In this breathtaking journey across Burma (Myanmar), discover a country where time stands still — a place of faith, silence, and mystery, where every pagoda tells a forgotten story. 🔔 Subscribe and join us on this journey around the world → https://bit.ly/GO_ASIA
00:00 – Introduction: The Spell of Burma 03:15 – Bagan: Temples Rising from the Mist 10:45 – Mandalay: The Monks’ Morning Path 17:50 – Inle Lake: The Floating Villages and Fishermen 26:30 – The Myeik Archipelago: Burma’s Hidden Paradise 38:10 – Faith and Rituals: The Spirit of Buddhism 49:00 – Reflections: Burma’s Eternal Mystery
Rudyard Kipling wrote more than a century ago: "Burma, a country unlike anything you've ever known". Even today, seasoned travelers are still surprised, spellbound, and touched by Burma's treasures and culture.
This film travels across the country, from the 2,000 temples in the Bagan Valley rising out of the mist to the fishermen of Inle Lake or the lagoons of the Myeik Archipelago. We discover memorable places while sharing the daily life of their inhabitants.
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BURMA, PAGODAS AND MYSTERIES Directed by Sebastien Lefebvre All Rights Reserved
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Video Summary
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This documentary explores the cultural, spiritual, and natural landscape of Myanmar. It examines the nation's deep Buddhist roots, traditional craftsmanship, and the vital role of the Irrawaddy River, while detailing the country's complex political history, ethnic diversity, and the environmental challenges facing its unique ecosystems.
An aquatic journey.
A journey of discovery in Southeast Asia's most secretive country,
Burma.
At a crossroads between several great civilisations,
home to over a hundred ethnic groups,
Burma has nonetheless managed to forge its own identity.
Its inhabitants, renowned for their hospitality,
live in harmony with the elements that surround them.
Its thousands of years of history
have left their indelible architectural and cultural imprint on the country.
Inward-looking until the 1980s,
Burma has now opened its doors to the rest of the world,
proud to show off its riches.
Idyllic landscapes.
Thousands of pagodas and temples.
Encircled by China, Laos, Thailand, Bangladesh and India,
Burma, now officially known as Myanmar,
covers a surface area of 675,000 square kilometres,
the equivalent of twice the surface area of Great Britain.
Mandalay lies on the dry plains in the centre of the country.
Immortalised in Rudyard Kipling's famous poem,
the city is now the country's second largest centre of population,
with 2.5 million inhabitants,
of whom 40% are Chinese,
who came here during the 1990s.
Founded in 1857,
the city only retained its capital status for three decades,
until the British replaced it with Rangoon.
Mandalay has had more than its share of calamities.
It was completely razed during World War II
and then partially destroyed by two huge fires in the 1980s.
The city is in a permanent state of regeneration.
Its anarchic architecture is reflected
in its expert blend of endless avenues,
decrepit buildings, colonial mansions and gilded temples.
Such as the Kutodo Pagoda, built in 1857.
Around the huge main stupa,
there are 729 whitewashed stupas.
Each of them houses a stone monument,
upon which is engraved a page of Buddha's writings.
The whole structure forms the world's biggest book,
the Tripitaka,
containing every text in the Buddhist canon.
The great Mahamuni Buddha
is one of the country's most venerated.
Legend has it that it was modelled on the living Buddha himself.
Every single day,
it is meticulously cleaned by the temple's monks.
Four metres tall and made from over six tonnes of bronze,
its shape is deformed by thousands of leaves of gold foil,
15 centimetres deep.
Only men are allowed to apply gold leaf to the statue,
while the women pray at a distance.
Applying a leaf of gold to a statue of Buddha
is a meritorious act which promotes better karma.
Mandalay is home to the country's finest gold beaters,
a highly skilled trade passed down through the generations.
An ingot weighing 48 grams is heated.
It's then flattened between the rollers of a press.
This operation is repeated
until the gold becomes a three metre length of thin ribbon.
The ribbon is then cut into small, one centimetre squares.
Each of these is then laid on a sheet of bamboo paper.
They are then stacked and put into a leather case
and beaten for half an hour
to increase their surface area fourfold.
The women then cut and beat them again
to flatten them further.
The gold sheets are then placed into larger dividers
and compressed for five hours.
This gradual mechanical procedure
produces leaves just a few microns thick.
The women are responsible for finishing and conditioning.
What started out as a small ingot
has been converted into 7,200 sheets of gold leaf.
