Welcome to Unfold Diaries — a YouTube series by The Architect's Diary in collaboration with Saint-Gobain, showcasing extraordinary homes across India.
In this episode, we take you inside Kalrav Villa in Ahmedabad — a home set amidst lush greenery and designed to resemble a bird in flight. Every space opens seamlessly into the surrounding landscape, making this sculptural masterpiece by Ar. Ronak Patel, Ar. Jinal Patel, and Ar. Naiya Patel, founders of VPA Architects, a celebration of fluidity, organic form, and a deep dialogue with nature.
From a living room floating on water to bedrooms that dissolve into the outdoors and an open-to-sky bathroom, the villa redefines minimal yet experiential living. The architects have gone the extra mile to preserve and integrate the existing farmland around the house, weaving it into the design narrative.
At its heart lies a sculptural staircase, not just a functional element but a striking piece of art. Glass plays a pivotal role throughout, blurring boundaries between inside and out, while soft textures and natural finishes lend the home its quiet elegance. Minimal, organic, and immersive — Kalrav Villa is truly architecture in flight.
Architects: VPA Architects Lead Architects: Ronak Patel, Naiya Patel, Jinal Patel Cinematography: Inclined Studio Video Editor: Shrey Patel Co-Editors: Rajvi Dedakiya, Yamini Patil, Baarat Krishna Sales Director: Mohammad Ali Turner Brand Solution & Marketing: Poojaba Vaghela Saint-Gobain Team: Sonika In association with: Saint-Gobain India
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Video Summary
AI Generated
Kalrao House, a 5,600 sq ft villa designed by VPE Architects, is a nature-centric residence shaped like a bird in flight. The design prioritizes the seamless integration of architecture, interiors, and landscape, utilizing extensive glass and sustainable materials to blend the home into a thicket of existing and new plantations without removing a single original tree.
An abode to humans and birds alike, Kalrao house translates into a house of chirping birds
which is placed in a thicket of existing trees and newly-sept plantations.
Hi, I'm architect Ronak Patel from VPE Architects.
Today we are at Kalrao house and we will be discussing this 5600 square feet villa
At VPE Architects, we are in constant search of amalgamation of architecture, interior and
landscape and seamlessly blending all three together in all our villas. That is a constant
search that we are thriving at. Kalrao Villa isn't just built for people,
it's made for nature too. Set in the middle of trees, both old and new, Kalrao opens up to the
east, shaped like a bird in flight. Our goal was to keep the footprint minimal and let the
house blend into its surroundings. When we look at the site orientation, parking is placed in the
front area, the north is towards the right. There are two entries into the house, one is from the
this part and other entry is from the parking side.
Glass plays a huge role here. It is because of the existing site conditions that we had
opportunity in this villa to provide the amount of glass which is added in the villa. But looking
at the existing thick canopies of greens that we already had, we had just merged the villa right
into the green thicket that was already existing on site, which allowed us the use of glass on the
east side, especially which opens up and blends to the nature, blending it very well into the
house. It is just merged completely into the nature. When we look at the built part or the
footprint, that becomes the footprint of the house, more hierarchical in an ascending order.
There is one small gazebo in the garden area and there is one stage in the gardens.
Rest everything is covered within the green thick green areas. Also on the east facade,
when we look at the glass, the sunlight from the morning it penetrates right into the house.
And if we look at the materials on the east side, it is mainly exposed RCC,
the lime wash plaster that we have used and the glass facade. So when we look at the living room,
it is kind of floating, it has water bolly all around it and it is also separated from the house.
So it becomes like an island of a sitting area and it is also surrounded with green all around it
because it is placed right in the center of existing plantations.
So the green actually becomes the backdrop to the entire sitting area.
There is an island here which is created for the existing trees again right
into the water body and that becomes the water area. As we walk ahead of the living room,
the central space of the house is the stair which is enclosed in the double height area.
The stair also houses the landscape courtyard and which has an open mandir. The divine space
is not enclosed into a confined space but it is left open right in the center of the house.
And in the central double height space on the right and the left, there are dining and kitchen
areas on one side and other side it houses the bedroom on the ground floor. The use of the glass
in the living room, it was actually to merge it with the landscape around it. As I mentioned that
we had already full grown mature trees all around it, they itself behave like a curtain to the
glass. So it was actually a shade to the direct sunlight that we had in the space. So that allowed
us to keep it open and blend it very much to the surrounding landscape areas. The central staircase
is the main connection between the ground and the first floor. It connects the house on lower
and upper floors and the first floor it houses two main master bedrooms. They have wings on either
side. Also when we look at the bedroom spaces, the roof is done in such a way which is floating.
So you actually have the view of sky, the landscape around you again with big panoramic
glasses on both sides. We have the green scapes around the bedroom, a clear view to the sky and
stars in the evening and night times. And it is almost roofless when you are in that space.
So the glass which is used for villa, it is a clear glass that we have used. We did not wanted
any reflective surface because we wanted a clear vision to the outside and inside as well. And
it is a laminated glass. It is a double glass with
lamination in center. That's the glass we have opted for.
We have also not cut down any existing trees. In fact the planning is done around it. So there
are no trees which have been cut off. Even there are a lot many trees which are added to the villa.
The villa is also placed in such a way that we have a cross ventilation around the whole house.
So all the spaces they are very much cross ventilated when the windows are opened.
Even there is no paint which has gone in. It is all lime which is used inside and outside as well.
It is a pigmented lime plaster which is applied overall to the house. And wherever the concrete
is used, it is kept exposed concrete. So there are no further finishes which are applied to it.
We have created the entrance journey. So you walk in through the landscape and then you arrive to
the entry pavilion where the garden opens up, the house opens up. But the house is not visible
from the garden area due to the thick plantations all around it. But once you are inside,
the green becomes the backdrop. And that's the beauty of spaces within.
What we envisioned or what we dreamt of, we have achieved more. Because you cannot imagine
the landscape that is achieved from sitting inside that space. Because we just thought of
trees when we were planning the house. But when we are inside and when we look around it,
it keeps on continuously changing. Of course, the glass remains constant,
not just for views or beauty, but for climate responsiveness. With thoughtful landscaping and
water bodies, the glass keeps the interior bright yet cool, private yet open.