#painting#howtopaint#acrylicpainting#arts This video is a watercolor tutorial by artist Emma Jane Lefebvre, focusing on the "wet on dry" technique to complete a beach landscape painting with crisp, fine details.
Specifically, the video demonstrates the following steps:
Creating white sea foam: She uses white ink (you can also use white gouache or acrylic) and the "dry brush" technique—applying thick paint with very little water—dragging it decisively across the paper to create a natural crashing wave effect.
Painting bushes: By intentionally splitting the bristles of a size 8 round brush and lightly dabbing dark olive green paint, she quickly creates a bushy foliage texture.
Painting palm trees from a bird's-eye view: Using a small size 2 brush, she sketches star-shaped guidelines in light green, then gently flicks the brush tip outward along these lines to form individual palm leaves.
Shading and creating depth: To give the painting depth, she adds a light blue shadow right underneath the white waves, then uses a clean, slightly damp brush to soften the edges of the shadow.
Adding highlights: In the final step, she mixes a bit of white ink into light green paint to add subtle sunlit highlights to the tips of the palm leaves.
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Video Summary
AI Generated
This tutorial focuses on adding fine details to a previously created beach scene. The instructor demonstrates \"wet on dry\" and \"dry brush\" techniques to create defined elements like crashing waves, foliage, and palm trees, while explaining basic color theory and blending to add depth and contrast to the painting.
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Hey friends, welcome to day six of our World Watercolor Month practice.
I'm so happy to have you here.
I'm already having so much fun.
For today's practice.
We're going to be working on tiny details using our beach scene from yesterday.
So let's jump in and get started.
Okay friends.
Welcome to day six of our World Watercolor Month practice yesterday.
We did this fun dual color gradient moving a dark blue into a lighter blue
into a lighter sand yellowish color into a darker yellowish sand color.
So we have the base for our beach scene.
Now today we are going to be adding some wet on dry.
These are how you add the details wet on wet is when you add wet paint to a
wet surface.
You get those really kind of out of focus blurry explosions of color and
edges.
It's a really great way to build these soft edges.
Now when you want to do more defined lines and details, this is where wet on
dry comes into play.
So I am going to be using a smaller size to round brush today because we're
going to be creating some waves and also some little palm trees on the sand.
You could always go as far as you know, adding, you know umbrellas and people
on the beach, whatever you'd like.
I'm going to keep it a little bit on the easier side today.
I'm also going to show you how to add just a little bit of waves with some of
the dark blue and blend it out and we'll get more into blending later.
So you're going to need a smaller brush today.
I have my size to round brush from my travel set collection, which is
available on craftmo.
And then today I'm also going to be using this dr.
Ph Martin's bleed proof white ink.
This is a white opaque paint that reactivates with water.
It's kind of like a gouache, but if you have white gouache, maybe if you don't
have any of that, maybe like a white acrylic or a white gel pen that could
also work, but I really do love this stuff for a lot of my watercolor
paintings.
Okay.
So first let's start by adding the white to our water.
So I'm going to open it up.
It comes in a little jar like this.
Mine was fully dried out the other day.
I've totally forgot to put the lid on and I left it the whole weekend.
I was so mad at myself, but I added water mix it up and it's perfectly
fine.
So I'm going to take some of this paint.
I actually like to put it in the lid and it's really nice and opaque.
Actually, there's a bunch of the lid here and maybe a bit too much.
And I'm just going to do these kind of I'm going to put my brush on its
side and I'm going to do this kind of like little waves crashing at the
shore.
So I'm just kind of dragging my brush.
This also touches on a little bit of wet on dry or no, sorry, a little
bit of dry brush.
So dry brushes when you don't use a lot of water on your brush and you
get this more textured kind of dry little I don't know textured brush
strokes.
So see how it's kind of there's like holes here.
It's not a smooth wash across you're getting these little dry textures,
which is actually great for waves.
So I'm using a thicker amount of paint and I didn't add water.
I had I added water originally to my brush, but I don't think it's not
dripping with water.
It's not like super wet or anything, but this really helps to get some
fun wave textures and I'm just dragging it across like that and it looks
like it's crashing on the beach.
I'm going to add a little bit of it water to there my brush.
Oh my gosh.
I can talk today.
I promise I'm going to add another little bit of a wave here.
It's a little bit smoother.
You can even do like little extra kind of curves and stuff, but you want
it like this textured holy kind of these lines like they're I don't even
know how to explain it.
Clearly my brain is just gone like so.
Okay, we don't need to do a ton just a bit.
Okay like that and then I'm going to let that wait.
Hold on.
I do want a little bit more here though.
You have like a bit of the darker shadow from some of those lines we
did yesterday.
Just want to kind of come up to some of these darker bits.
You can do like little curves like, you know, like the little transparent
kind of water lines or there's like a little bits of foam at the end.
You can just kind of draw these little curvy bits like that if you'd like.
Okay there.
Okay.
So now I am going to I'm going to let that dry.
