Well, welcome everyone once again to the
Roundtable, your editors and publishers
podcast at the American Mind here at the
Claremont Institute. We just have a
little quick morsel of a podcast and
vidcast for you today. I'm your host
Ryan Williams, president of the
Claremont Institute and publisher of the
Claremont Review Books and the American
Mind. I am joined by associate editor of
Primark View of Books and the U Tide
editor of the American Mind, Spencer
Claven. Uh we uh just
>> chief
>> chief elf. Yeah, that's right.
>> Yes.
>> Uh chief Elvin officer, the CEO. No, it
can't be that. Um we uh we're going to
be brief this week. Just wish everyone a
very merry Christmas. Uh we will be back
on the first week, full week of January.
Uh Spencer and I are going to sit down
for about an hour or so and talk through
this very important case Trump v.
Slaughter which was had oral had oral
argument a week and a half ago uh before
the Supreme Court and maybe the final
death blow of the administrative state
or at least the beginning of the end or
the end of the middle. I don't know.
We've had it for a long time now. But,
uh, I wanted to run through some of the
history of it cuz it's a topic I know
pretty well, uh, and what it might mean
for American government. And so, our
bureaucracy nerds, uh, suit up, pour
yourself some cocoa after the new year.
Uh,
>> and I will be on speaking on behalf of
all the ignorant fools out there. I
You're going to have to start by
explaining to me that it's not actually
Trump versus laughter, which is what I
had previously thought. So, this is this
is good.
>> Yeah. Right. Trumpy slaughter, not
Trumpy joy.
>> Yeah, exactly.
>> Uh it's one of it's you occasionally get
these positively denzian names for court
cases and Trump vy slaughter is pretty
close. Um well, I hope everyone's
settling in for a nice Christmas week
and preparing for a uh festive but
moderate and virtuous New Year's Eve.
You know, we don't want to be absteious
around here. We would never recommend
such a thing, but um none of us are
getting any younger. So, you know, don't
don't push it too hard. Just enough. Uh
what does Aristotle say about virtue?
Something about just the right amount of
eggnog with just the right people for
just the right reasons. Right, Spencer?
>> Or champagne in politics. Becker page
1439. Yeah, that's uh there's nothing
more uh thrilling and exciting than
virtue and moderation, let me tell you,
which is actually true. It's brightly
understood. There's nothing nothing
worse will thrill really than merch in
moderation. But yeah, just don't get
trashed. It's not that hard.
>> And I was going to give a a quasi
cultural recommendation. Um if you
partake of such things, uh we don't get
out there every year, but we try to.
We're definitely going this year. Go to
a nice Christmas Eve mass. We're going
to the early one because we have small
kids. I encourage you all to do the
same. It uh enriches the soul and
reminds us why the the really the
teological reason we're celebrating here
at Christmas time. As much fun as uh the
traditions with the kids and the
presents are, uh it's why we're here.
>> And I will say this is not the time for
any of your low church shenanigans. You
Protestants out there, I am one of you.
I confess and will happily own the the
title. I understand the theological
objections to smells and bells and
stained glass and all the popery, but if
there's ever a time to loosen up your uh
your severe Calvinist restriction on
liturgy, this is it. This is the moment
to just like let it rip.
>> Yeah, exactly. Uh Mr. Sabbo is getting
some rest slightly under the weather and
then heading out of town for uh for his
Christmas time. So, as I mentioned,
we're going to resume first week of
January. We're looking forward to it.
But in the meantime, Spencer, I think
you had some recommendations for folks
as they try to take some time off and
spend it with family, but they should
also c uh cultivate the high things,
which is part of your recommendation.
