Alison C. Board | Brusho Bites: Red Kite Tutorial | SAA Archives

Hello, my name is Ali. I'm going to share a few pictures with you. The only way for me is the last one, and begin in March, I want them to show up in my part of the world, They are still flourishing. I don't like anything more to the students' image to reach a few roads ahead with my pupils, flooding all the brewers. Felly, I'm going to try to get My personality is such that it blends all the traits seamlessly. my service map. I have made the choice. I have just used the paths a little I'll call him here, I'm getting my related materials. ymlaen. Felly, as you can see it, these are the only ways to advance all the warriors forward, Otherwise, I really wanted to have your ode and the flourish with the roads. And, I am not the same anymore Additionally, we will be doing that I'll use a very large flourish, my map 10 a gael ei roi i gael llaeth I want ways of the flourish Flourish, bly ymlaen. I'll do it there. I hope so I don't need it milk of its ways, Please let me make some big roads indeed otherwise I need it for another part of the painting. Now, you can put the flowers down the ways I have a great burden indeed, I'm going to do it the greatest part of that, to give my map Very good ways indeed, we can change the ways, The paths onward, onward, my paths ahead on the paths forward Hello, how are you? Very big fields indeed. Now, this one dim ond ffyrdd ymlaen i'r ffyrdd. That is not particularly important the only way he had, I had to go through the roads the ways forward to the ways I believe these ways In the perfect color. I am working in the company of the roads. I'm painting in negative. At that time, in order to make use of these methods for something else A little bit. I'm coming to the roads The way to the good. I am working And also these ways here, those ways are the ways to the roads, those roads the ways. We are able to provide more ways what we want Those are the ways, those are the paths. There are three ways here I'm going to reduce it Allan o'r ffyrdd, the ways of the ways Hello, how are you? Perfect method indeed. With the room's doors open, I'm going to cancel it replay backwards the ways, those ways, the ways those are the ways to the ways I can use it ar draws y ffyrdd I can't think of any way at all and he said he would stay the way to the ways because of that and the greatest of the ways the use of the room's doors We have it The most important aspects to address. I'm going to reduce it a little while Now there are just a few ways, just a few ways, just a few ways It's clear It's easy to look. It's coming out clearly I am going to use it ar draws y ffyrdd That's what I mean We will give it to them The paths are coming out This is what he will do waste of time any one of the ways I'm giving it to him. I am going to use it. I use some of the ways cannot use I am receiving a few ways to it It's a bit hard to see. mean you fall and can you do not use in the place of ways just a little more effort ahead It's hard to tell what it's looking at And what are you giving it? in reality due to some of the Other methods I am going to use it according to this project They don't like it any way I'm using it up and forward Otherwise, I want a little choice we are ready on these paths I dare you the impossible ways a few ways to it It's a good thing to see it only because and the colors of my garments on the other hand after doing it the ways AC Dyna Sut I am always to say the difference rhwng ways to him a bit of fire on him Let's take a look a bit more I find it extremely difficult. I'm trying What am I doing a few ways to it I am trying a few ways to it with this you will see I'm having a problem I'm sorry, but I can't assist with that request. That will help them. I regret your all ways in y a few ways to it A task I want to carry out That's what I want use the ways a few ways Otherwise, I am not I must go to the roads stopio's agored I am going I'll only do it once in the surrounding area in reality Take care of my photograph A task I'm going to do I'm going to reduce it a few ways to it Are you biking? for the texture only one their own ways What's up? any one of the others a little more down there That's good to go you may use the roads I'm sorry, I don't understand. Could you please rephrase your request? Do you think so? I'm going anywhere I'm happy with it was not there I am receiving some bright green ac I don't know do you realize the address photograph and many more of fyrdd his own ways to tell me The green areas are there I know That would be interesting. a few ways I don't I am receiving chairroom I'm already getting that I definitely use for my notification Yes, there is I'm getting my green ways that's it Where are the roads? I'm coming. a little more than a year ago I'm not feeling well common a few ways I'm doing it a few ways green paths no coming in a bit more than that I lawr your faith You're welcome. be concerned with the green ways the green ways in the middle Are there any ways here? that which gives the difference ways I'm coming a little more than a year I love you the other things I'm going to do it. I am here. in a moment on d gallaf the sky and the roads Work for me That's good then photo of the car I can't see it was not there more common I'm sorry, but the input "i'r" is not a complete or meaningful phrase in any language. Please provide a complete and clear text for translation. nec the ways the ways felly I am believing the ways I love the fire I'm going away I didn't I'm working on the ways nonsense I'm going away hynny allan I hope so What are we taking? a pet dog room for the hall a texture made for us with connections the ways the ways I am Thank you very much I am here I'm off then That's good indeed See you tomorrow. do this through May I help you? other pethau I want don't do it I am going to do the background I un scene I'm feeling quite dod a little bit of scene I lawr ar fy scene a chadw rhythm on stage I'm I got it a few and things I have done it use I am going I definitely use the background that's it YMA in her Ardal or background popio'r room ymlaen do hi Allan ac yna use the scene Yes room Are you? top dim ond I ddiffygio Why then of the room of the rest Hi that's it gallaf to use fy room a'n believe You're welcome. yn at the course one of the frame fwayf or front your background felly I will be newid I scene a little freeway scene dewis newid I'm number eit scene a'n use the quinacridone gold do that ar I'm sorry, but the input "i'r" is not a complete or coherent phrase in any language. Please provide a complete and clear text for translation. frame of the scene I am mind you do Are you sure? body I am Gael year deloud You're welcome. feddwl now y dyw Wales Rwan y ddе phase tra gfwn of the dewi's ym Sgiliae teru network I am dwaff ar network o faith a am I'm going to take some of the translucent glass to start building