They are carefully placed into small bamboo paper wallets
and then sold in the pagodas and across the whole world.
Another local speciality,
tanaka is a yellow cosmetic paste
made from the bark of several shrubs.
Its use dates back over 2,000 years.
Sold in little bundles, the bark is grated into a powder
and then thoroughly ground before being diluted.
The resulting salve is then painted onto the face
in varyingly elaborate patterns,
often in the form of a disc on each cheek
and a line down the bridge of the nose.
While these decorative motifs may be a sign of female vanity,
this is not just an aesthetic ritual.
Tanaka also offers protection from sunburn
while softening and hydrating the skin.
It is also thought to heal acne and slow signs of ageing.
Its smell is redolent of that of sandalwood.
The tanaka tree is native to Burma.
It's notably found in the Bagan region,
the historic heart of the country.
The cradle of Burmese culture,
Bagan was founded in the 9th century
by the kings of the Bamar dynasty.
At a crossroads linking the commercial hubs of India and China,
Bagan became the capital of a vast empire
which reached its peak during the 11th and 12th centuries.
In just over two centuries,
over 4,000 buildings covered in frescoes,
barrel-leafs and gold rose out of the soil of Bagan.
In the late 13th century,
the Mongol hordes put an end to the first great Burmese empire
and its capital fell victim to pillaging and earthquakes
and gradually disappeared from view.
The architectural wonders of Bagan
are equaled only by the beauty of its landscapes.
It's virtually impossible to guess
at the exact number of temples.
An inventory put together by a French team
between 1992 and 2002
counted 2,834,
some of them in ruins.
It was partly when Myanmar opened its doors to tourism in the 1990s
that this remarkable architectural heritage emerged from the shadows
and this led to a campaign of preservation and restoration.
An ever-increasing number of tourists now roams the area,
but the presence of pilgrims and Buddhist monks
serves as a reminder that this is no mere open-air museum.
As well as being the country's pride and joy,
Bagan is also the beating religious heart
of a devoutly Buddhist nation.
There is no better way to discover Burma
than to look down on it from above.
From the sky, these ancient temples
reveal themselves in all their majesty.
The Irrawaddy River
crosses Burma from north to south for over 2,000 kilometres.
It stretches from the border between India and China
to the Andaman Sea.
As vital an artery as the Nile is for Egypt,
it's still the main axis of transportation
for the country's people and merchandise.
The country's history was built on the shores of this river.
Nowadays, its hydroelectric potential makes it so valuable.
The Irrawaddy is also at the heart
of a number of ecological and socio-economic issues.
Since time immemorial,
it has inspired the country's musicians and poets.
It's said that the art of playing the harp
is an ancestral art,
dating from the days of the monarchy.
People started playing the harp
because the kings demanded it.
During the shows in that period,
the harpists were the ones who would play the music
so that the dancer could perform her dance.
With my harp,
I would love to share Burmese culture
with the rest of the world.
In my view,
Burma isn't just about seeing beautiful landscapes
and meeting people.
There's also its history.
Its history and its culture.
Burmese traditional dance
dates from the days of the Burmese monarchy.
At that time,
dancers were merely the preserve of the king.
Over the years,
elements of Thai dance were introduced.
It's quite similar to Burmese dance.
You use your hands,
the same gestures.
You turn your hands,
you put them in the air,
and you open them.
They're moves you make with your hands,
quite simply.
If a young girl needs to do her hair,
instead of telling her how to do it,
you dance to show her how it's done.
The dances we perform during shows
tell the stories of Buddha's last 550 lives
and everything that Buddha experienced
during his previous lives.
Dance is a part of Pue,
a popular form of entertainment
that can sometimes last until the early hours.
It's accompanied by an orchestra of percussion,
wind instruments and harps.
But the main part of the performance
is the puppet show.
This form of theatre,
thought to be the country's
first significant form of expression,
came to life in the 5th century.
It reached the height of its popularity
between the 17th and late 18th centuries.
Its 28 characters teach,
tell stories and preach values.
It takes its inspiration
from the 547 lives of Buddha,
the history of the kingdoms of Burma
and legends originating from India,
with their cast of benevolent spirits
and fantastic creatures.
Some of the puppets are up to a metre tall
and some of them require
around 50 strings to animate them.
The wooden figurines are made by craftsmen,
each of whom has their own
specific style and signature.
