Some Japanese teas, such as matcha and gyokuro, are ‘shade-grown’, but what exactly does this entail and how does it affect the taste of tea? In this deep dive into shaded teas, we’ll take a look at the history behind this uniquely Japanese cultivation technique and also break down the types and practices of shading that are used today before getting deep into the biochemistry of the tea plant to understand how shading affects the aromatic and flavour compounds.
00:00 - Intro 00:20 - What is Shading? 01:14 - History of Shading 03:51 - Shading Methods 08:12 - Types of Shaded Teas 12:15 - Science Time 12:56 - Photosynthesis 15:42 - Tea in the Shade 18:58 - Final Thoughts
Sources: Goto, T., Yoshida, Y., Amano, I., Horie, H. (1996) Chemical composition of commercially available Japanese green tea. Foods & Food Ingred. J. Jpn. 170:46-52
Tea: A Nerd’s Eye View by Virginia Utermohlen Lovelace (if you want more tea chemistry)
João Rodrigues's Account of Sixteenth-century Japan translated by Michael Cooper
You might know that some Japanese teas such as matcha and gyokuro are shade-grown,
but what exactly does this mean? Today I'll take a look at the history of shade-grown teas,
as well as the different types of shading, what types of tea are made in the shade,
as well as the science behind how shading affects the flavour of tea.
Before I get into that, let's just break down what shading or shade-grown means.
In the realm of Japanese tea, shading refers to artificially reducing the amount of sunlight that
reaches the tea plants. This differs from natural shading, which can be provided by mountains,
fog, or from shade plants, which are tall plants or trees that grow in between the tea bushes and
provide shade. When tea, especially Japanese tea, is sold as shaded, it is always artificially
shaded. This differs from other products such as coffee, which when they're sold as shade-grown,
this means the use of natural shading such as shade plants. While these naturally occurring
types of shade produce teas that are noticeably different from those grown in direct sunlight,
artificial shading takes this a step further. While it had long been known in China that tea
grown on the side of mountains or in shady, foggy valleys produced smoother and mellower tea than
bushes grown on sunny flatlands, it was only in Japan that the practice of artificially shading
tea plants developed, first as a canopy of straw and bamboo. While we're not sure exactly why these
canopies were built in the first place, it is theorized that they were originally used to
protect the tea plants from frost damage. The effects of shading were seen as a positive side
effect. While we don't know for sure exactly when the first shading canopies were installed,
a Portuguese missionary by the name of Joao Rodrigues described them in his book The History
of Tea in Japan. He visited Japan in the late 1500s, around 1577, and described the life in
Japan that he saw, and he mentioned seeing straw-shaded tea fields in Uji. This celebrated
and famous cha then is a small tree, or rather bush. Its new leaves, which are used in the drink,
are extremely soft, tender and delicate, and frost may easily make them wither away.
So much damage can be done in this way that in the town of Uji, where the best tea is produced,
all the plantations and fields from which this cha is grown are covered over with awnings or mats
made of rice straw or thatch. They spend a great deal of money on this for the sake of the profit
that is to be obtained, as we shall say, for the trade in cha is very great. So we can be sure that
sometime in the mid to late 1500s, shading was common enough to be seen in Uji. Interestingly,
this is around the exact same time period as the golden age of chanoyu or the Japanese tea ceremony,
which means that key players in the tea ceremony history such as Sen no Rikyu and Furuta Oribe
would have been drinking bright green frothy matcha, more or less the same as we have today.
Before the development of shading, matcha was a sort of pale whitish green and was quite bitter.
This major upgrade in the quality of matcha may be a contributing factor in the explosion of
Japanese tea culture in the 16 and 1700s. This bamboo and straw canopy style of shading remained
more or less unchanged for the next 400 years until the 1960s with the invention of a synthetic
fabric that's a sort of black cheesecloth. This replaced the straw in the shading canopies
and after this the demand for cheap low quality matcha, which was on the rise, saw the elimination
of the canopies altogether and the artificial fabric started being placed on the tea bushes
directly. Today this direct style of shading accounts for over 90% of the shaded tea in Japan.
