How To Layer Colored Pencils Like A Pro - Prismacolor Tutorial

Sketchbook Dreams
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Video Summary
AI GeneratedThis tutorial explains the process of layering with Prismacolor pencils to achieve realistic gradients and blending. The instructor demonstrates a forgiving, iterative method of building color from light to dark and back again, using a pear as a reference to show how to create depth and vibrancy without pressing too hard initially.
Today I want to cover how to layer with Prismacolor. It is an extremely important
skill and something that I use in all of my colour pencil drawings.
Layering is where you gradually build up the colour bit by bit
in very light layers rather than just going in really hard with the pencil.
I draw with a realistic style and in order to achieve my drawings I have to
do a lot of blending from one colour into
another. There is a lot of gradients throughout my drawings
and the only way I'm able to achieve this is through layering.
I will mention now that my method is very forgiving although
it does mean that the drawings tend to not look good until the last
10 minutes. Now generally speaking I always follow the same process so I'm
going to talk you through that process by drawing this pair.
Before we get into the video if you would like to draw this in real time
with me it is available on my Patreon as well as over 150 hours of other
tutorials. Every drawing includes the reference
photo, sketch outlines and swatches of all of the colours I'll be using
and I include in-depth instructions. Alright
let's start our drawing. Now the first thing I do is always put down some base
layers. This is where I'm just trying to put
some sort of colour down on the paper. It can often feel a little bit
intimidating when you start so it helps to just do something.
I'm working from a reference photo here so I can use that to work out what the
And it might be that the lightest colour in one area
isn't the same as in another area so for example
on the top two-thirds of this pair it's a different colour to the bottom
section of the pair. What I particularly want to focus on
is putting down a smooth and even layer. To do this I'm working in
little circular motions and I'm pressing very lightly.
I'm also making sure that I have a nice sharp pencil throughout all of this. I
want to keep my pencil sharp. Now there are a couple of areas of this
pair that I am avoiding. Two main spots on the right side and two
spots on the left side. This is just where the
light is hitting the pair. These kind of are
actually my lightest areas but because they are so light they're basically
white I'm ignoring those for now. As I mentioned
the top section is a different colour to the bottom section.
So as I get to where these two areas meet I do want to slightly fade out with
this first colour and then I can go over the top of
those very light areas with this green that I'm using for the bottom section
and it's just going to kind of blend these two colours together.
I'm not worrying too much right now about making this perfect I'm
still literally just trying to get some colour down on the paper.
So because the bottom half of this pair is green I'm starting this with a very
light green and once again I want to do this in
exactly the same way trying to make this as smooth as possible.
So from here I want to focus on starting to build up the colours.
So still with this same very light green I also want to be looking at my
reference and seeing if I can see this colour
anywhere else and I can just put that lightly over the top of this more
yellowish colour at the top. From here I want to gradually start working my way
down through the colours. So I've started at the lightest I want
to gradually work my way to the darkest. So what I'm doing is focusing on one
particular section of the pair so I'm particularly focusing right now on the
bottom green half and I want to be looking for the next darkest colour.
So that would be a kind of mid green and I basically just want to put this
anywhere where I can see this colour. So to start with my
layering of my colours is really quite basic.
I would describe it initially as relatively
rough. I'm just trying to get these most obvious colours down. I kind of look
at it as building a template. So with this mid green I'm focusing on
the bottom left hand side because that is a little bit darker
and then from here I can also look around the rest of the pair and see if
there's anywhere else where I can see this green.
So once again I'm putting a little bit of it around the edges
and then I can shift my attention back up to the top of the pair
and again in this section I'm looking for the next darkest colour
which actually here I would say is a light brown. So towards the top of the
it's kind of a brownish red colour and around the bottom as I say is a green.
So I've selected this quite light brown and I just want to be
lightly marking in anywhere where I can see this colour in the top.
I am varying my pressure a little bit here going over some
areas slightly more than others just because this top section is quite
patchy. Throughout all of the pair it does have
lots of little spots on it. I don't actually want to worry about
those small spots right now that's something that I want to add in at the
very end. I'm particularly focusing on getting the
general colours of the pair right right now.
So from here I am still looking for my next darkest colour. I also want to be
thinking about if there's any prominent colours that I think are missing.
So as I mentioned this top section is red and it's not looking very red at the
moment. So I want to start adding in lightly over
the top of all of these other colours quite a bright red and again because it
is a little bit patchy up here I am just trying to follow the shapes in the
reference and try and recreate those shapes on my
pair. I can't stress enough how at the moment
I'm not trying to make this all perfect. I'm just trying to get something down on
the paper and then I can always adjust it if I need to later. The most
important thing that I'm doing right now is doing all of this
very lightly. I don't want to be adding any colour
harder until I'm absolutely confident I've got everything in the right place.