I've been a traditional puppeteer
for over 35 years now.
Before, I was a farmer.
I came to the city on a pilgrimage
and I noticed how much visitors
were enthralled by Burmese craftsmanship,
especially puppets and embroidery.
I liked puppets,
so I bought one,
completely dismantled it
to see how it was made.
Then I put it back together.
That's how I learned my trade,
35 years ago now.
In these plays,
there are a lot of different characters,
the king,
the queen,
the prince,
the young princess,
monkeys,
bad characters,
spirits,
ogres
and mythical animals.
We try to maintain
the traditional way of doing things
as well as the historical costumes.
I teach my kids my craft every day.
When we were young,
children were always excited
about the puppet show.
Nowadays,
they're virtually non-existent.
If we don't make sure
that we preserve this heritage,
we'll no longer be able
to demonstrate to future generations
what a traditional
Burmese puppet show is.
It's vital that it's preserved
and that's what I'm trying to do.
Here in Burma,
Buddha is everywhere,
in a thousand and one guises,
like here in the Sadan Grotto,
which he shares with the bats,
or the caves of Kogum in Pa'an,
where the walls and ceilings
are festooned with clay effigies.
Five percent of Burma's population
is Christian, like the Karen,
four percent is Muslim,
like the Rohingyas,
and 90 percent is Buddhist.
It is the Buddhist country
with the greatest proportion of monks
and revenue devoted to religion.
Burmese Buddhism
comes from the Theravada tradition,
which is the most orthodox
and conservative form of Buddhism.
Strictly speaking,
Buddhism is neither a religion
nor a philosophy,
as it recognizes no creator god
and purports no theory.
Rather, it's a doctrine
based on a belief in reincarnation,
karma, and the natural laws
of cause and effect.
In reality, though,
Burmese Buddhism bears
all the hallmarks of a religion,
as evinced by the fervor
of the faithful
frequenting the countless pagodas
and holy sites.
Its customs coexist
with elements of Tantric Hinduism
and ancient animist belief
in the spirits, known as Nat.
Spirituality is omnipresent
in the country.
As well as the 500,000 monks
and nuns who make up
one percent of the population,
each Burmese village
has at least one pagoda or temple
devoted to worship or teaching.
And statues of Buddha
and of saints are everywhere,
even in the middle of nowhere.
In the heart of these
tropical forests,
there's a good chance
of an even more impressive encounter.
Burma is home to the largest
population of Asian elephants
outside India.
There are thought to be
about 8,000.
They're located to every
corner of the world.
My name is Mang Mang.
I'm 55.
I'm an Uzi.
I work with elephants.
You see that young man
behind us?
That's my son,
and I'm teaching him my trade,
showing him the ropes.
When I was a lad,
my father taught me
and now I'm doing the same
for my son.
My working day starts
at 6 a.m.
When I wake up,
I go and fetch the elephants
who've spent the night outside.
I have my breakfast,
I give them a wash,
and then we all go to work.
The more you work with elephants,
the more attached you get to them.
We take good care of them.
We wash them twice a day.
The elephants seem to enjoy
this little bit of pampering.
We start training the elephants
when they're 4 to 5 years old,
and they start working
when they're about 18 years old.
Elephants are workers.
Before they get to that age,
they're just for riding
and helping to get around.
Each year,
adult males equipped with
harnesses and chains
transport over a million
tons of wood.
They can move around
in places too narrow
for cranes and bulldozers
without causing any harm
to the environment.
Using their trunk and their tusks,
they manipulate tree trunks
weighing up to 5 tons
and ferry them to waiting
trucks or to river shores.
My elephant
is a 32-year-old female.
She's called Timpine.
We work them
until they're 35 or 40 years old.
I started working
at 16 too.
I can still work,
so I carry on doing it.
I'm passionate about this job,
and because it's my passion,
I don't get tired of it.
I only ever work
with elephants.
You get attached to them,
and I don't plan
to give up anytime soon.
The indisputable backbone
of the country,
the Irrawaddy River
flows through the Great Lands
shared by the 135 ethnic groups
officially recognized
by a government census.
The Bamars make up 70%
of the population.
Among the main ethnic groups
are the Shan and the Kachin
in the north,
the Chin and the Arakanes
in the west,
the Bamars and the Kayas
and the Mohingas
have never been recognized
as a Burmese minority.
The authorities see them
as Bengali immigrants.
Other groups include
the Chinese, Indians and Nepalis.
