"Local Legends" visits the laid-back town of Tiaong, Quezon to undercover the secrets of one country's living treasures, master ceramic potter Augusto "Ugu" Bigyan. "Ugu" explains how his upbringing and a chance encounter with a celebrated ceramic painter from the neighboring town of Candelaria sparked his interest in ceramic art. He then demonstrates the fundamental techniques of his craft, and talks about milestones in his career that helped him make a name for himself overseas. "Ugu" also details how he developed his own style, and reflects on the legacy he wants to leave behind. "Local Legends" also speaks with UP College of Fine Arts Ceramic Studio head Rita Gudiño to learn more about "Ugu" Bigyan's accomplishments and contributions to fine arts in the Philippines.
(This episode originally aired on November 11, 2019.)
We just take it for granted but many of the things we
use are designed and thought about before they are made
Ang Chaong Quezon is a large field
Many large parts are water
vegetable fields and mines
The livelihood of people here is mainly farming
I am Augusto Biguian 55 years old
A potter here is Chaong Quezon My mother
is a seamstress She
makes wedding dresses
My father is a rice miller We have a
rice mill I grew up
in the countryside
I found the inspiration for my potter at Dito
We see Ugo as a very successful potter
because he was not only one of the pioneers in pursuing
stoneware material but also succeeded in making contac
Not only with the local market but also the international market
I'm Professor Rita Godinho I'm head
of the UP College of Fine Arts Ceramic
Studio We're kind of like taking baby
steps especially with the stoneware clay
Since you are perhaps more familiar
with it this is the earthenware
we are known for This is the pot
These are the garden planters
This is my bed and breakfast
We call him the hero
It's like a baby who's about to fall asleep
I'm a high school student I
have an idea of how to see
it because my
father is also a businessman On that day
We are making extra money by drawing
A high school student
is the one who draws
I am the one who is an accountant
Well in 1983-84
When I graduated
I tried to
apply to banks like a child
I dream of being in Manila
But maybe I'm looking
for myself I'm not at the office yet
If the kid who grew up in the countryside So
after a few days
I came back here
I didn't hesitate
Because I knew I would be staying here
Let's soak the clay in the water
I need to mix them together
because I want to mix the
ball clay with the stockboard
clay I'm still a student
I was there in Candelaria
at the potter-painter
Jaime de Guzman and there I saw oh the beauty
Strange-looking unusual So I see what they're
doing
So I said
I want to become a potter
I have no background
So my main
resource book
The first step is
Of course when gathering materials
I have no idea where I'll
get it This is our local ball
clay We'll mix it in the minimix
We also bought the
same stoneware We
need to remix it to
fit our way
of working
You can't buy it
that quickly with clay You really
need to process
it When Jaime
de Guzman left for Sagada
We have some leftover
materials So I bought the
ones for Anne from Jaime'
s wife We are keeping them
Handmade with labor
There's no two alike
because each is unique
In 1983-84
I was working
experiment inside three years
I no longer sleep
mold
Jars small items
You love what you do There 's
no failure You will
keep finding ways because
you want it to succeed
I need
to balance the control Also
you know that's
why it's squeezed
So that's the sound
Don't be so sensitive
So don't take it so personally
This is really impressive
As a partner one
characteristic I value
is being critical
I have different expressions different
styles I said why
is everything perfect
I tried to learn and
create a perfect
form on the
wheel It was so boring
All perfect
all perfect
So I did an experiment
by cutting it
it deformed That's why I did that
to fit the roots I get
I want to show you the various
things I can do
We need to air dry
So we don't dry it in the sun because
it will burn It needs
to be slowly dried
We started three years ago
before I had a chance to
exhibit Someone even wrote
to me All Agog
on Ugus Pats
I know what's the deal with the crowd
As a first-time potter
parang there 's
something
like that's different
I present So that's why
My show is not over yet
I already have a
new show next year
So I ended up with a
seven years straight Ito
yung first record Ang
tawag dito yung base
record Para tumigas Para
You can paint it any color
It cannot be painted any color
the raw
in glaze because it will melt
So when this happens
We needed to be
honest We
exported
in 1989 The name
of our company
Sari Crops We were
entertained We were
in the system We
presented a
big tapestry
I know an exporter
how many can you make
We know one
Export is not
an art piece
It's a commodity
I will try
to produce 27
000 pieces of small item
We exported
to the
US PR1 to London
Artistic expression is stifled
because you can't exercise
creativity Because
you're being
dictated to One-off pieces only
Order in hundreds or
thousands So that 's
the challenge I think because this
work is not conventionally
manufactured
The environment of Ubu is laid-back
Hey what's up Then suddenly
it's like you're rushing
because of the deadlines
What triggered me was
Stay still that
was the time
the dollar fell That small
yet it still affected you
with such a huge problem
The world Production
has somewhat stopped
There was
an effect It was somewhat strange
I wondered what to do
The most important
thing to me is of course
life When you have a
long time you
will feel it
Trust your body to know what is right
So I realized that less
stress makes it more
enjoyable to
be creativeI
was 1995 when I stopped
We each have our own style I
steal-in the
English way We each have our own
recipe I maintain
my style using
mostly matte glazes
He won't be able to buy
I'm focusing on the local market
It's getting a bit stronger
Many people are coming here
Sabi Ugo we have nothing to eat here
in Chaong So my mom
and I are cooking
Our grilled meats simple
vegetables 2001
we decided
to open a restaurant
At the same time you can incorporate
The pottery The one
that my father
gave me my mother
because that day
we had a store That was
1972 Imagine the colors of
your glaze and the food will
come out nicely on the plate
you made It's
naturally artistic
Dining Even the plating
is an art form So his
ceramic works are like his
canvas and his paint is
It's the food naman Mas na-
appreciate as nakikita yung
ganda at sarap ng pagkain when
it's served in an Ugo plate
In an Ugo bowl He is a pride
not only to Quezon but to the
Philippines right
Because his works
are well-received and collected
Internationally Because Ugo's
works arrived they realized that
using artworks was a different
experience to be
part of your life
I have much more
to show I'm so
happy to
be called
just a father
If I die and come back to
life I want to be a father
again It would be wonderful joyful a huge shame
Because this is where
I achieved everything