Disney Star Wars In Galaxy Stupidity. ๐ค๐คจ๐๐ซค๐๐คช๐๐๐คก๐ฉ๐๐ชโญ๏ธ๐๐ ๐๐ฐ๐๐ธ๐ณ๏ธโ๐
1 Video ViewยทJun 9, 2026
Episodes 7, 8 and 9 were awash with TOTAL mediocrity, unprofessionalism and a total lack of direction. It was all that as well as being bombarded by Wokeness. This is why the latest trilogy will most likely be scrapped.
Here's the article from Washington Examiner that we used.
https://www.washingtonexaminer.com/premium/4357293/force-adrift-star-wars-force-awakens-disney/
The recording has started.
Well now, always remember, Super Dave Bistula, the tall, white, gothic, vampire alien, coming
to you from Tim Hortons, the same one as the last time, the one on Dessert Street, parallel
to the Highway 13, Laval Autoroute, we're inside the Smart Centers, at the St. Dorothy
Mall, here in the area of St. Dorothy, that's all I'm going to say, I've already said what's
here before, maybe I'll say it again in another video.
Super Dave Bistula, of Chamonix, Laval, Quebec, Canada.
So basically, you may know, the trilogy, the last trilogy of Star Wars, the biggest flop,
and it's not just because it was SJW, the plot that was being used, apparently was so
ridiculous.
Does this article talk about the social justice, the feminism part?
No.
Although it does mention Rey's character, all of a sudden being able to wield the Force,
just like that, which Luke Skywalker himself did not do.
Whether she is a granddaughter or great-granddaughter of Palpatine, Darth Sidious, I don't know.
Oops.
So, without further ado, my digital host David is going to take over, and he's going to read
from the Washington Examiner.
David, it was a flop.
Maybe the first movie, The Force Awakens, did sort of okay, but there were too many
holes within the plot.
I don't think Abrams knew what the **** he was doing.
But then again, this whole production was done by a stupid-ass *******, was overseen
by a stupid-ass ******* stupid cunt bitch named Kathleen Kennedy.
------- feminazi whore.
The Force is female.
**** you, the Force is female.
The Force was never male in the first place, and there were women who used the Force.
What in ****'s name were you going on about?
Dummy.
I don't know, but even then, like as Super Dave Bisola said, I'm sorry, you don't get
to fight somebody like Kylo Ren, who's actually Ben Solo, son of Han Solo and Princess Leia,
who's been learning how to use the Force for a long time, even if it was the dark side
of the Force.
It's like Luke Skywalker trying to fight Darth Vader in the very first movie, or rather,
in A New Hope, which wasn't going to happen.
Oh boy.
The stupidity that goes on is unbelievable.
But anyways, the only thing I can say is, as you'll see in the article, nobody's going
to remember those three movies, because it was so ----, I don't know what to say.
Anyways, I'm going to reduce myself to a little blip and read from the Washington Examiner,
give my opinions as usual, as Super Dave Bisola said.
So here goes nothing.
So, menu, camera.
Hi there.
Let's make ourselves a little bigger.
The Washington Examiner.
Okay.
The Washington Examiner.
The Force Adrift.
Green glasses.
By Varad Mehta.
Published January 1st, 2026.
11.15 p.m. Eastern Time.
Yeah, there's Luke and Chewie.
Looking back at it now, ten years later, the warning signs were clear from the start.
From the first trailer, in fact, its initial image was a shot of a speeder zooming past
the wreckage of a long-forgotten battle.
An X-Wing fighter, an X-Wing in the foreground dwarfed by a Star Destroyer in the background.
Following it is a close-up of the melted, twisted husk of Darth Vader's helmet.
It ends with a wistful Han Solo, Harrison Ford, telling his Wookiee comrade,
Chewie, we're home.
Which was the problem?
Disney took us back home, to the Star Wars we thought we had lost.
Together, we'd been scavenging the ruins ever since.
Contrary to critics and fans who believed Disney Wars only went awry later,
the issue which have come to plague the franchise,
from its inconsistent, contradictory plotting and endless recycling of itself,
to its overall lack of vision, are present not merely in inception,
but in fully mature form in Star Wars Episode VII, The Force Awakens, 2015.
And the armored skeptic was pissed off.
Gregory Fleurer.
I don't blame you, Greg.
Anyways, Episode VII felt off as soon as the lights went down.
For the first time, a film in the series opened without the 20th Century Fox logo,
and its accompanying fanfare.
Evidently, this would not be your father's, or if you are my age, your own Star Wars.
I'm 57 years old. I remember until the Star Wars opening.
Well, it was the fourth episode, but it was the first movie made.
But it so desperately wanted to be.
Which was a failure, because you put too much stupid feminism into it.
------- idiots.
But it's not just the feminism. Let's read.