>> Good point. Yes. Well, I think we both
have a few. Uh there's so much good
Christmas culture. It's just like an
embarrassment of riches. And I always
love hearing what people like. I think
we do have now a substack, a CRB
substack up with some of the editors,
Rex from Clar of Books. I'm going to
start by doing something that I hope I
don't do that often on this show, which
is log rolling for my other podcast,
Young Heretics. It's a used to be a
weekly show. Now it's kind of more like
the every other week or even when I feel
like it, but it's still a wonderful kind
of uh way for me to nerd out about my
weird pad obsessions. It's I feel it as
like the classical education you didn't
know you were missing. So, I'll pick
some text or idea or you just finished
going through a long long series on the
Iliad, the Odyssey, and the Anid kind of
telling the epic story all the way up
from Troy to the founding of Rome. Uh,
and that's the sort of thing that I do,
but I always have an annual Christmas
show. And this year it's about the
season of Advent and specifically the
music of Advent because you always get
around this time of year and it's like
everyone's really excited to sing all
the Christmas carols. And then those of
us who enjoy the liturgy are like no but
wait it's it's Advent think of all the
great Advent tunes like
Come Emanuel and that's basically the
only one. So this is an old long kind of
exploration of the history of that hymn
which is actually incredibly cool. The
Okam Emanuel is took its present form in
the 19th century but in some form or
another. The ideas in it go back to at
least the 8th century possibly earlier
based on these texts called the O
antifons which are so named because they
begin with O. And an antivon is a call
and response that you do as part of
evening prayer in this case on either
side of Mary's Magnificat, the song she
sings when she finds out she's going to
have baby Jesus. And each one is kind of
about
some it's it introduces a name of God
like oh wisdom or oh Adonai or oh tree
of Jesse etc. and then kind of works
that out theologically into ways that as
you say Ryan, the season is not just
about getting presents, although it's
definitely about getting presents, but
it's also about this giant arc sweep of
theological cosmic history that begins
with the creation of the world and goes
all the way up to the end of the world,
which is also something that in our
wonderfully weird way Christians
celebrate at this time. we don't just
remember the first coming but also the
second coming which is the one that will
uh is yet to to come to pass and will
end end the world. So just like I love
getting I love that the liturgy lets you
get weird with this stuff so you can
simultaneously be gathering around and
drinking eggnog and opening presents and
also like meditating upon how time is a
flat circle and at the end of days
Christ will come to reign in glory. like
this is these are sort of go hand in
hand in in high liturgy and that's one
of the things I love. So I guess just
the Young Heretics YouTube channel is
where that is. Um what about you?
>> Uh well one just came to my mind. I have
not consumed the entirety of it but this
is another uh Mrs. Williams
recommendation and she was not wrong. I
think her text to me was start listening
to this. It's utterly charming from the
beginning. And it is a free economics's
radio threepart series sort of deep dive
on the rise, popularity, performance,
and history of Handle's Messiah. Uh they
go over Yeah. They go over the pond and
start interviewing folk, charming
Englishmen who are obsessed with
Handle's Messiah,
>> singing in it, conducting it. Uh it's
it's been a lot of fun, especially if
you love that piece of music, which um
>> Oh, yeah.
>> years and years ago.
>> Yeah. Yeah, if you don't love this piece
of music, what's wrong with you? You
have
>> Yeah. Our dear colleague, Charles Kesler
loves Handles Messiah and years ago. He
was playing I think it was before your
time, Spencer. He was playing in LA and
he took as many folks as wanted to go.
It was very nice. So,
>> if you you have the time, go see Handles
Messiah. It's uh
>> I don't know that young children will
really sit through it, but I bet 8 n 10
years old it work out pretty well. My
other recommendation uh Spencer was
recommending the high things. I have I
have low things to recommend. Well, but
low just the sense of bodily pleasure.
Uh no, this is not going where you think
it is. Get your mind out of the gutter.
>> Yeah. Did not sign up. It was not warned
that this is going to happen. Yeah. Go.
>> Food and drink. Uh
>> ah
a 30th anniversary edition uh of Marella
Hans that's spelled like Marcella. The
essentials of Italian cooking is out.
It's an indispensable reference guide
and has some fairly easy, wonderful
Italian recipes in in it. If you are
into that sort of thing, it makes a
great gift, but you should all own one
if you like cooking and you like Italian
food. And then uh this is another
something I learned of from my wife's
knowledge of famous New York speak
easys. Uh there's one called Please
Don't Tell, PDT for short. I mean, none
of these are speak easys anymore. It's
all sort of a gimmick. Uh but it has a
wonderful cocktail book which you know
some are a bit fussy. They're pretty
fancy some obscure liquors but uh or
lures I should say among other things
but the PDT drink book uh is worth would
make a nice gift and at the very least
will inspire you to up your holiday and
otherwise cocktail game. So
>> that sounds great. They they all have
names like that and it's funny some of
them actually were speak easys during co
right they there was this trendy thing
of like having the speak easyy vibe and
then briefly we entered this bizarre era
where you couldn't go out to drink and
the the fake speak easys shut down and
the normal places became real speak
easys. So yeah, it's like kind of a a
throwback to a throwback to a throwback.
