20 Video Views·Feb 1, 2026
Santillana del Mar es uno de los pueblos medievales más bellos y mejor conservados que pertenece al club de los pueblos más bonitos de España.
Con gran valor histórico-artístico, ha sido elegido Capital del Turismo Rural en 2019, de entre 215 municipios del país, siendo uno de los atractivos turísticos más visitados de Cantabria por albergar la Cueva de Altamira, considerada la “Capilla Sixtina” del arte cuaternario.
Un grupo de monjes peregrinos construyó una pequeña ermita para exponer las reliquias de la mártir Santa Juliana de Bitinia, perseguida por el emperador Diocleciano en el siglo III. En el siglo IX, se convirtió en el Monasterio de Santa Juliana, pasando a ser colegiata en el XII, siendo el exponente más importante del arte románico en Cantabria.
En torno a ella, una aldea fue adquiriendo un legado artístico, cultural y monumental incomparable, adoptando el nombre de “Sancta Iuliana” para derivar más tarde en Santillana, teniendo un importante dominio territorial de la zona denominada las Asturias de Santillana, siendo hogar de importantes nobles y familias del Reino de Castilla. En 1.445, el rey Juan II dio el señorío de la villa al primer Marqués de Santillana y sus sucesores, los Duques del infantado.
La excelente conservación de su espacio histórico nos sumergen en un pasado de estrechas y empedradas calles medievales flanqueadas por casas centenarias de piedra, cuidadas y restauradas, con balcones de forja y madera, decorados con flores, escudos y blasones familiares.
Sus habitantes se dedican a la agricultura, ganadería y el turismo. Existen decenas de tiendas con productos típicos de la región, artesanía en madera y cerámica.
Desde el Convento de Regina Coeli, sede del Museo diocesano, recorremos la calle de Santo Domingo, encontrando el Palacio de Peredo-Barreda del siglo XVIII, el más elegante de la villa y que hoy es centro cultural.
Llegando a la casa de los Villa, con arquitectura del siglo XVIII. Recorriendo la calle Juan Infante flanqueada por viviendas de balconadas adornadas con flores, llegamos a la plaza Mayor medieval, Plaza del Mercado o de Ramón Pelayo. Vemos las casas del Águila del siglo XVIII y de la Parra del XVI, que ahora son centro cultural y sala de exposiciones. El parador nacional Gil Blas ocupa una vieja casa-palacio de los Barreda Bracho.
Presiden la plaza, el Ayuntamiento, edificio del siglo XVIII y la torre de don Borja del siglo XV, sede la fundación Santillana junto a la torre de Merino del siglo XIV, donde residieron los gobernantes de las Asturias de Santillana.
La vía central y más transitada de la villa, la forman las calles Carrera, Cantón y del Rio. Allí se levantan la casa de Leonor de la Vega, de finales del siglo XV, y a su lado la de "los Hombrones", con un gran escudo con las armas de los Villa.
La calle "del Rio" desciende a un abrevadero, junto a las Casas de los Cossio y los Quevedo, de finales del siglo XVII.
La casa de los Abades de la Colegiata del siglo XVII, más tarde perteneció a los Barreda-Bracho, y fue residencia de la Archiduquesa de Austria y Borbón. Allí se encuentra el Museo del Barquillero.
La colegiata es monumento Nacional desde 1889. Su fachada sur tiene gran riqueza de elementos, como el friso escultórico superior y las estatuas encastradas en las enjutas. La torre es cilíndrica con cuerpos separados por impostas taqueadas y el superior con vano ajimezado. Rematando las estructuras está el cimborrio de planta cuadrada.
La cabecera es de las más espectaculares del románico español por la articulación mural de los ábsides central y meridional.
El claustro, levantado al norte de la iglesia entre los siglos XII y XIII, es de planta cuadrangular con cuatro pandas abiertas a un patio central mediante arquerías, tres de época románica y la del ala este muy posterior. En una capilla gótica avanzada, de la esquina sur del claustro, hay sepulcros como el del obispo Pelayo de Oviedo del año 1124 y los de la familia Polanco.
La comunicación con la iglesia es a través de una puerta de arquivoltas de medio punto. En su interior tiene tres amplias naves de crucería del siglo XIII. Las columnas tienen ricos capiteles de temas vegetales y animales. En el crucero se levanta el cimborrio sobre elevadas pechinas que soportan la cúpula semiesférica.
Rodeamos la colegiata dirigiéndonos a la Plaza de las Arenas. El edificio más notable es el Palacio de los Velarde, construido en el siglo XVI y de estilo gótico renacentista.
Regresando por la vía principal llegamos al palacio de Valdivielso, construido en el siglo XVIII. En las cercanías se encuentra el museo de la tortura.
A Santillana del Mar se la conoce como "la villa de las tres mentiras", pues ni es "santa", ni "llana", ni tiene "mar", aunque no es del todo cierto ya que en su municipio está La Ermita de Santa Justa, que da nombre a su playa, construida en una cueva entre los acantilados.
