Amandus Ivanschiz (1727-1758) - Missa ex D
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Composer: Amandus Ivanschiz (1727-1758)
Work: Missa ex D# | a | Canto Alto | Tenore Basso | Violino primo | Violino Secundo | Alto Viola obligata | Clarinis 2|b|u|s Organo
Performers: Aleksandra Lеwаndowska (soprano); https://tinyurl.com/yh9sj79k
Katarzyna Hοłysz (mezzosoprano); https://tinyurl.com/4hzmyv9u
Piotr Szеwczyk (tenor); https://tinyurl.com/2csc95t6
Maciej Strаburzyński (bass); https://tinyurl.com/yvrms8hx
Accademia dell' Arcаdia; https://tinyurl.com/5b9hewyt
Bartłomiej Stаnkοwiаk (conductor) https://tinyurl.com/47bb6sfm
Missa ex D
1. Kyrie 0:00
2. Gloria 7:41
3. Credo 20:04
4. Sanctus 32:10
5. Benedictus 33:04
6. Agnus Dei 36:46
Painting: Bernardo Bellotto (1721-1780) - Die Freyung in Wien, Ansicht von Südosten
HD image: https://flic.kr/p/2sv5SBk
Engraving: Johann Baptist Homann (1663-1724) - Prospect und Grund-Riss der Kayserl. Residenz-Stadt Wien (1716)
HD image: https://flic.kr/p/2o652hK
Further info: https://sklepy.jasnagora.pl/6800-jasnogorska-muzyka-dawna-vol-26
Listen free: No available
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Amandus (Matthias Leopold) Ivanschiz [Ivanschitz, Ivanschütz, Ivanscics, Ivančić, Ivančič et al.]
(Wien, bap. 24 December 1727 - Ort?, 1758)
Austrian composer. Only fragmentary information about his life is available. He entered the Pauline order in his hometown and choose the name of Amandus likely by the end of 1742. After his novitiate in the Ranna monastery at the age of 16 (1743) he took his monastic vows. He then studied in Maria Trost and Wiener Neustadt, where he was ordained a priest on November 15, 1750. Between 1751 and 1754 he stayed in Rome as an assistant to the Procurator General of the order, from where he returned to Wiener Neustadt. In 1755 he was sent again to the Maria Trost monastery, where he died in 1758, at the young age of 31. He was a prolific and popular composer: there survive about 100 works by him in manuscripts copies, dating mostly from 1762 to 1772 and scattered throughout the Habsburg Empire and in south Germany. His music is characteristic of the transition from late Baroque to early Classical style, and his best works are his masses and symphonies. The masses are mostly scored for four soloists, four-part choir, two violins and bass and a pair of trumpets; some are of considerable dimensions, and they show distinct Neapolitan traits. The symphonies, many of which have four movements, are scored for strings, sometimes with a pair of trumpets or horns. The trios, entitled variously ‘Divertimento’, ‘Nocturno’, ‘Sinfonia’, ‘Sonata’ and ‘Parthia’, are mostly in three movements in the same key; Ivanschiz’s frequent use of the viola as the second solo instrument is a forward-looking trait.