I got my first Antique Saber! | Part 1: 1821/1845 British Wilkinson Officer's Sword

Ancient Edge
3 followers
Dec 16, 2025
We review my very first antique sword. This British officers sword is based on the 1821 pattern hilt with an 1854 pattern Wilkinson blade. Although based and manufactured as a 19th century sword, this particular one was forged in 1950 at the Wilkinson factory. This video is part 1 of 3, showcasing the first impressions of this sword while also telling the interesting history of the Wilkinson Sword company. My second video will show how this sword handles as a fighting weapon, comparisons to HEMA weapons, and maybe some test thrusting. Our 3rd video will be on how well this sword cuts when professionally sharpened.
Today is a very special video. We're taking a look at an antique, a real British fighting saber.
Normally on this channel I review reproductions of swords that are historically inspired,
but today we're actually going to be taking a look at an original. This is my very first
antique sword I've ever owned, and it is a British 1845 pattern artillery officer's sword.
So where did I get this sword and where can you find it? This particular sword came from
an Etsy shop called Vortex Finds, owned by a wonderful gentleman named John.
I saw this listed on their site at the time for about 650 US dollars. It came with a scabbard and
a whole bunch of other accoutrements that I'll get into later in the review. And after doing
some research, and I do mean research, I went down a rabbit hole because of this,
I decided to purchase this one. He has a very large selection of antique British sabers and
other swords and knives on his page, and he was extremely responsive. So John, thank you for
telling me more about this sword before purchasing, and I would certainly buy from Vortex
Finds again. Aside from just wanting to own a piece of history, why did I buy this sword?
Quite frankly, I wanted something that I could eventually cut with that wasn't a reproduction.
I wanted something that was true to the original because it's an original. And the appearance of
this style of sword is something that I've wanted for a very long time. For over a year now,
I've been researching this particular pattern of sword. So when I saw one in the condition
that it came to me in, I had to jump on it. Now, on sites like Vortex Finds and even more
famous ones like Matt Easton's Antique Company, there are different swords that are going to be
in different conditions, and you should know before purchasing what kind of work it's going
to take to restore a sword like that without destroying its historical value. There are
swords that are going to cost a little bit less, and there are swords that are going to cost a
little bit more. And you want to make sure that whatever you're purchasing isn't going to be
ruined by any work that you put into it. And I do recommend that if you're going to restore
a sword that is worth a lot historically and even monetarily, definitely get it professionally
cleaned and sharpened. So you might be asking, why would I use an antique for cutting when there
are reproductions out there that I could just purchase and cut with it and not risk damaging
a piece of history? Well, there really isn't. If you look on the market currently for quality
cutting sabers, there's only a handful of companies making good quality reproductions that feel
close to, if not exactly like, the original. And because you can buy a sword like this for roughly
three to four hundred dollars, depending on the condition it comes in, that's about the price,
if not a little bit cheaper, than some of the good reproductions that are out there. Now,
as I stated before, I'm one of the senior fencing instructors here at Ludus Ferocia,
and one of the disciplines we teach is the Highland broadsword and British saber from the
Roleworth traditions. Roleworth's manual, The Art of Defense, details how to fight with a myriad of
different swords, ranging from the saber to the broadsword, spadroon, and other swords as well.
But this manual was designed for soldiers to learn fencing techniques relatively quickly,
so it's a very good reference point for a lot of HEMA practitioners to start with, and that's why
we love it. The general look of this sword started as an 1821 pattern saber, both in the
trooper's model and officer's model. This was a replacement for the very famous 1796 light cavalry
saber, which was much curvier and much choppier. We've reviewed a reproduction of that sword
already, and it is a very popular sword with HEMAists. Now, the original trooper's model of
the 1821 had what is known as a pipe back blade that literally has a pipe type structure on the
back of the blade near the spine. I don't know if that structure is welded onto the blade or it is
actually milled out of the blade. I assume it is just welded onto the back and then ground together
to make it look like one seamless thing, but the larger pipe structure on the back of the blade
would serve to be able to block things a little bit better using the spine and not actually break
blades. If you didn't know this, one of the surest ways to snap a blade is to strike it on the back
of the spine where there is already a pre-existing fracture. So if you have a deep chip in your blade
and then you so happen to strike just on that same spot on the spine of your blade, the chances of
you getting a catastrophic failure is way high. I wonder if that's the reason why they had that
pipe structure. I'm not sure. If you do know, please let me know in the comments. I'd love to
know the history behind that. Now, a lot of people did not like the pipe back design because it
limited cutting through certain targets such as larger wool coats and other pieces of clothing.