PROYOU DIGITAL
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Santillana del Mar is one of the most beautiful and best-preserved medieval towns belonging to
at the Club of the Most Beautiful Towns in Spain
Recognized for its outstanding historical and artistic value it was named Capital of Rural Tourism in 2019
among the 215 municipalities in the country it is one of the most visited tourist attractions
Cantabria home to the Cave of Altamira dubbed the Sistine Chapel of Paleolithic art
A group of pilgrim monks built a small hermitage to house the relics
of the martyr Saint Juliana of Nicomedia persecuted by the emperor Diocletian in the third century
In the ninth century it became the monastery of Saint Juliana transitioning into a collegiate church
the 12th century serving as the most significant representative of Romanesque art in Cantabria
Around her a village gradually developed a legacy of artistic cultural and monumental significance
comparable adopting the name Santa Juliana which later evolved into Santillana
olding significant territorial control over the region known as the Asturias de Santillana
serving as home to prominent nobles and families from the Kingdom of Castile
In 1445 King John II granted the lordship of the town to the first
Marquis of Santillana and his successors the Dukes of the Infantado
The exceptional preservation of its historic district immerses us in a past of narrow cobbled streets
medieval streets flanked by century-old stone houses meticulously maintained and restored with balconies
Iron and wood adorned with flowers shields and family crests
Their residents are engaged in agriculture livestock farming and tourism
Dozens of shops offer typical regional products along with wooden and ceramic handicrafts
From the Regina Coeli convent home to the diocesan museum we walk down Santo Domingo Street
discovering the 18th-century Palacio de Peredo Barreda the most elegant mansion in the tow
and today serves as a cultural center highlighting its
paintings furnishings library and the tree species in the garden
Arriving at the Villa House with 18th-century architecture we came upon a fork in the path
To the left following Juan Infante Street lined with houses featuring balconies
Adorned with flowers we arrived at the charming Medieval Plaza
Mayor also known as Plaza del Mercado or Plaza de Ramón Pelayo
We see the Eagle House from the 18th century and the
Vine House from the 16th century which now serve as a cultural center and exhibition hall
The National Parador Gil Blas is housed in an old palace belonging to the Barreda Placho family
The town hall presides over the square an 18th-century building constructed of ashlar stone
e yellowish Arenisca stone and the 15th-century Tower of Don Borja home to the Santillana Foundatio
ext to the 16th-century Merino Tower where
the rulers of the Asturias de Santillana once resided
Ascending the Camino de los Hornos we enjoyed a
lovely panoramic view of the collegiate church and its surroundings
After returning to the square we headed toward the village’s main and most
heavily traveled thoroughfare formed by Carrera Cantón and Del Río streets
There stands the house of Leonor de la Vega mother of the Marqués de Santillana a structure
a 15th-century building that is now a hotel and next to it the House
of the Hombrones with a large coat of arms of the Villar family
It derives its name from the two soldiers on its shield
holding weapons and bearing its motto: "A good death is an honor of life "
The River Street descends to a watering trough near the
homes of the Cosío and Quevedo families dating from the late 17th century
In the distance the collegiate church of Santa Juliana a frequent stop
for pilgrims traveling the Northern Way of Santiago along the coast
In the abbey square Francisco Navarro found a photographer from the
1920s complete with all his photographic and developing equipment
Just beyond lies the museum
of sculptor Jesús Otero featuring around fifty works and the municipal hostel
The abbots' house of the 17th-century collegiate church later belonged to the Parredabracho family
It was the residence of the Archduchess of Austria and Bourbon
There you'll find the waffle maker museum featuring sweets chocolates and waffles
On the upper floor devoted to the world of waffles we're transported back to childhood
wooden toys and dolls adorned with period-appropriate details and objects
The collegiate church has been a national monument since 1889 It
consists of a church with three naves and a magnificent cloister
Its southern facade boasts rich architectural detail including an
ornate sculpted frieze above and statues set into the recessed panels
Next to the apostles and bishops is a scene of Adam and Eve with the majesty at the center
Dominí blesses with his right hand holding
the Book of Life in his left being held aloft by four angels
The tower is cylindrical with separate sections divided by stepped
string courses and the upper section features a recessed opening
Standing beneath the structures is a square-based dome The apse is one of the most
spectacular in Spanish Romanesque architecture renowned for its intricate articulation
central and southern Asphix mural
To visit the collegiate church one enters through a door in the west wall
Claustrum raised to the north of the church between the 12th and 13th centuries
It has a square layout with four wings opening onto a central courtyard through
arcades—three from the Romanesque period and the eastern wing much later
The arches are semicircular and supported by pairs of thick low piers
In its 43 Romanesque chapters there are
vegetal geometric homophoric and biblical scene motifs
In an advanced Gothic chapel tucked into the southeast corner of the cloister lie tombs such as that of the
Bishop Pelayo of Oviedo from the year 1124 and those from the Polanco family
On the east wing we find a
sculptural representation of the scenes from the Passion of Christ
The church's entrance is through a pointed-arched doorway
Inside it features three spacious ribbed nave halls from the 13th century
The columns feature richly detailed carvings of plant and animal motifs In an apse there
is a relief of the Virgin with the Child and in the central section a group of four
apostles and in another a relief depicting the holy patroness subduing the devil
On the cruise the lantern rises above tall piers that support the semi-spherical dome
We circled around the collegiate church heading toward the Plaza de las Arenas
The most notable building is the Palace of the Velarde constructed
in the 16th century and featuring a Gothic-Renaissance style
It was inhabited by the Velarde family and their descendants until the early 20th century
Returning along the main road we arrived at the Palacio de Valdivierso
built in the eighteenth century and now operating as a hotel
Nearby is the Museum of Torture featuring instruments of torture and humiliation
punishment and the death penalty employed by the Inquisition and
criminal courts of medieval Europe from the 14th to the 19th centuries
La Santillana del Mar is known as the Road of the Three Lies because it is neither holy
It has no plains nor does it have a coastline though that's not entirely accurate since its municipality includes
e hermitage of Santa Justa which gives its name to the
beach built into a cave between the cliffs