But um I visited one in New York this
past Thanksgiving that was called
oh I'm going to forget the name but it
was the same thing. It was like you know
never don't go or like you know
sometimes of great notion. So they all
those weird names. I also have a low
one. Um but first of all it should be
noted that Amelia as yet completely
undefeated in her recommendations. Once
again wrap one up for the boss for the
queen. Um, but the Have you gotten to
the part yet where the soloist in the
first performance of the Messiah is like
this famously scandalridden
woman of the theater and everyone it's
like her first performance back. There's
some great story about that, I think.
>> Oh, no. I haven't gotten there yet. I'm
very early in it, but but it I've only
listened to the first 28 minutes, but it
it's awesome.
>> Yeah. No, that that's the the whole I
mean the piece is incredible and like
that we there was one performance in LA
that was a sing along like you could go
and they would give you the score and at
the big Hollywood course at the end you
could like join in. I don't know if
you're still doing that. Um my lowbrow
wreck is just the two great cartoon
specials. I know there are others but if
you think they are the greatest, you are
wrong. That's okay. It's Christmas. I
have a spirit of generosity toward you.
But if you're watching the raisins play
their guitars or whatever instead of
these um you are grievously in error
range you need to mend your ways because
the two really good ones are um how the
Grinch Stole Christmas the cartoon Boris
Caroff which you alluded to earlier Ryan
>> the original one. Yeah
>> exactly. Yes. note. None of this Jim
Carry on says I it's not Jim Car's worst
performance, but it's just it's way
bloated and unnecessarily overinflated
beyond the pure excellent simplicity of
that of that cartoon. And then of course
the Charlie Brown Peanuts Christmas
special. It's Christmas Charlie Brown
ending with a maybe not actually that
lowbrow recitation of the Gospel of of
Luke. uh which I think Charles Schultz
insisted on along with having real
children do the voices because he was a
devout Christian of course American e
execs being what they are some things
never change even back then they were
like these the people won't appreciate
this like religious stuff people don't
want that Bible up in there um and of
course it's one of the classic moments
of all cartoon television uh and
suitable for children so you know what's
not to love
>> I hope I know you're a man of taste and
discerning judgment, Spencer. So, on the
non non-an animated side, I assume
you're a fan of A Christmas Story.
>> Yes, I see you too are a man of quality.
Um, I am a fan of A Christmas Story,
although I came to it fairly late and
have only seen it once, but yes. And the
other one I won't hear a word spoken
against is its Wonderful Life. There's a
lot of It's Wonderful Life hate out
there on the internet at least. But it's
like a Dickens novel in that if you
revisit it, you find it's much much
smarter and grittier and better than all
of its detractors make it out to be.
>> Yeah. I al I've also received cuz I got
it fresh off the presses the first
issue, but for the rest of you
subscribers out there, the CRB Perfect
Bound double anniversary issue chalk
full of wonderful reading uh is on its
way to your mailboxes. If you have not
yet received it, we have a couple pieces
um more than a couple up at
clarreviewbooks.com from behind the payw
wall. Uh Chris Caldwell on Zora Mani. Um
Charles Kesler on 25 years of Claremont
Review Books which is adapted from his
talk that he gave to us uh at our
November 6th CRB New York 25th
anniversary celebration. So go check out
claremviewbooks.com.
We're excerpting a couple uh as we go on
the American mind as well. Uh one last
flag on the American mind uh for your
holiday reading, maybe in preparation
for our Trump v. Slaughter podcast is
R.J. Pasta's excerpt from his new uh
provocation, which are these pamphlets
we put out at the Center for the
American Way of Life on the Trump
administration's progress on dismantling
the administrative state. We're
gathering a bunch of respondents to
that. So, keep an eye out on that
features homepage uh at the AmericanMind
at americanm.org.
>> Oh, are we optimistic about Christopher
Nolan's Odyssey or
>> or
filled with semi- dread?
