creek
that are just so beautiful.
And when we have a rain,
we have a really strong waterfall
that comes over these boulders.
And then there's incredible
maiden hair fern
filled the creek and the boulders.
And then on this side,
we have this gorgeous rim rock.
And there's a really big cave
under that rim rock.
And that's covered with moss,
which is really quite unusual
for central Texas
because of the heat.
But somehow the environment here,
the moss really thrives.
And then I brought in this stone tub
This is a really traditional
Japanese soaking tub.
And so that's right back here.
And it's so nice
because when you're in there,
you just are completely private,
separated from everything else.
And you can just sit, relax
and then look over at the creek.
So all of the cabinetry in the house,
we don't have hardware on them.
And so we used the same kind of
very minimalist push to open
doors and drawers.
And then we tried to integrate
the lights as seamlessly as possible.
So we put them at the top of this.
This is a full steel surround
for the desk itself
and the punch out
outside of the building.
And so we integrated the light
into that.
And I really prefer to have
very clean lines,
very minimalist
instead of having a lot of lights
hanging from the ceiling.
So it's not a pool house
without a pool.
So now I'm going to show you
our pool area.
So in an effort
to also bring more
of the water element
up to the house level,
we decided to do
an aquarium front on the pool.
This was surprisingly
really hard to execute.
There's only a few companies
that actually do this.
One is in Florida.
They do like all the theme parks.
And then the other one's in Vegas
who does like the casinos
and the big aquariums
and the casinos.
And so this was
one of those things
that was like a labor of love
to figure out how to get this done.
But it turned out
really great at night.
It's amazing with the lights on.
We've set up a table
and chairs out here,
like really romantic,
intimate dinner.
And then having the lights
in the water
is really beautiful atmosphere.
I love it out here also
because you can hear
the water running
in the creek below.
Always sounds amazing.
And then there's
all the nature sounds at night.
You can hear the frogs.
Right now you can hear
all the birds chirping.
And it's just a really
lovely place to sit and hang out.
We have our fire pit area here.
And we did a sunken
fire pit area
with lots of cozy
pillows around the benches.
And then I designed this
to work with the geometry
of the patio itself.
And so it's in a trapezoidal form.
And there's plenty of space on it
where we'll put like
bottles of wine
and ice buckets
and like charcuterie boards
and things like that.
And so this is another space
that gets a ton of use.
I have a minor obsession
with boulders and with stones.
They're all so unique
and they all tell
this really incredible story.
And so during the build
whenever we would find
these big boulders in the earth
during excavation
I would have them save them for me.
And then I ended up
integrating them all into the design.
And so for example
this is one of the largest ones
that we got.
And so we built this up.
We leveled it underneath
before we did this slab pour.
And so we leveled this boulder
and then we poured
the concrete around it.
So the idea is that
it looks like it was always there
and we just left it where it was
and then we poured
the concrete around it.
We did the same thing
with this one here.
And then we did the same thing
with this one here.
And I love the way
that the steps, the wood steps
are carved around the boulder.
So again the idea is that
they were here before we were here
and then we left them undisturbed
and built around them.
And there's many, many
more examples of that.
So we have another one here
at the entrance to the patio.
We have them by the front door.
Each flanking the front door.
And then we have this really big one
built into the deck
and it's pointing
to the entrance of the home.
So of all of the different pieces
of the entire project,
this is my absolute favorite one.
This is our outdoor dining table
and the slab itself
was a sentinel tree
in the Italian Alps
that was struck by lightning.
And so we've only used wood
that was already down.
We did not have any trees cut
to make any of our furniture.
And so this tree
was struck down by lightning.
And then this whole opening
in the middle
is where the lightning bolt hit
and cracked the tree.
And I didn't want to cover that.
I loved it so much.
And so instead of covering it,
what we did was
we created these geometrical forms.
They're kind of slats.
And so they're open
so that you can see
where the tree was struck.
And they hold, though,
the two pieces together
to keep the stability.
The other thing that's so amazing
about this table are the legs.
So these legs
are hand-blown smoked glass.
One of the, like,
top master glass blowers in Italy
is this 90-year-old man in Venice.
And he did these legs
by hand.
They're made out of
borosilicate glass,
which is the strongest
kind of glass.
It's the glass that is in airplanes,
like airplane windows and so forth.
So they're really strong.
But what I loved about it
was that you have this
really hefty, weighty slab.
And then it's, like,
seamlessly held
by these really light glass legs.
And that's why I chose these chairs,
which are also from Italy.
I chose these as well
for, like, the very lightness,
smoked glass,
translucent look that they provide.
OK.
So the other thing
that I really love
about being in this outdoor space
is how you really get to see
the cantilever here.
This is over a 20-foot cantilever.
And so we're really floating
over the creek here.
Home to me
is really a personal sanctuary.
It's a place that I feel safe
and that I feel comfortable
and that I feel rejuvenated in.
When I come home,
it's like a breath of fresh air.
When I leave,
I actually don't want to leave.
It's just a place that I enjoy so much.
And I really feel like I'm at home.