The disparate states
were only united
in the 18th century
and fell under the British yoke
from 1824 until 1943.
This complex ethnic mosaic
allied to the hundred or so
languages and dialects
that minorities have
in integrating.
In 2005,
Rangoon lost its status
as the nation's
administrative capital
and was replaced by Naypyidaw.
But it remains
its economic nerve center
and its biggest city
with a population
of almost 4.5 million.
Founded by the Mon people
in the 6th century,
it only achieved
after the Japanese war.
The city was absorbed
into the British Raj
and became the capital
of colonial Burma.
Burma remained British
until the 4th of January 1948,
on which date
it became independent
thanks to national hero Aung San.
He was assassinated
without having seen
his dream come true.
Burma then experienced
a rapid decline in the country
into poverty and isolationism.
In 1988,
pro-democracy demonstrations
ended in bloodshed.
Aung San Suu Kyi,
daughter of the hero Aung San,
returned from exile
and founded the
National League for Democracy.
In 1991,
she was awarded
the Nobel Peace Prize.
A hugely popular
opposition figure,
she began moves
towards democracy
but had to contend
with the army,
which held the vast majority
of decision-making posts
and the country's
economic resources.
Since 2016,
she has been bitterly
criticized because of
her inaction in response
to the army's abuses
of the Rohingya.
A world away
is a place behind
agriculture and logging.
The Burmese eat fish
with virtually every meal,
even at breakfast,
when they enjoy
the ubiquitous mohinga.
This national dish
is a fish broth
garnished with rice noodles
and flavored with
lemongrass and ginger.
It's eaten on street corners
and is sold in little kiosks
or by street vendors
In the very heart
of the city,
the spectacular
Shwedagon Pagoda
is the country's
most sacred building.
Legend has it
that it was built
2,500 years ago
to house eight
of Buddha's hairs.
It's said that
the Buddha Gautama himself
gave the sacred relics
to two merchants
and instructed them
to build the pagoda.
When the box
containing Buddha's hairs
was opened,
they started to glow,
the trees started to flower,
and precious stones
fell from the sky
and embedded themselves
in the gold of the pagoda.
Archaeologists think
it's more likely
that it was built
because it's difficult
to date it accurately.
The pagoda dominates
the skyline and rests
on a five hectare
paved marble terrace.
The brilliance and glory
of the pagoda
are beyond compare.
The hundred meter high
central stupa
is covered with
thousands of gold sheets
and as many small bells.
It's surrounded
by temples and devotees
pray and leave offerings
from dawn till dusk
in this holiest of sites.
My monk name
is Hunyanavunta.
I come from a small
village called Taton
and I've been a monk
for a little over 13 years.
I'm 34 now.
Becoming a monk
is a way of releasing
yourself from life's suffering.
But it isn't enough
just to want to be a monk.
You have to follow
Buddha's teachings.
We wake up every day
at four in the morning
and we pray in the monastery.
Then we go off
to collect offerings
and when we return
we have a short rest.
We have something to eat
around 5.40
and then we do our washing
and after that
we all meet up with our books
for lessons in the monastery.
At about half past nine
we go back to the village
and ask for food for lunch.
We come back
at about 10.40
and prepare and eat the meal.
We take a nap
until one o'clock
and then we study
our texts again
and at about quarter to six
we pray again.
According to our rules
there's a quarter past nine curfew
and then we have to go to bed.
That's a typical agenda
in the day of a monk.
Burmese Buddhists
are in permanent contact
with their faith.
As a boy
he hears his parents
reciting sacred texts
when they wake up
and then sees his mother
preparing offerings for the monks.
Between the ages of nine and twelve
he temporarily leaves
the family home
to embark on his novitiate.
This ceremony
is an essential rite of passage.
A meal for the monks
unites the family
for one last time.
The following morning
his head is shaved
for a lecture reading
and is a symbolic renouncement
of childhood.
He will be able to rejoin
the community later
at any stage of his life.
Men and women often take
their monastic vows
at a key moment in their lives
such as a bereavement,
separation or even a success.
They will be full-time
monks and nuns
for as long as is necessary
for them to achieve
On a mountain rock
precariously suspended
over a precipice
is Burma's third most sacred site.
Each year
thousands of pilgrims
make the 1200 meter ascent
to show their devotion.
The most courageous
make the journey on foot
which takes almost five hours.