>> I thought this was supposed to be a
short episode, Ryan. How much how much
longer do we have? Boy, I am
I wouldn't say cautiously optimistic. I
would say studiously optimistic. I'm I'm
gritting my teeth in optimism, if that's
a thing, because I really I like a lot
of Nolan's stuff. He's never made a
movie that I thought sang just worked in
every possible way. Maybe the Batman
movies, but every movie he's made is
interesting, has great stuff in it, and
then doesn't quite hang together the way
I wish it did. I think like the one
about dreams, Inception is a classic
example. It's beautifully done,
wonderfully imagined, but in the end of
the day has the philosophical
sophistication of like a dorm room
conversation you have with your roommate
at 3:00 a.m. after a bong hit. You know,
like where how do we know if we're
really dreaming? Whereas, uh, you know,
Interstellar like doesn't quite make any
sense because it's a time travel story,
uh, but is very, very beautiful and full
of rich social commentary. So, I feel
like, you know, this is a this is good
material for him in that it's supposed
to be heightened and elevated and
dramatic and in a word epic, which he's
really good at doing. He cast a goddess
at least. He cast Zaya as Athena. And a
lot of people hate Zendaya. I don't mind
her that much. I just think if you're
going to make Homer, you can't do what
all of these modern directors have done
for so long and try to secularize it.
like it's just not a poem. The poem
doesn't make any sense if there's no
metaphysics in it. And so people try to
just like take that out or psychologize
it away. And this is one of the many
problems with with Troy, which
nevertheless like had a certain verve
that some of the stills and opening
shots from Nolan's Odyssey seem to lack.
Um, so I guess a lot of people feel like
it's going to suck. I'm holding out hope
that he's going to find a way to do do
it justice, but I I you know I the bar
is pretty low cuz I hated the return
that the movie that came out about
Adysius's return a while back. Um I'll
tell you one thing I love is Epic the uh
kind of concept album which is basically
a musical of the Odyssey um by this guy
on Spotify who just started making them
and going viral. It's very loose in that
he does a lot of stuff to make the story
more palatable to kind of modern um
moral sensibilities. Not woke stuff
exactly, just like, you know, he makes
Adysius more faithful to Penelopey than
than he actually is in the poem and that
sort of stuff. Um, but it's
so full of life and kind of musical
theater paos and drama and the gods are
very real characters and all the
monsters are there and I just think like
like that's so much more so much closer
to what you have to do with these poems
to bring them bring them back to life
and I worry. I don't know. What do you
think about the Nolan? Have you seen any
of the Nolan trailers?
>> I just saw the the first I guess it's
the first complete one that they posted
on X. Um,
>> yeah. And I no immediate red flags in
that little segment. Uh but that you
know that that that pudding will be
we'll see in the eating. Um I uh I guess
my one descent from your uh
discussion of Nolan's films. I think one
was nearly perfect which was Dunkkirk.
Uh
>> oh. I haven't seen Dunkirk. I hear it's
kind of a slog.
>> No. No. I don't think so. I don't think
so. It's very um the pacing of it is
very interesting and innovative and
creative and I I thought there wasn't
really much of a bad note at all in that
movie and it's uh it's uh yeah, so I
recommend it. I love Dunkerk.
>> That's making me realize is he also
Momento or am I confusing him with
somebody else?
>> Oh, we should know this. I
>> we should
>> I'm pretty sure that's Nolan. I
>> Yeah, that's near-perfect movie also.
So, I take I take back my
>> if we if we've if we've misnamed the
director, please forgive us, but I'm
pretty sure that's
>> honestly if you're listening out there
and you are the director of Momento and
you're not Christopher Nolan, we do
apologize, but great movie.
>> Yeah.
>> No, I think that was his breakout um
sort of popular debut of sorts and has
quite a cult following. So, it's a a
real um mind bender of a movie. Uh well,
good. Well, I think we should let
everyone go back to their families, to
their warm hearths. Uh, a belated happy
Hanukkah to our Jewish listeners and
watchers and viewers. And I will say,
uh, keep your intellectual stocking
stuffed full with content from
americanm.org, claremontbooks.com,
dc.claremont.org,
and of course the homepage, uh,
claremont.org. And if you feel so moved,
if you have supported us in the past,
thank you. If you support us this year,
thank you very much. But there is still
time at claremont.org/donate
to get a little bit of a tax relief with
a nonprofit contribution to the
Claremont Institute. Uh we're at our
halfyear mark in the fiscal year and
it's going fairly well so far. So help
us uh finish with a real bang. big year
next year with America 250. And uh keep
an eye on all of our websites for the
various ways in which we celebrate 250
years since the Declaration of
Independence. And uh with that, I will
bid everyone a merry Christmas and a
happy new year. We will see you the
first week of January. And uh so I can't
say we'll talk to you next week. Talk to
you in a couple weeks. But merry
Christmas, Spencer. And uh we'll see you
all soon.
>> Merry Christmas, Ryan, and happy new
year. God bless us everyone.