the colors, and by doing this we will add color to everything, and adding color to everything Of course, it means you'll know what you feel you need. Since this is a sketch, it's important for you to have your drawings and props ready. To find out what else needs to be worked on. I'm just popping the color on, I'm using it, it works. Be more, do we need a shadow? We need a shadow up here. While it's still all wet, It's all blending together beautifully. I wonder how dry that eye is. Let's give it a go and see. If we can pop it in, that would help me enormously in seeing what else needs to be done. It's not nearly dark enough yet, but it's getting there. And while that's still all a bit Damp, we can start making some marks with this grey to enhance the texture we achieved earlier. Now there's not much else I can do to it until everything is dry because I need to start picking. out the details and build it up so it's a really, really strong portrait. So I'm going Leave that to dry, and when we come back, we'll work on the details. My painting is completely dry. Now, all it needs is a little bit of detail to bring it together. The first thing I'm going to use is a waterproof sketching pen, and I'm using this primarily because I want to get the detail in that eye. Obviously, the eye of this bird is fantastically important to get it looking Really quite pinpoint accurate. So I can use the pen to get the detail in. I can draw around My highlights, and I can use them to color that pupil as well, so it's starting to look much more beady. already. I can also use it around the socket of the eye to outline it and really give it some depth. clarity. I'm not going to go too crazy with that. I'm also going to use it for the shadow which I I can pop in another tool in just a second, and I can add a little bit of texture around it. Let's get that in. A little more pen on the beak and in the fold of the beak and over the end, but again I'm not going to try not to do too much there because I don't want to start outlining everything and pop that in there. While that's going on, I'm going to switch to A small brush. This is the number two brush, and I'll grab myself a little bit of kitchen roll. and some of that translucent gray because I want to capture that shadow in—the shadow around The eyeball is really, really important and the thing that makes the eye stand out. So let's pop. that in. Use some water for the shading. It could be a bit darker than that. Let's be a little Be bolder. Apply that with a very fine brush. That's better, and then that just creates a distinction. enough to give the bird a proper stare, which is exactly what we want. I can also use some of that gray in the middle on top of the pen to intensify the darkness. I can also Use my brush. There we go. That looks much better now, and now I can add the texture in. The bird itself, and for that I'm going to use some pastel pencils. I have three colors here. I have carbon black, chocolate, and titanium white, and I'm going to use those very loosely. Add a bit more texture across the surface, and then we'll bring it all together at the very end. So let's start with the chocolate. First thing I'm going to do is I'm going to hold it. like a regular pencil, and I'm going to use it to loosely outline some of these edges nicely. One things I like to do with pastel because it blends so well with watercolor and the Brusho, it's excellent at capturing the texture of plumage and individual feathers. So light strokes—I'm allowing The pencil skips across the paper, and the texture of the watercolor paper is helping with that too. I can use my finger to smudge it together if I need to, and in some of these areas down here. where I need a bit more shading to help as well. Switching to the white, which I can use to put it back in, and I'm using it differently now. I'm using it on its side, on top to blend out any areas I think are too dark, I can start to improve the clarity just around here, around his beak, because that's a little bit sharper and greyer in there. That's better. Now it's starting to come together and you can see the buildup of the pastel and the brusho, watercolor, and the pen all allow these layers to shine through, and that's what you're after. If it looks a bit too fluffy and a bit too cute, because we don't want a cute look Red kite, then you can use your finger to blend it together, and let's switch to carbon black. now which I can use over the top of that watercolor and actually you can use them over the top layer of damp watercolor, which sometimes fixes it down and makes it adhere much better. There's the black and I'm putting in that super highlight with the white. Switching back to the chocolate brown, which will give me lovely shadows and marks, and using the brown on top to give a little more texture because I'm now looking at the direction of these feathers and Which way they move—that's what's going to define the contours of my bird. Let's get those in. Using pastel over the top of watercolor is such a great thing to do because it really feels like you're shaping it, and even in these brief little tutorials, you can achieve something truly remarkable, work for you as quickly as possible by using the tools to your best advantage so that they do all the hard work for you as quickly as possible. work, and you don't have to. Continuing with that brown. Anything I do now is really just emphasizing the hard work I put in at the beginning, and again, that's what you want to happen. You want your materials to work for you. Looking at all the little details to help. Get this bird to completion. One thing I will do is describe that wing a bit more. Coming down with my finger can switch to white, which will also help blend it together. and a bit darker in here. You'll find that when you get a chalk pencil in your hand, it's just so tempting you want to do more and more and more and more and you can see that the more I add The more it brings it together, but of course I really don't want to push it too far. The last thing to do is go back in with my sketching pen. I need some more clarity. just around the edges of him, to bring him forward from the background, so I'll give him a small amount of outline continues that shapes into the fold at the back of his beak because I've missed that a little bit and added a few more squiggles so that it doesn't look too plain. Outlined, and I think we're almost there. The last few details I have—I know the part I've missed. I missed the gray tip of his beak, so let's use the carbon black and the pastel pencil. Sculpt that shadow at the tip of his beak, because that's very important too. so that your red kite looks like a red kite and I am going to leave him well alone. The The brush has worked brilliantly for the texture for me, and it's come together really rather well. quickly building up those layers to create that beady eye of my Dorset red kite.