According to legend
it's one of Buddha's hairs
embedded in the stupa
of a hermit
who kept it in his bun.
Feeling that his death was imminent
he entrusted the relic to the king
and told him to build a pagoda
in the shape of his head.
With help from the god Tagyamin
the king found the perfect rock
at the bottom of the ocean
and hauled it to the top
of the mountain.
This is the reason the rock
is known as Kaik Thio
which means the pagoda
on the hermit's head.
The rays are soon replaced
by those of votive candles
which are lit during the chants
and prayers.
From daybreak
the rock and its small chapels
are full of worshippers.
and attention is constant.
The site is surrounded
by panoramic terraces
where the women congregate.
They are not permitted
to touch the rock
let alone stick gold leaf to it.
According to tradition
only men are able
to reach Buddha's state
of enlightenment
while women can only reach
the lower stages
of spiritual awareness.
There is water
and just beneath it
there was Buddha.
The pagoda was built
on that very spot
but women aren't allowed in.
I know that according
to the scriptures
men are holier than women.
They are more sacred
but the women aren't
according to the scriptures.
Women are forbidden
to enter the pagodas
otherwise bad things
befall them.
There would be thunder,
lightning.
My nun name
is Dao Dawadi.
I come from a village
called Palukyun.
I'm 70 years old
and I've been a nun
for 70 years.
For a Buddhist woman
to become a nun
is the most noble
and sacred calling imaginable.
As a nun
I learn the prayers
and I meditate.
When you become a nun
you learn Buddha's doctrines
how to live
and abide by the basic laws.
You are more cultivated
than ordinary women.
Here the monastic orders
have a social and intellectual standing.
They're also a guarantee
of a long and complete education.
Lying in the east of the country
Lake Inle is the main
tourist destination
It's 22 kilometers long
and 10 kilometers wide
covering an area of 12,000 hectares.
Its depth varies between
2 and 4 meters
depending on the season.
On its shoreline
lie the villages of the Inta people.
70,000 of them live in wooden
and bamboo houses
built on stilts.
Life drifts gently by
along with the seasons.
After their meal
they return home
unaccompanied.
This mode of transport
is as natural to them
as the bicycle is to western children.
The number of Burmese
who go to school
is still very low.
The main reason for this
is the deep poverty
endured by the majority
of Burma's 52 million inhabitants
two thirds of whom
work in agriculture.
This atrophied education system
that prevents going to school
is an increasingly realistic
and fervent hope
in the hearts of the Burmese.
Farming on Lake Inle
is unusual
in that it takes place
on floating gardens.
Carpets of vegetation
about a meter thick
made of silt, roots
and aquatic plants
are moored to the lake
with bamboo poles.
This farming method
is the most common
but the most commonly found
crop on these long
floating kitchen gardens
is tomatoes.
Avid consumers of water
and sunshine
everything they need is here.
Therefore,
inter-farmers have turned
to intensive single crop
tomato cultivation.
The yield from Lake Inle
is markedly higher
than in the rest
and the effect on Inle's ecosystem
is dramatic.
Chemical fertilizers
encourage the proliferation
of algae and water hyacinth
which are threatening
to smother the lake's fauna.
The growing population
has also engendered
the deforestation
of the surrounding slopes
increasing the level of silt.
One of the lake's
many aquatic plants
is a unique species of lotus.
It's a type of silk
which is found nowhere else in the world.
It's used to produce
luxury fabrics
which sell for sky-high prices.
Manufactured by hand
it's a long and painstaking process.
A month of labor
and 4000 lotus stems
are required
just to make a single scarf.
Even though they are
gradually turning
towards other activities
like welcoming
they maneuver their canoes
in a unique and remarkable fashion
standing at the stern.
They use a single oar
around which they wind
their leg to scull
leaving their hands
free for fishing.
The surface area of Lake Inle
is decreasing alarmingly
as are its reserves of fish.
Those worst affected
are of course the fishing community
who are finding it
increasingly difficult
I was born on Lake Inle.
I grew up here
got married here.
The lake feeds me.
The fish help me to survive
even though it's getting
harder and harder.
I've had some unforgettable
times on the lake
of many fond memories
like my school days
with all my friends
I had to give up my studies
when my father became ill.
I took over from him
and became a fisherman myself.
I spent some wonderful evenings
rowing on the lake.
I was born on Lake Inle.
I grew up on it
and I'll die on it.
Then it'll be my children's turn
to live from it
and help it survive.