So the 1845 pattern blade came about and this was made by the Wilkinson Sword Company to replace
the pipe back design. So let's talk about the Wilkinson Sword Company for just a second because
their story and involvement in this design is just so interesting. The Wilkinson Sword Company
was based out of England and it was run by a man named Henry Wilkinson who took the company over
from his father-in-law who was previously making firearms. In the mid-1800s, Henry realized that
there was a lack of quality in a lot of other swords and so he sought out to create a process
to make superior blades for military use. This resulted in the creation of the 1845 pattern blade
which has this iconic spear point and fuller and of course no pipe back. The Wilkinson Company
would continue to have a meteoric rise. There was a huge scandal that occurred in 1885 to where
sword bayonets that were being used in military service broke and bent in combat which resulted
in a large loss of life. The Wilkinson Sword Company was tasked with making over 150,000
bayonets which is the largest order that they've ever taken. This prompted Henry to be able to move
their factory into a new location and expand their operation, securing their legacy in British
sword making history. The Wilkinson Factory stayed open until 2005. Having tracked them to be in
business for 160 years but there's so much more to show you close up so let's go to the table.
While the sword is based on an 1845 pattern artillery officer's sword, it was meant for the
Royal Army Supply Corps unit and it was not forged in the 19th century. It was forged at around 1950
making it a hundred years after this design gained popularity and we know this because of the
The acid etching on this particular blade is beautiful and very prominent
and adds a level of refinement to the sword that not every version of the sword has. The very back
of the hilt is checkered and hides a peen that holds the sword together. A lot of other versions
of this sword have either a screw pommel or the peen hanging off of the pommel itself which doesn't
look bad but I really like the attention to detail on this sword not having one at all.
Moving down to the guard this is a three bar or sometimes known as a two bar hilt and it is my
personal favorite aesthetically out of all of the saber guards that I've trained with but it was
possibly one of the most successful hilt designs in British history due to its level of hand
protection versus how easy it is to carry the sword. The grip itself is carved wood covered
by a fish skin covering and wrapped with brass wire. It has a very grippy feel and it would be
perfect to use with gloves. Aesthetically I am a big fan of checkered back straps and I do like
resting my thumb there even if I do not always use the saber grip in my cuts. The checkered
back strap on this model goes all the way through the grip and feels great in the hand once you
index your thumb to it. One of the reasons why buying a Wilkinson sword is so much fun
is because you get to research who carried this sword in what unit they were with. You really do
get a piece of history but to do this you must have a serial number that is etched on the back
of the spine of your sword. Mine doesn't happen to have one. Instead all we see is a Made in England
stamp on the back of the spine. There's a lot of reasons why this might be but the most plausible
is that this sword was used as a window display to sell razor blades. That's right razor blades.
Wilkinson swords made razor blades later in their career. They would often send swords like this to
outlets to put in their windows as a marketing gimmick but that does not make this sword a
wall hanger. Every single one of these pieces was forged and proofed exactly like their issued
counterparts. At the very bottom of the ricasso we have this very distinctive part of the blade
which is known as the proof disc. This disc is surrounded by what is known as a Damascus star
which doesn't really hold any religious significance but is a representation of bond and
strength by having two triangles interlocking each other. We'll get to what this device actually
is in just a bit. Moving down the blade the fuller goes deep into the center of the blade and does
lighten up the blade quite a bit. It also creates a nice amount of sword wind when doing proper
edge alignment. This blade terminates into what I would consider to be a very handsome spear point
which makes the sword an excellent cutter and thruster. Every one of these swords was hot rolled
in a gigantic machine out of high carbon spring steel and quenched in oil or water just like any
other usable fighting blade would be. But what makes these blades so special especially in the
time that they were first made is how these swords were tested and certified. Henry Wilkinson knew that
many of his contemporaries were making swords of inferior quality and he wanted a way to not only
market to the general public that his swords were superior but a way to prove it. He did this through
an invention of his own called the Eprevet machine. Now I couldn't find a whole lot of information on
what this machine is or was but apparently this machine was in that factory all the way up until
2005. Every sword that was made from the 1845 period and onward maybe even before that including
bayonets were all tested through this same process. Wilkinson and a person who worked as his general
manager would personally test every one of these swords, certify them on paper, and denote based on
how their quality was and classify each of these swords by quality using one of these slugs. Now
Wilkinson had three categories that he would bucket these swords in. The very first one has no slug at
all and that is going to be what I would consider maybe like a munitions grade, right? This is
something that you would give to a trooper. It doesn't have to be the highest quality but it
passed their tests for flexibility and durability. The next would be a circular disc and this would
denote a good quality sword, something that was above average. Lastly you would have what is called
a hexagonal slug and this is going to be what I have right here. This was to note best quality. I
don't necessarily know what that means but these were the swords that performed the best during
their tests. Now here's what I know about the Eprevet machine. It was designed, and this is
quoting from Henry Wilkinson, to be able to exceed the force that humans can impart on a blade during
battle. Essentially he wanted to engineer a blade that a human being would not be able to break under
normal use. The two classifications of tests he would do is a flexibility test and an impact test.
