Titanic Behind the Scenes Best Compilation

Derek, I want to see you moving. Don't get down at the bottom of the boat. Come right down the center. Come fall across the garage. Fall on somebody. Get up. Shooting star. And action. Background. Slowly slide down under the water. It should be about her having fun and to care that all these guys with all their machines have been doing all this. Josh, it's time to pour in here and we'll do their cross out. Leo's sort of like, I mean Jack's sort of looking around imitating. Some calcs in your head. Alright, so how much time the whole room stops while you think. Okay. Okay? You don't know. I'll go out on him. And everybody's still sort of getting to it. So a minute or two or several has gone by. Yeah, exactly. We're going to do shifts more and more to that shot as this closes in. Far end of the set, but see I want to keep some sense of a beach up there. Just drop the far end of the set like four or five inches. I come in on you, then I cut to your POV of him. Yeah, that's good. Like that is good. What you just did. Just start it. Yeah, yeah, yeah. Good, good. And cut. Don't think. Wait. Cut. Tell me how to get the reflection. So Kyle, what we're going to do is we're going to do a little key here. So you can push this part in. You want to pull out the reflected light on the top so it really has a lot of volume. You want to feel the diamond, the depth of the diamond. Overall looks good. Just see what you can do. Maybe pull some roto so you can pull specific light highlights and stuff like that. Yeah, that won't be difficult. Yeah, cool. So the angle looks good. Let's just work on pulling some more shapes and light reflections and stuff like that. Yeah, no problem. Nice.