Neo-Impressionist painting could fetch $12 million US at auction

Art Galleries Worldwide
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1 Video View·Sep 17, 2026
(10 Sep 2026)
ASSOCIATED PRESS
Paris, France - 9 September 2026
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Video Summary
AI GeneratedChristie's Paris is presenting three highlights from a collection of over 600 works, specifically focusing on two significant paintings by Paul Signac. The presentation explores the evolution of Signac's pointillist technique and color palette between 1890 and 1905, generating significant international interest across Paris, New York, and London.
We're very proud at Christie's Paris to greet three highlights of this wonderful collection
of more than 600 works.
The highlights are, of course, the Signacs, so this opus 210 which depicts Saint-Briac
in Brittany of 1890, so really a key moment for Signac with pointillism.
The core of pointillism is the use of complementary colours, so here is a perfect example, this
juxtaposition of blue and orange which are complementary colours, which when you get
close to it, it's all an assemblage of small dots, so points of colour, and when they're
put next to each other and you take a distance, then the shape and the motif comes to life.
Since we have published that the sale is coming up, actually you know that the sale is coming
up in Paris, in New York, in London, so it's a sui ben event.
We have a lot of requests, we have a lot of excitement.
This is another highlight of the collection.
It depicts the Chapel of Saint Anne in Saint-Tropez, Saint-Tropez you can see in the distance here.
South of France, Saint-Tropez, really an iconic subject for Paul Signac, where really it liberated
him in terms of colour and you can really see the contrast between this one painted
in 1905 and the opus we just saw painted in 1890, so 15 years difference, where Signac
still in some ways sticks to a form of pointillism, but that he evolved completely in his own way,
where the brushstrokes are much more, in a way, much more regular and larger.
And that's really what got me, I'm not necessarily attracted by the subject because I only recognized it
after reading the poster, but yes, it's really this palette that attracted me and the touches
that are really very close compared to the canvas that we have on our left, which is still
with smaller brushstrokes, a little more spaced.
