The Destruction of Rome's Pagan Temples

ancient literature
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This is the so-called Temple of Concordia at Agrigento, Sicily. Along with the Hephaistion
in Athens, it's one of the best preserved Greek temples anywhere in the world. Little but the
roof is missing. The building owes its excellent state of preservation to the fact that it became
a church in late antiquity and was carefully maintained. Few other pagan sanctuaries were
When Constantine converted to Christianity, there were, by one count, 424 temples in the
city of Rome. Tens of thousands more were scattered across the provinces.
They soared heavenward like the Temple of Jupiter at Baalbek. They crouched beneath the earth like
the Oracle of the Dead at Ephra. They housed flocks of doves and sacred fish, mammoth tusks
and meteorites, shapeless idols of age-black wood, and chrysolophantine statues with glowing eyes.
They were the most spectacular, most expensive, most famous buildings in the known world.
And within two centuries of Constantine's reign, virtually every one was abandoned or destroyed.
Some temples were attacked by Christians. Martin of Tours burned shrines and felled
sacred groves in the Gallic countryside. On the other side of the empire, Bishop Porphyrius of
Gaza demolished the Temple of Zeus Marnas. The Egyptian abbot, Chanute, led squads of
monks against pagan sanctuaries and images. The violence came to a crescendo during the reign
of Theodosius I, when a Christian mob sacked the Serapium of Alexandria, and the orator,
Libanius, begged for an end to the rampant destruction of pagan shrines around Antioch.
The vast majority of Roman temples, however, were not destroyed violently. The imperial
government discouraged indiscriminate destruction. Even after public worship of the old gods was
prohibited, temples remained public monuments. A series of decrees stipulated that they were to
remain open and forbade their demolition for building material. The upper classes,
including Christians, were generally sympathetic. A bishop of Ilion gave Julian a tour of his city's
temples. Christian ire tended to focus less on temple buildings than on the cult images they
contained. Pope Gregory I, writing centuries later, would urge missionaries in Anglo-Saxon
England to preserve shrines but destroy their idols. At Ephesus, for example, statues of the
deified Augustus and Livia were mutilated and had crosses cut into their foreheads. Nearby,
a wealthy citizen named Demaeus set up an inscription commemorating his replacement
of a likeness of Artemis with a cross. The most famous statues of the gods, however,
were respected as works of art. Phidias's Olympian Zeus was moved intact to Constantinople.
So was the colossal bronze image of Athena Promachus, which had stood beside the Parthenon.
The goddess would guard the form of Constantine until the time of the Fourth Crusade. We'll
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Returning to our topic, many temples were maintained for decades after being closed
for worship. In most cases, they were finally ruined by some combination of earthquakes and
pillaging. As early as the mid-4th century, only a generation after Constantine, Libanius complained
that the citizens of Antioch were stripping stone from temples for reuse in their homes.
Eventually, the emperors condoned the practice. It was rumored that Justinian built columns from
the Temple of Artemis at Ephesus into Hagia Sophia. Only a small minority of temples were
converted into churches. This was partly a matter of incompatibility. A church is a
congregational building where people gather to worship. Temples, designed to shelter only the
intended to be too dark and cramped for Christian services.
An additional problem was the widespread belief that temples were haunted. Christians assumed
that the pagan gods were malevolent demons sent by Satan to mislead mankind. These beings lurked
in the strongholds of the old religion, waiting to tempt or possess the unwary. To be rid of them,
a temple had to be thoroughly purified, ideally by a resident holy man. In most Roman cities,
the first monumental churches were built on the outskirts, often near a martyr's tomb. It was only
later, from the mid-4th century, that they began to appear in city centers, and the first temples
were converted. In Rome, no temple seems to have become a church before the Pantheon, consecrated
in 609. The Pantheon, with its huge open rotunda, needed few architectural modifications.
Most converted temples, however, were more like the Parthenon, which was substantially altered
when it became a church around the end of the 5th century. An entrance was punched through what had
been the back wall, an apse was built into the former Pronaus, and the mythological sculptures
were systematically defaced. In the massive temple of Apollo at Didyma, a church was simply
inserted into the cella, which had been left open to the sky. A basilica, likewise,
rose in what had been the second court of Ramses III's mortuary temple. The most common method
of converting a temple into a church, however, was to fill the spaces between the colonnades
and partially or wholly dismantle the cella within, creating a three-aisled basilica.
The best-preserved Greek temples, the temple of Hephaestus at Athens and the temple of Concordia
at Agrigento, were both remodeled in this way. Other temples underwent more radical adaptations.
In Rome, the medieval church of San Nicola in Carcere was built over three adjoining temples.
The central temple became the nave. The outer walls engulfed the colonnades of the temples
on either side. A circular shrine of Isis is embedded in the seven chapels that make up
Bologna's Basilica of Santo Stefano. The temple of Aphrodite at Aphrodisias was almost completely
disassembled. Only the lateral colonnades were left in place and lengthened with stone from
facades to form the nave of a new cathedral. A few buildings underwent the double conversion
from temple to church to mosque. The Duomo of Syracuse, initially a temple of Athena,
became a church, then a mosque, and finally a church again. The Great Mosque of Damascus
replaced a church of John the Baptist that had been built into a Roman temple of Zeus.
At the Parthenon, the call to prayer was heard for centuries over the Christian frescoes clinging,
ever more precariously, to the walls of Athena's temple.
To learn more about temples, churches, and the broader transformation of Roman cities
in late antiquity, check out my podcast interview with Dr. Luke Lavin, linked on screen and in the
description. On the Told-in-Stone Patreon, I recently posted a new episode of Rome in Review,
my series exploring movies and TV series set in the ancient world. Check it out
by following the link in the description. You might also enjoy the content on my other channels,
Thanks for watching!