We'll do a little bit of shading on that after I'm going to do some palm
trees along here and just some greenery.
So I'm going to start with I have this like olive green here, which I
really love and I'm going to do some palm trees, but I'm going to just
start with some I have lots of white on my brush.
I'm going to start with some foliage to begin with.
So I'm just going to take my brush and just do it would be better if I
left that tape on but I just love when you take the tape off just so I can
go over top of it if I need to.
You know what?
I'm going to use my size 8 brush for this because I want a little bit of
texture.
So I'm going to break up the bristles on my brush a bit and I'm going to
go like this.
So it's like there's some bushes.
These aren't palm trees yet.
These are just bushes.
I'm going in with a dark green.
So it looks like there's foliage over here.
This also helps to create some texture.
You do a little bit over here.
This is just our first layer there.
I might add a little bit of yellow just for a little bit of highlight like
sun.
I don't know a little bit of brightness and some of that foliage and then
we can add some shadow in there after and I'm just tapping my brush really
the bristles are like so beat up, but you won't ruin your brush this way.
I promise see the way the bristles look you just wash your brush roll it on
your paper towel like this and shape it back and it's perfectly fine.
Okay.
Now I'm going to grab my size 2 brush.
I'm going to do some palm trees.
Okay, so for the palm trees from up above start by doing this like little
circle for a point and then I'm just going to do like almost like a star
shape but have them kind of curved a little bit.
These are like the palm leaves.
I'm going to add a little bit of like yellow to my green.
Just to make it a little bit brighter of a color and I'm just going to do
these little flicks coming out from each line.
So it looks like there's palm trees on the beach.
You're just using the tip of your brush to go on either side of the palm
leaves those lines that we did like that and it looks like a
bird's-eye view of the palm trees.
Okay, you do a couple more doesn't have to be symmetrical or anything.
Okay, but try and curve some of those lines.
You don't want them sticking straight out and you can do as many as you
like.
So a little dot there line line line line just a little guideline and to
get these really fine brush strokes.
You want to use this light the lightest amount of pressure you can using
just the tip of your brush.
So one other thing to know when you're layering colors over top of another
color, you need to kind of guess like there's a little bit of color theory,
right?
Because I'm layering green on top of yellow which green is made up of
yellow.
So it's not really going to alter the color of the palm trees all that much
but say I'm layering green on top of red.
We're going to get a little bit more into color theory later, but red sits
across from green on the color wheel.
If you layer these transparent colors over top of each other, you're going
to get a brown.
So knowing what colors make what when you are layering because again, it's
a transparent medium watercolor.
You see through it most of the time unless you use a really dark value.
It can really make a difference of the color that it turns out to be.
So just keep that in mind when layering.
Okay, so I'm just going to do a couple more palm trees.
Like this and then I'm going to let it dry.
Okay.
So once it's fully dry, we can add just some final details.
So now that we have some waves crashing up against the water.
I'm just going to take a really light little bit of our blue that we used
for the ocean and I'm just going to add just a tiny bit underneath some
of these crashing waves.
It just makes them pop out a little bit more.
I'm using just a little bit and just kind of skimming it over.
I'm going to wash off my brush and I'm just going to blend it out.
Blending it out just means that you're just touching the edge.
So it's a softer edge and it's not as harsh but see how it really kind
of helps make those waves pop a bit more.
Now the same thing for the sand.
I'm going to take that sand color and I'm going to add a little bit
of shadow underneath these white areas again, wash off my brush, dry
it a bit, touch the edge with my clean damp brush and it just blends
it out.
So it's a lot softer, but it adds a little bit more shadow to it and
depth.
I'm going to use a little bit of a darker brown, not trying to find
the brown I want just slightly because it's a shadow, right?
Wash it, dry it off and just touch it gently to blend it out.
So it's not so harsh.
And then finally here we have a lighter value.
Well, not really a value.
I use a lighter green for these palm trees.
I used yellow mixed with my olive green to make them on the lighter
side.
Now, I just want to add some depth.
I'm going to add some darker green to add a little bit of shadow
so you can add little just like little lines in some of the palm
trees, maybe the closest to like the center of the palm trees just
for a little bit of shading a little bit of that palm kind of line
work.
So it looks like there's some shading in there in between the
palm leaves and then I'm going to grab that brush again, my size
eight that we used before.
I'm going to break up that those bristles again with a darker color
and that I'm just going to tap that in and that's going to create
my goodness a darker value and a darker like shadow within the
foliage here and it just adds variety, right?
Contrast.
That's what we're looking for.
And then when you're done the darker part you can take the tape off
and I might just take a little bit of this white the bleed proof
white add it to my lighter green just for a little bit of highlight
on some of the palm tree leaves just so it looks like there's a
little bit of lightness like that.
Not a lot just a tiny tiny little bit just adds a little bit more
of a different lighter value to it.
And there we go.
There is our detail on our beach scene.
Thank you all so much for watching.
I really hope you enjoyed it and I hope you learned something and
I will see you tomorrow for day 7.