Now that you know the history, let's take a closer look at these different shading methods
and how they work and the pros and cons of each, starting with the most recent development,
direct shading. Direct shading or jikakabuse in Japanese is the cheapest and most common form
of shading. This is simply taking a black synthetic fabric and rolling it out across
the tea bushes. One layer of this cloth blocks out around 70% of the sunlight and a second
layer can be added to block out up to 95%. This style of shading only works on mechanically
harvested tea fields as the even surface left by mechanical trimming makes a nice flat surface to
put the shading fabric on. The upside to this method is that it's cheap as you don't have to
build a canopy and it is more scalable across large machine harvested tea fields. Another upside
is that this style of shading is easier to place on hilly terrain where building a canopy is much
more difficult. The downside is that laying the fabric directly on top of the tea plants traps in
a lot of heat and moisture which lowers the quality of the tea and as I mentioned you have
to mechanically harvest the tea plants. As such this is considered the lowest quality of shading
though it still produces tasty teas. It is mostly used on senchas and kabusecha along with more
affordable matchas and gyokuro. The older canopy style of shading is still preserved and is often
called the tana style or shelf style. Most commonly it is used with the same synthetic black fabric as
the direct shading. When this fabric is used with a canopy it is called kanreisha. This canopy often
made of metal raises the shading fabric above the tea plants allowing for air to flow and the plants
to grow much more naturally and breathe more easily. In fact most of the tea plants grown under
canopies are grown as shizen shitate. This means natural tailoring and refers to tea plants that
are allowed to grow more or less freely looking more bush-like and less like neatly trimmed
hedgerows. The natural shape of these bushes produces high quality teas but it also means
they are unsuitable for machine harvesting meaning they must be picked by hand. The trade-off for
higher quality is of course increased labor and costs. This refers to the hand picking and the
building of the canopy so kanreisha is often reserved for higher quality matchas and gyokuro.
In fact some of the highest quality award-winning matches and gyokuro use this style of shading but
there is one level slightly higher and that is honzu the traditional rice straw and bamboo that
has been around for over 400 years. Traditionally logs made of cypress were used to support the
canopy but today metal frames are also used. The framework of the canopy is a lattice made of
and the first layer of shading is a screen made of reeds and instead of adding an additional layer
of reeds the next layer of shading is a sprinkling of rice straw. Again so you can see there's these
bamboo reeds and on top of that there's straw so come over here you see the difference where the
straw is and then no straw. In comparison to the synthetic fabrics used in the kanreisha style
the rice straw bamboo and reeds allow the tea plants to breathe much more easily meaning that
the area under the shading is much cooler. You can actually feel the difference from walking
from a kanreisha tea field into a honzu shaded tea field it's a night and day difference in
temperature and humidity. The downside to this style is that it's much more labor intensive
and expensive to build. You have to source rice straw and often the tea farmers would also have
a plot of rice next to the tea field so they could use the rice straw for the shading but it's also
much more susceptible to fire and that's one reason a lot of people have switched to metal
and plastic over wood bamboo and straw. Another minor downside is that the color of tea that is
grown under honzu is slightly lighter than that grown under kanreisha even though it's of a higher
quality. This means that on the wholesale market where teas are often judged based off of appearance
alone the darker more vibrant green of the kanreisha shaded tea leaves looks a little bit
more attractive even though the honzu shaded one is of a higher quality. Now you know how tea plants
are shaded let's take a look at the types of tea that you can make from these shaded leaves.
Because all teas come from the same plant you can technically make any type of tea you want from the
tea leaves but for reasons I'll explain shortly only green teas are made from shaded tea plants.
