Vivid and beautiful peony leaf techniques

Beneath the flowers we use pleated silk with ink Switch up this organization Of course leave a little bit exposed a little bit blocked Lightly layer radish to lift it slightly mix three parts cyan with yellow ochre to create a pale green then touch the tip of the brush with a fine dot of ink Pull up this gradient transitioning from light to dark— for example here it's deeper Three pieces are available Three strokes form one unit—that is the transformation of this shape Side Here the leaves face upward A little on the side then on top Walk this way keep an eye on its direction Two narrow leaves in the middle Lay out this vein pattern ve Give it a quick lift Add a few tender leaves Rinse the brush and add a slightly lighter leaf like the one at the back to create a sense of depth and variation Deep-veined ink spreads across the page Main artery Then here pay attention to this variation in density See it It's floating outside This one needs to be sucked in Three main veins are enough Use a slightly lighter shade for the larger ones Just like the others Outline this tender leaf with cinnabar-scented wood Aso just lightly勾 with this slightly shallower one This doesn't need to be too noticeable as it's relatively large The entire composition centers on this leaf with two characters added to the left and a slight reduction on the right creating a main and secondary structure along with variations in density—dense in some areas sparse in others