The Eprevet machine could flex blades up to 30 degrees and if they did not take a set they were
passed on to the next test. This test was an impact test in which they would strike the blade at the
point of percussion. That is going to be when you hit the bottom of a blade at the pommel, the section
of the blade that does not vibrate. That is the point of percussion. It is the best place to
actually strike a target because the most amount of force is going to be going into it. So they
would strike it right at that spot and based on whatever measurements and classifications they
would use in the factory, determine the quality of the blade. They would stamp it with a slug and
they would put it on paper. They would ship it out to a unit, send it off to a retailer, or have it
picked up by the officer that ordered it. This is a part of the Wilkinson story that I'm most
fascinated by but I know the least about. So if you do know the parameters in which the Wilkinson
company structured these tests, I really want to know what a hexagonal slug or a round slug or a
slugless blade would have had to go through for it to actually pass this kind of test. I don't
really know the difference between a round slug and a hexagonal slug for example. So if you're
somebody who has this information and you'd like to let me know in the comments, please do so.
This marketing gimmick became so popular that many other sword companies started copying it.
Whether or not they were actually proofing their swords in the same manner, I don't know.
But you can find other sabers and other swords with these brass and sometimes even gold plated
inlays that is supposed to follow the same marketing ploy that Wilkinson did. Now when I
purchased this sword from John, it did come with a scabbard, frog, and sword knot. What I like about
this scabbard is it is wood cored with a leather covering. And why that matters to me is many of
these swords come with steel scabbards. Steel scabbards will end up dulling your edge but they
are better for horseback because they're more durable. This is probably going to break on a
horse at some point. But if you were someone who was on foot, this might be a very good option to
make sure that the edge on your sword is very very much alive and sharp. I really like this opening
here. I mean this is of course historical so whether you know whether I like it or not really
doesn't matter. But it is very functional. It melds into the design of the scabbard very nicely and
the sword goes in and out without any friction. There's no grinding of the edge that you would
hear in some of the steel counterparts. This scabbard also came with what I would just call a
sword frog. This is most likely to attach onto an officer's belt. Because I don't have an officer's
belt I really don't know how this attaches just yet. But I'm glad it came with it. It looks really
cool and I'm sure I'll be able to find a way to attach it properly in the future. And lastly it
came with this little device right here. This is called a sword knot. Now I had to do some research
on what this thing is because it's usually attached to the grip right here. And I found a
really useful video from Matt Easton's channel Scholar Gladiatoria. The sword knot is designed
to wrap around the wrist almost as a lanyard. But a lot of people ended up replacing these
with a simple silk scarf. I hope you guys enjoyed our first look at my first antique sword. I am so
thrilled to have this. I went down a rabbit hole to study up on British sabers. And just because
of my fascination with the 1821 pattern I ended up learning a lot about other sabers and the history
of the Wilkinson Sword Company. So it was a wonderful journey and I hope to continue taking
it. If you're interested in antique swords of any kind I definitely would check out Vortex
Finds on Etsy. I'll link their store in our description. I had a great time talking with
John. He's very knowledgeable and very upfront with everything he is selling. And it's a very
good avenue to purchase antique swords and get into this hobby maybe even as a HEMAist and not
just a collector. Currently we're revamping our website with new features but our classes are
still going on seven days a week. So if you are in the Hampton Roads area and you want to train
with us in the various HEMA disciplines that we teach definitely check out our website
www.historicalfightingarts.com. And we now sell our own coffee so if you're interested in a dark
roast coffee from Papua New Guinea definitely go to the website and make your order and I'll ship
it out to you myself. If you're interested in seeing how this sword is going to cut in our
next video make sure to hit that like and subscribe button so you know when it drops.
See you next time. Bye!