From here I can shift my attention back to the bottom section and I'm looking
for a slightly darker green now that I can go over the top of the
darker section on the left. And I'd say it's around this sort of time that I
start looking at drawing more as a whole rather than
particularly looking at each section. So I'd say
drawing as a whole the next darkest thing I need to do is add some
more brown. This is actually the same brown that I used earlier. I'm just going
to add in a little bit more of it. So I was
earlier and that was making a very light brown.
I'm not by any stretch pressing hard now. I'm just going over some of the areas a
few more times to build up a slightly deeper brown.
I'm still focusing on building up these patches towards the top section
and I can also add it over the top of the greens that I've
been building up around the bottom. It's not making these greens
stop looking green, it's making them more of a
darker brownish green. So I've quite quickly managed to build up a lot of the
main colors in the pair but I do still want to keep building upon this.
At this point I want to start looking for some of the darker colors
and actually I'm going to go in with this very deep brown which is the
darkest color I will be using in this pair.
But right now I am still using it very lightly.
The only area that I'm pressing a bit harder on is
the shadow around the bottom of the pair just because I'm absolutely sure in this
area that I'm not going to need to add any more colors here. It is the darkest
area of my pair. So now at this point I've got everything
lightly marked out. It is looking like a pair but it does look very
washed out. It all looks very faint. So what I want to do now is start working
my way back down through those same colors
and just beginning to build up the color a bit more, pressing a tiny bit harder
and it's going to start building up the color more so it looks more vibrant.
So I'm going to start off with the very darkest green and gradually work my way
back down through to the lightest green and as I
say it's far easier to see where these all need to be now because I've
essentially made myself a template. As I get to my lightest green I am
pressing pretty hard now. I still wouldn't
describe it as me pressing full force but I am
trying to really brighten everything up, blend all of these colors together and I
want to be left being able to see a lot less of the
white paper coming through the pencil. Now I am still going to be able to build
up more color on top of this if I need to
but I'm just trying to make it look a bit more like a solid block of color.
I can also put this light green over any other areas of the pair where I can
see this color and again this is a lot of the same
areas that I put it earlier. I'm just going over it a bit firmer.
So for example I've used some red and some brown in the top section but
actually I'm wanting to add in a slightly
different tone of this. I'm going to add in
some sienna brown. I particularly want the top section to
still look red but more like a mellow kind of red.
So I can lightly add that over the top and then I can keep working through the
same colors so back through that lighter brown. I am
going to add in some more of the bright red
and just keep working my way down. Now again if I get to a certain point for
example around here and I think actually I want to add in some more darker values
I won't stop myself from going back to the dark colors if I need to
but as a general rule I work my way from the lightest to the darkest and back to
the lightest colors. So again once I work my way through these
colors I want to go back to that very lightest color this kind of yellowish
brown color and I'm just going to go over the top
of all of the areas I did at the very beginning but now
just like I did with that light green I'm pressing much firmer
which not only removes the white paper and you can't see that through as clearly
but it blends together all the colors underneath.
So now one of the last things I do when I'm layering and building up colors
is I want to take a step back from my drawing and just have one last look and
see if there's any other colors that I feel are missing. So for example
around the edge of the red section in my reference photo it has much more of a
bright orange tone and I don't have any of that at the moment
so I can lightly add some of this color over the top
and it just adjusts the color underneath. So I basically
want to use layering to adjust the colors until I get to the kind of values
that I want and once I've added one color in it may
make it more apparent that I need to add another color so for example now I want
to add in a little bit more of this bright red
and adding in that bright red has shown me that I need to add a bit more of this
dark green just deepened down this bottom section.
So now I've built up all of the base layers of the pair I want to start
thinking about adding in some of the dotty texture on the skin and it is
literally just a case of adding dots over the top
so looking at the color of these dots and they're not all the same color
some of them are darker than others around the bottom they're more of a
and building up these dots one color at a time
and I only need to worry about the actual dots at this point because I've
spent so long building up the base layers I'm happy
with everything sort of the general color of the pair
beneath. Once I've done that the last thing I need to do is build up the stem
of the pair so I am once again starting with the
lightest colors and working towards the darkest
but because the stem is so much darker than the actual pair my
lightest color on the stem is actually quite a deep color and I'm
just going to work through one color at a time in exactly the same
way and then as I get towards the end once I work my way up to the darkest
and back down it might be that there's some other colors that I can see are
missing that I want to add in and I can just put that over the top
and that is it. So basically I start at the lightest color work my way up to the
darkest color and then gradually back down to the lightest color
and then at that point I can see if there's any other colors that need
adding or if anything needs adjusting. Now I get asked a lot what the
difference is between layering and blending
and they're kind of the same thing. Blending is what you get
from layering. Now if you would like to learn more about blending
check out my video here and until the next time
happy drawing guys I'll see you in the next one!
