Rembrandt's orignial etching -Faust-

That's Faust the man who has the problems with Mephistopheles ere's a mystical element about you coming here and I wanted to show you but Rembrandt wanted to play with dramatic lighting effects There are many ways during this period that are like many ways many ways Here we have two different types of displays available to us You've got great opportunities ahead and this effort will open doors to all of them Faust in his studio and this drama from the sin this immediate moment of theatricality completed di-dyn mysterious or sinister I think this is going a little further than What was known about Dura was that he had done a great deal of work on students' studies Saint Jerome a man of the people and I believe there's great value in that here but they're embracing it in a far more dramatic form altogether Many others are also making preparations for that Things are being gathered for the dramatic path ahead Felly these are the findings gathered after the study which are crucial in terms of the ways and the path and teaching them in this manner The office was chaotic the majority of the drama overwhelming different Creating the waterway paths here is all about the people an impossible journey o say that Rembrandt will be able to undertake genuine practical engagements spinning the idea of magic and taking whatever