Of course matcha is the most famous of these and was the reason that shading was invented in the
first place but it is not the only type of shaded tea. While sencha is typically grown in full
sunlight some areas such as uji, yame and kagoshima like to shade the tea plants for a little bit
usually less than a week just to round off the flavor take away some of the bitterness and
increase the umami and the vibrancy of the green color. This okumidori sencha from yoshida
meicha en was shaded in the kanreisha style for five days giving it a smooth buttery body and
plenty of umami. Shading the tea plants for a little longer usually from one to two weeks
produces a tea known as kabusecha which literally translates to covered tea. Kabusechas can vary
quite significantly in shading intensity but usually they'll fall somewhere in between a sencha
and a gyokuro in terms of taste. This kabusecha hiranami is also from yoshida meicha en but this
time it is shaded for 15 days and this one is made from the samidori cultivar. Now that we
have a little bit more shading you're beginning to get a distinctive shading aroma known as oika
and the reasons for which I'll explore shortly. This is one of my favorite teas from them and
it's what I'll be drinking today. Here you can see the 15 days of shading has turned this tea
into a beautiful vibrant green. You can see that in the liquor as well. This is a very vibrant bright
beautiful green. The shading has given hiranami a really smooth silky texture and lots of umami.
It's not quite as intense and in your face as a gyokuro but it's still a lot. Speaking of gyokuro
that is the final step in this series of increasingly shaded teas. Teas that are shaded
for more than two weeks, usually the rules vary depending where in Japan, are called gyokuro.
For a deeper dive into this incredibly luxurious tea see my video on it over here. Today I have
quite the rarity. This is a hand-picked gyokuro shaded for 32 days under traditional honzu shading
again from yoshida meicha en. I'll drink you in another video. While the length of shading
determines the type of tea, when to actually begin the shading is one of the skills of an
experienced tea farmer. Shaded tea plants spend most of the year actually unshaded and the shading
only begins somewhere in the beginning of spring, usually between the emergence of the first new bud
and the full growth of the first new leaf. Once the farmer has decided it's time to begin shading
the first layer is added. This first layer blocks out again around 70% of the sunlight
and for shaded sencha sometimes the first layer alone is all that is needed. This will begin to
turn the leaf a brighter green and bring out more sweetness and umami. But for the more heavily
shaded teas such as kabuseicha, gyokuro and matcha, the second layer is a necessity and it will block
the sunlight up to 95%. While 95% shading is enough for most teas you can actually put another
layer of shading on top to cut it down to around 99.99%. Doing this almost kills the tea plant but
it does produce a very special type of tea that was only recently developed. Hakuyocha, which means
white leaf tea, not to be confused with white tea. This is still a green tea but the leaves are white
because the tea plant has given up trying to make chlorophyll it's just almost dying the leaves are
So maybe we'll see more of this in the future but for now this is a very limited extremely
specialty niche product. To understand why we stress tea plants by depriving them of the sunlight
they need to survive and thrive we'll need to delve deep into the biology of the tea plant
camellia sinensis. And doing that means I'll need another cup of tea. While this subject can be
incredibly complicated I've tried to simplify it where I can and focus primarily on the ways that
sunlight and shade can affect tea's flavor appearance and aroma. Before we learn how tea reacts to shade
we have to first understand how tea interacts with sunlight. So cast your minds back to high school
biology because we're talking about photosynthesis. Like all plants camellia sinensis converts
light into chemical energy, sugar, through the process of photosynthesis. In simple terms this is
the process of using the energy of sunlight to create sugars and starches by combining water
from the ground and carbon dioxide from the air with oxygen being produced as a byproduct. This
process takes place in specialized cell organelles called chloroplasts which primarily use two types
of molecules to collect solar energy. The first type being chlorophylls A and B and the second
type being carotenes and carotenoids. Chlorophylls especially chlorophyll A which is the most
abundant form in tea plants are responsible for absorbing visible light in the red-orange spectrum
and reflecting green light giving tea and most other plants their signature green color. Carotenes
and carotenoids such as beta-carotene found in abundance in carrots but also in tea capture blue
light and ultraviolet light from the sun transferring this energy to the chlorophylls boosting photosynthesis.
