The Temple of Artemis at Ephesus | Lost for 1,500 Years

Ancient Beauty Of Civilizations
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There were 127 columns around the Temple of Artemis. Today, only one survives,
cobbled together from fragments to about three-quarters of its original height.
The rest of the site is a ruin field from which fragments of marble protrude.
Otherwise, there's little left to show that a wonder of the ancient world stood here.
Like all the Greek gods and goddesses, Artemis had many forms. Though most often worshiped
as a youthful huntress, the guardian of wild places, she was also identified with Selene,
whose crown was the crescent of the moon, and with Hecate, the queen of ghosts.
In her various forms, the goddess was revered at countless temples and shrines.
The most famous of these was also the most spectacular of all Greek sanctuaries,
the Temple of Artemis at Ephesus. The cult image of the Ephesian Artemis, based, apparently,
on an ancient wooden statue or on the time-worn sculptures of Egypt, was unique. It stood rigid
as a column, the serene face framed by cascades of earrings and a towering crown. The torso bulged
with dozens of protuberances, possibly breasts, but more likely meant to represent
bull testicles or bags filled with offerings. This was Artemis as seen from the east,
in the guise of an Anatolian mother goddess. The first Temple of Artemis at Ephesus rose
in the 8th century BC on a site that had long been sacred. After this structure was destroyed
by a flood, a far more magnificent temple rose in its place, financed by the proverbially wealthy
Lydian king Croesus. The colossal new temple, the first in the Greek world to be built entirely
of marble, was ringed by a forest of 40-foot columns. The bases of some columns were decorated
with vividly painted reliefs, which must have shimmered through the clouds of smoke and incense
drifting from the great altar. For two centuries, the temple built by Croesus drew crowds of pilgrims
and visitors. But in 356 BC, on the very day it was later said that Alexander the Great was born
in Macedon, it was burned to the ground by a madman named Herostratus, who wanted to be remembered
forever. Or so the Ephesians claimed. Marble buildings are not easy to burn, and some scholars
suspect that the priests, aware that the temple's foundations had settled beyond repair, set the fire
themselves. The site was cleared, and a new temple, even more magnificent than its predecessor,
was begun. Construction was well underway by the time Alexander the Great added Ephesus
to his expanding empire. The conqueror offered to pay for the temple's completion if the Ephesians
would inscribe his name on the pediment. The offer was politely declined. Work continued for more than
a century. Long before it was done, the temple was recognized as a wonder of the world. The new
Temple of Artemis was raised above its flood-prone site on a platform ringed by 13 steps. The building
was nearly four times the size of the Parthenon, and more than twice as tall. According to Pliny
the Elder, there were no fewer than 127 columns, each 60 feet high. Above soared the gleaming marble
pediment, centered on a tall window where images of the goddess were displayed. The temple stood,
honored by honestic kings and Roman emperors, for more than half a millennium. It was damaged by
marauding Goths at the height of the 3rd century crisis. Not long after, with the Christianization
of Ephesus and the rest of the Roman world, it began to be plundered for building material.
A later legend claimed that some columns were sent to Constantinople to adorn Justinian's
Hagia Sophia. The stones that were not plundered gradually vanished beneath mud laid down by floods
of the local river. By the time Western travelers began visiting Ephesus
in the early modern period, the site of the temple had been lost. The most prominent ruins
near the ancient harbor, which actually belonged to a Roman bath complex, were mistaken for those
of the temple. We'll explore the epic quest to rediscover and excavate the Temple of Artemis
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products. Returning to our topic. The Temple of Artemis was rediscovered by a British railroad
engineer with the eminently Victorian name of John Turtle Wood. Wood began with no clear idea
about where to look. Ruins sprawled for miles around the swamp that had once been the great
harbor of Ephesus. References in ancient texts stated only that the temple had been built on
low ground near a river a short distance outside the city center. At first, Wood dug almost randomly,
sinking a series of test pits at various points around the city. He found inscriptions and tombs,
but nothing that pointed the way to the temple. Pit by pit, year after year, despite frequent
bouts of malaria and setbacks ranging from a broken collarbone to murderous bandits,
Wood soldiered on. He began to excavate in the city theater, hoping against hope for a clue
to the temple's whereabouts. Incredibly, he found one. On one of the paradox walls was a long
inscription from the reign of Trajan which described a procession from the theater to the
Temple of Artemis. The processional route had been circular, exiting from one of the main city gates
and entering through the other. If he dug from those gates, Wood reasoned, he would eventually
reach the temple. He concentrated on the road leading from the Magnesian Gate, which he found
to have been lined with thousands of tombs. After two years, just as the last of his money ran out,
his workmen found a wall of massive blocks and an inscription identifying it as the precinct
of the Temple of Artemis. On the final day of December, 1869, six years after the search began,
they struck the first stones of the temple itself. Wood's excavation continued for another
four years at a total cost of 16,000 pounds, equivalent to about two million dollars today.
Even by 19th century standards, it was not a model of painstaking archaeology. At one point,
Wood used gunpowder to blow up the remains of a Byzantine church. When not assisted by dynamite,
progress was slow, since the sand and mud that had covered the temple were waterlogged. Trench walls
repeatedly collapsed, killing one workman and injuring others. It took 15 men 15 full days
to clear a single column drum. A subterranean spring flooded the excavations. Mice ate the
inscription squeezes. A ship filled with finds sank. But in the end, Wood managed to clear the
site of the temple, an area of 500 by 300 feet from beneath 25 feet of sediment and debris.
By his calculation, the workmen moved 132,221 cubic yards of earth. Although little of the
temple's superstructure had survived, Wood was able to salvage fragments both of the classical
building and of its archaic predecessor. The most famous find, now displayed in the British Museum,
was a column base from the classical temple, with reliefs of Hermes, Thanatos, and other figures
from myth. A generation after Wood concluded his excavations, the British Museum invited
David George Hogarth to return to the Temple of Artemis and clarify the building's history.
Finding the hole dug by Wood's workmen filled to the brim, Hogarth used a steam pump lent by
the Ottoman Railway Company to remove 100,000 cubic meters of water. Even after the pool had
been drained, his workmen had to spend every morning pumping the previous night's seepage
so that they could dig, thigh-deep in mud, all afternoon. Beneath the muck, Hogarth discovered
the foundation deposit of the archaic temple, buried in the time of Croesus. Almost as soon
as the first finds surfaced, however, the winter rains set in, and the nights turned cold enough
to freeze the pools in which the workmen toiled. Hogarth had to wait until spring to recover the
rest of the treasure—fistfuls of electrum coins, earrings and scarabs of precious metal,
and upwards of a thousand gemstones. Since 1965, the Austrian Archaeological Institute
has continued work on the site of the Artemision, revealing, among much else,
the original temple of the 8th century BC. In 1973, the Austrians re-erected a single
incomplete column pieced together from fragments found around the site. It stands sentinel over
the puddles and broken stones that mark the site of the Temple of Artemis at Ephesus.
For a tour of the temple's remains, follow the link on screen and in the description.
You can learn Coptic, the language of the pharaohs, with Dr. Lydia Bremer-McCollum at
the Religion Department, an online learning platform associated with the Religion for
Breakfast channel. Follow the link in the description to learn more. You'll also find
links in the description for my Spring 2026 group tours—The Roman Ruins of Spain and In the
Footsteps of Alexander. Please check out the Tone Stone Patreon. Don't forget my other channels,
Tone Stone Footnotes and Scenic Routes to the Past. And, as always, thanks for watching.