From the opening scenes of the First Order raid on the Jakku village,
mirroring the Empire's seizure of Princess Leia's ship,
to the climactic attack on Starkiller Base recapturing the assault on the Death Star.
The parallels to the original are so numerous that calling them copies or rip-offs might be more accurate.
There are so many that a side-by-side comparison video compiled at the time couldn't capture them all.
If being a rehash weren't bad enough,
The Force Awakens is marred by one dubious storytelling beat after another.
Oscar Isaac's character, Poe Dameron, disappears for the middle act.
The First Order tries to destroy BB-8,
although it needs him intact to get the map he's carrying to Luke Skywalker, Mark Hamill.
Han Solo is shoehorned into the movie,
without any logical reason for him to show up how or when he does.
The neophyte Rey, Daisy Ridley, who just learned of the Force an hour ago,
should not best the far more accomplished Kylo Ren, Adam Driver, in combat.
Ren's identity is revealed midway through the movie,
when it should have been saved for his final confrontation with his father, and so on.
The blame for the failure of The Force Awakens belongs to primarily to J.J. Abrams,
who, besides co-writing the screenplay, also directed it.
Even he understood the difference between homage and imitation.
Abrams' mediocrity as a filmmaker rendered him incapable of acting upon it.
Thus, whereas George Lucas fashioned a pistachio,
which, inspired by fairytale and myth, transmuted sources as diverse as Westerns,
1930s Flash Gordon serial, and Akira Kurosawa's samurai epics into something revolutionary,
Abrams crafted a derivative work inspired solely by itself.
When this fundamental flaw besets the entire sequels of the trilogy,
worse still, it is compounded by a profusion of bizarre, inexplicable befuddling
and plain idiotic narrative choices across all three movies.
Apparently, it was pretty idiotic.
On occasion, these choices were at odds with each other.
In The Last Jedi 2017, writer-director Brian Johnson has a scene reminiscent of Luke's vision of himself
as Darth Vader in The Empire Strikes Back.
Rey dives into a submerged cave and sees a vision of infinite versions of herself.
The moral is that Rey is a nobody without a family or past.
All she has is herself.
Perhaps repaying Johnson for killing off Supreme Leader Snoke in The Rise of Skywalker 2019,
the third film in the sequel trilogy, Abrams takes his own crack at the scene.
This time, in the rubble of the second Death Star,
Rey fights a darker manifestation of herself as Palpatine's granddaughter,
which it turns out she is, so much for being a nobody.
So how did she know she was Palpatine's granddaughter?
Well, I'll have to see that part, but anyways.
Rey spurns her heritage and instead, as Rise of the Skywalker ends,
anoints herself Rey Skywalker.
That's kind of stupid.
Even if you are Palpatine, it doesn't mean you have the same amount of fame.
The groundwork for this self-reinvention is laid in The Force Awakens,
when Anakin's and Luke's lightsaber calls out to her.
It shows her to inherit their legacy, yet Abrams overlooks Ya,
as though he forgot his own foreshadowing.
Is her legacy the Skywalkers, or is it the Palpatines?
Probably Abrams didn't know what the **** he was doing.
As a result, Rey's decision to take the Skywalker surname,
she had none before this, feels arbitrary,
even though it could have been justified on the terms presented in the earlier films.
Rey the Nobody and Rey Palpatine Skywalker are antithetical interpretations.
It's as if Johnson and Abrams were undoing what the other did.
Unity and cohesion of the plot be damned.
No one from Lucasfilm would or could stop them.
I think George Lucas should take the thing back and scrap the whole thing
and do it from the very beginning.
And there's a video about what George Lucas felt, right?
But Disney fucked it up.
Or J.J. Abrams fucked it up.
Anyways, there's no greater testament as to how misbegotten the entire endeavor was
than the fact that not once in the sequels do the heroes of the original trilogy
appear in the same movie, let alone on screen together.
Exactly, what the **** were you thinking of, you ******* idiot?
And now you killed them off.
Asshole.
The whole point of the sequels and the justification for much of the anticipation for them
was seeing the old gang back in action.
Yet it seems never to have occurred to anyone at Disney,
not CEO Bob Iger, you ******* cuck,
and Lucasfilm president Kathleen Kennedy, stupid feminazi bitch,
no one, that this might be a problem.
Yeah, exactly.
Luke, Leia, Han, Chewie and Lando share zero seconds of screen time.
How could that happen?
It's the plot equivalent of leaving an exposed thermal exhaust port in the Death Star design,
something which makes more sense as the result of carelessness, incompetence
and bureaucratic inertia,
especially feminazi bureaucratic inertia,
than as the proposal act of sabotage.
Sabotage, it was retconned into Rogue One,
a Star Wars story, 2016.
The original trilogy is a classic saga of heroes
set against the backdrop of a fight between good and evil,
dressed up in futuristic science fiction garb.
The prequels are an allegory for the unraveling of the post-war American political order,
a tale of institutional decadence and collapse.