When broken down and processing carotenoids produce some of tea's most beautiful and lovely
aromas. While tea plants do need sunlight to grow excessive sunlight can actually slow down growth
or even damage and kill the tea plants by breaking down chloroplasts and halting photosynthesis.
In full sunlight the plants are already receiving too much sunlight for the chloroplast to handle
and the plants actually try and reduce the amount of sunlight that they gather by taking their
leaves and pushing them up so that there is less surface area being exposed to the sun
and additionally they'll convert some of this extra light energy into heat which can be damaging.
In addition to carotenoids tea plants also use catechins to capture ultraviolet light from the sun
and disperse it as heat. Catechins which are the primary antioxidants found in green tea
are mainly used by tea plants as a sort of sunscreen. They will capture the UV in their
phenylalanine rings and shoot off the extra energy as heat. Because the tea leaves at the top of the
tea plant are closer to the sun these buds and new leaves have the highest concentration of catechins.
The catechins found in tea namely epicatechin and epigallocatechin are very powerful antioxidants
but in fact they are quite bitter tasting compounds. When tea leaves are oxidized to
produce black teas or oolongs these simple catechins link together to form something
called polyphenols also known as tannins and this is what gives black teas and oolongs their
structure and flavor. Now that you understand what happens to tea in the sunlight let's look at what
happens when we get rid of 95% of this light causing the tea to panic. With less sunlight
photosynthesis becomes much harder and much less efficient. To compensate for this the tea plant
produces much more chloroplasts and chlorophyll up to three times the amount in regular unshaded
tea plants. The extra chlorophyll gives the shaded tea leaves their vibrant dark green color.
Additionally more carotenes and carotenoids are produced to help capture what little UV light
is coming through the shading and convert this extra energy into usable energy for the chloroplast
to aid in photosynthesis. Some of the major compounds that come from these carotenoids in
shaded green teas are beta-ironone, this is a lovely floral aroma, nerolidol, another floral
aroma with a bit more of a green hint to it, safranal which like its name suggests is a mild
saffron aroma, and beta-damascenone. I don't know if I'm pronouncing that right. This is how you
spell it. This is a sweet almost rosy or fruity aroma. Together these aromatic compounds create
the famous and signature shaded aroma or oika of matcha and gyokuro and kabusecha. As the chloroplasts
run low on the sugar they need for energy they begin to break down the cell proteins into their
component amino acids. Among these is L-theanine. Together with the other amino acids these are
responsible for the sweet and savory and umami flavors of tea and as there are more of them in
shaded teas naturally shaded teas have more umami and more sweetness. Another amino acid that is
produced is methionine which turns into dimethyl sulfide in processing and it is this compound that
is responsible for that marine or seaweedy aroma that some teas have. The catechins that I mentioned
earlier which act as a sort of UV sunscreen for the tea plant are no longer needed because there
is no longer any sunlight to protect the plant from. So instead the plant breaks these down into
their component amino acids such as phenylalanine. This is another compound that gets assembled with
other things in processing to produce some unique aromatic compounds such as benzaldehyde which is
a sort of almondy aroma, benzyl alcohol which is a rosy stone fruit aroma, and 2-phenylethanol which
when combined with the beta dimethanone, the one I can't pronounce from earlier, produces a sort of
honey aroma. These compounds together with the earlier compounds create an even more unique
aroma. Additionally the lack of catechins, a bitter tasting compound, makes the tea less bitter but
this is the reason that you can't make good black tea from shaded tea plants because it is these
catechins that give black teas and oolong teas their color and flavor and structure. Without the
catechins these would be pretty bad teas so shaded tea plants are really only used to make green teas.
In short shading increases the sweet and savory tasting amino acids while decreasing the bitter
tasting catechins. Wow that's so much simpler when you put it that way. I'm sorry for putting you
through the chemistry section but I hope you learned something. If you did learn something
about shading or science or bamboo and straw let me know in the comments down below and if you
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