Can anyone say what the sequels are about?
There's no overarching storyline because it was never planned out.
The switch of writers and directors produced dramatic, often contradictory narrative shifts.
That's right.
Say what you will about Lucas' vision.
He had one.
Yep.
Even if it was flawed, he still had a vision.
There is no vision to the sequels.
It is questionable whether a corporate writer's room can even have a vision,
though it did give us the hopelessly dated presence of Lin-Manuel Miranda.
And Space Monaco? Seriously, what the hell?
The Mickey and Company have managed to release just five movies,
none of it since 2015.
It is indicative of its struggles.
A sixth based on a Disney Plus series, The Mandalorian, is scheduled for May.
We'll see how that goes.
Probably it's not going to go anywhere.
Unless you change the whole ******* stuff.
Get rid of all that ******* rogue stupidity.
Get rid of that ******* stupid woman that was sneaking in woke stupidity into cartoons.
------- bitch.
Review.
You say you want a revolution?
So, The Force Awakens was made to cater to fans who hated the prequels.
It was the answer to a million cries that George Lucas ruined my childhood.
Like Bane returning Gotham to its people,
Disney was handing Star Wars back to the fans.
The irony is that today the prequels are more beloved than ever,
while the sequels are lucky to be disregarded with a polite indifference.
Which basically, people hate it.
Things got so bad that some fans even clamored for Lucas to reclaim custody of his brainchild.
Alas, he is otherwise engaged completing his long gestation,
gestating Museum of Narrative Art in Los Angeles.
What the sequels lacked above all is the sense of adventure
and daring that thrilled movie audiences in 1977 and years thereafter.
Disney Wars has become staid, dull, predictable and commodified.
In a word, just one more intellectual property in Mickey's portfolio.
------- stupid ass little mouse.
I have a t-shirt purchased in 2006,
but based on a design from the late 70s.
Emblazoned across Darth Vader's face are the words,
Darth Vader lives.
Underneath is this message,
Star Wars is forever.
Indeed it is.
But now, as we approach its 50th anniversary in 2027,
it is not.
As it seems in 2013.
Because of Disney, that it will live forever.
But despite it.
Not as it seemed in 2015 because of Disney, that it will live forever.
But despite it.
Yeah, you're right.
It's gonna live despite Disney.
Ten years ago, the House of Mouse tried to awaken the Star Wars franchise.
Instead, it has spent the last decade adrift.
Hmm.
I don't know what to say.
So, we'll just close the browser.
Close.
We'll close that.
And then we're just gonna bring ourselves back.
And there you have it in a nutshell.
J.J. Abrams had no vision.
Period.
Nothing.
His co-writing was ----, and so was his direction.
His director.
Directoring.
His direction.
------- asshole.
But then again, the problem is, the whole Disney company is woke.
Woke.
Corporate.
Like, stupid corporate.
Without thinking of the fans.
You ******* assholes.
And then, but it's not only that,
they start blaming the fans, saying they're misogynistic and stuff like that.
**** you.
You just didn't know how to ******* write a story.
Stupid asshole and stupid bitch.
Morons.
The Force is female.
**** you.
The Force can go make me a sandwich.
That's what I have to say if you say stupid ---- like that.
Anyways.
Superdate.
Just conclude and close it off.
The Force can make us sandwiches.
That's all.
If the Force is female.
It's not just that.
The direction was complete caca.
Scheisse.
Scata.
Cock pun.
What can I tell you?
It was a badly written sequel.
George Lucas made a mistake by selling a Star Wars Lucasfilm to Disney.
They screwed it up like crazy.
And you had other stupid films as well.
A group of lesbians are making their own babies.
Oops.
That's in other films.
That was directed by this weird, woke, lesbian person.
Who, by the way, was associated with Harvey Weinstein.
So go figure.
The stupidity.
That's what goes on.
Anyways.
At this point.
I'll bid you adieu.
Au revoir.
Adios.
Hasta maรฑana.
Hasta luego.
Arrivederci.
Shalom.
Salamaliko.
Sayonara.
Dosvidanya.
Auf Wiedersehen.
Yassas.
Parevces.
Goodbye.
Also.
Merci beaucoup.
Muchos gracias.
Molti.
Mucho.
Grazie.
Tudaraba.
Shukriya.
Sheshe.
Spasiba.
Dankashan.
Evkaistopori.
Shacharon.
And hopefully the force will awaken.
Not be adrift.
But we'll meet up.
People to do this trilogy.
And start it totally from scratch.
What can I say?
Star Wars went by.
But then again.
Unfortunately.
I don't know.
Some of the actors and actresses.
That have played the originals.
They actually died too.
So I don't know how they're going to redo it.
Sad isn't it?
But anyways.
That's all I can say.
Anyways at this point.
The only thing to say now is.
May the force be with you.
And.
Oops.
Thank you very much.