How This Architect Designed a Multi-Level Garden Home on a Slope ¦ Singapore HouseTour ¦Architecture.

Garden Whispers
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Oct 11, 2026
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On the floor plans, this is just another semi-detached house,
but once you step inside, it feels as though the house keeps unfolding.
Every few steps, another garden appears.
Another framed view, another double volume surprise,
until before you realize it, you've climbed through an entire home
that feels more like a walk through a garden than a house.
Today, we're exploring Gardens of Sinai by Hyla Architects.
My name is Alex Lee and I am from Design Seeds before we begin
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from the moment you
enter the house keeps
you guessing the foyer
is deliberately narrow and intimate
but take a few steps up the staircase and suddenly everything
everything opens up completely.
The first floor reveals a dramatic double-volume living space,
where ceiling-height glazing
draws your eyes straight towards the landscape.
A layer of garden sits immediately outside and beyond it.
Mature trees rise from the park,
the house doesn't reveal its connection to nature
all at once.
It unfolds gradually, from compression to openness,
to a view that makes the entire
living space feel larger than it actually is.
Hi, I'm Nicholas Gomez, Director at HYLA
Architects, and this is Gardens of Sinai.
We named this house Gardens of Sinai after
the site's namesake, Mount Sinai, a hilly
estate in Singapore.
The house is built on a 7-metre steep slope,
and we designed it as a series of unfolding
volumes
and gardens ascending the slope.
This family is about 6,008 square feet on a plot of 3,009.
We're very fortunate to have this beautiful hillside site,
which is very rare for Singapore.
It faces a public park,
however it is flanked by three houses on the other side.
With the park, it was natural to have the entire front facade in glass,
but glass actually can feel a bit too exposed
and commercial for a house.
So we introduced a series
of staggered plant-filled balconies with grating
Chiang Mai slats that created this warmer,
more domestic layer and buffer to the rooms.
So the clients had been living here for about 40 years
before they came to us deciding to rebuild.
So they had a very deep emotional connection to the site.
They had an aspiration for a forever and timeless home in the rebuild
for them to live in for the years to come.
I think the original house was over 50 to 60 years old.
We lived in it for 40 years before we decided to rebuild.
It had two and a half storeys with several living spaces and rooms.
which did not let in much natural light or breeze
and a fairly sizable garden and driveway.
My favourite space at home is definitely the main living room
as my ceramics collection and favourite paintings are displayed there
and it is fronted by a lush garden as well
as the trees from the park opposite us.
Up one level on the
mezzanine, the dining area
and dry kitchen
sits beside a small garden courtyard
that rises through the entire height of the house.
And tucked just beside this courtyard is a dramatic powder room
that still keeps the garden in sight.
So we have gardens within, without, and all around us.
So even in the bathrooms, we brought in nature into the property.
In the front, actually, there are two toilets that face the front part.
So we actually utilised the Shanghai screen that goes up a bit higher
compared to the balustrade about 1.8 meters
that forms like a semi almost courtyard-like space
that allows the bath to have the garden view without needing blinds
or or frosting the glass
this powder room actually faces this beautiful courtyard
so we actually didn't want to cover
the glass or frost the glass and make it into a wall
so we actually designed it like a separate
cubicle for the private area
and then the public area where you wash your hands we thought that
it would be fine for someone to actually look at somebody in there
but if you're doing a business
you're actually tucked behind a wall the wet kitchen
is located at the back where the full
height glazing overlooks greenery alongside the house
so there are actually three main design
problems that we had to solve for this project
so the first was how to deal with this very steep
slope without having to spend a crazy amount
of money on excavation the second because we have
this beautiful park right in front of us was how
to capture as much of a view of this park as
possible and thirdly because we are surrounded
by three neighbors was how to create privacy from
them so the placement of the core was actually
a very key starting point too far back and we would
have to excavate a very deep basement that would
be very costly if we place it too far forward
it would have been cheaper for the basement
but then the core will block all the views to the park.
So we actually spent some time refining where we
actually wanted to place the main circulation core.
We eventually landed on placing the core about one third into the site
and the staircase transfers back from the front and the back.
So in the front, the staircase serves first three levels
and at the back, the staircase serves last three levels.
From there, we conceived the house as four stacked double height spaces
that also follow the terrain and reduces the amount of excavation.
We paired this with a 2.2 meter courtyard on the side of the party wall
that also steps up the building
and gives each common area a view to look at
as well as linking them down to have sight lines to the park below.
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we often think about the bigger things.
The layout, the furniture, the lighting.
But what about the smaller details we use every day?
For example, like power sockets,
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Connecting the levels is a slim profile staircase
with warm timber treads set against a slender
frame. Its light, almost floating appearance
keeps circulation open, allowing the architecture
and greenery around it to remain the focus.
On the second floor, the mood shifts in the
parents' living area to a cosy retreat
that feels distinctly personal, warm and lived-in.
That warmth continues
into the master bedroom,
where timber floors soften the spaces
and bring a more intimate feel
to the upper levels.
So the landscape for this house
is actually very personal to the family.
The parents are actually very avid gardeners
and they actually kept some of the plants from the old house
and they brought them to a nursery being transplanted
while the new house was being constructed.
And when it was finished, they actually
brought some of the plants back.
So it's like they brought a piece of memory
from the old home into this new home.
I continue to have plants that do not require too much maintenance.
I continue to be on the lookout to make sure my plants are located
in places that allow them to thrive on their own.
I love lush leafy tropical plants
and white flowers.
Framed by greeneries on both sides,
the space looks out towards the park at the front.
while the study faces the courtyard
and the dramatic volume that stretches the full height
of the house keeping nature and light present from every angle
and the sightline actually is a very
key point of doing a very tall and long house
because when you allow the sightline to link
from the start to the end of the property it makes
the house feel much bigger than it actually is so
the courtyard in addition to that to bringing
the light in to the property is also creating
our own view for the occupants
so actually if you see on the other side wall we have almost
little to no openings so when you're
in this place actually you don't see any of the neighbors
all you just see is your own garden view
and the front park view although actually the next
neighbors actually just immediately right
in your face beside the shower full height windows frame
the curated landscape outside bringing a sense
of nature right into the bathroom it's another small
but thoughtful detail that makes the daily ritual feel
a little more connected to the landscape
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to your own home the third
floor takes on a more masculine character,
with an entire level dedicated for the sun.
A private living area, bedroom,
spare room and his own pantry creates the feel of a self-contained
apartment within the house itself.
The private living area opens up to a generous ceiling height,
providing views of the sky.
The balcony overlooking the volumes below gives
the top floor a quiet vantage point
over the house.
Towards the rear of the property,
openings invite the breeze in.
Air flows through the house naturally,
creating cross-ventilation that keeps the upper levels
feel light and comfortable.
Together, these courtyards create a
gradual ascent of spaces, gardens and views.
When you move higher up the house,
the views actually still open up to the park
and the courtyards still bring in light,
ventilation and greenery deep into the home.
In Singapore, like Malaysia,
our weather is either hot or wet.
So we sheltered our courtyards with glass
to keep the rain out.
But we have large openings on both ends
in the front and the back of the house
so that heat is naturally drawn up, it escapes,
and the plants
are able to thrive
and not overheat.
The son's bedroom continues
the darker masculine palette of this level,
creating a quieter retreat.
But beyond the room, the treetops stretch across the view,
bringing a sense of openness.
Even the powder room on this level is carefully considered.
Rather than opening a window towards the neighbouring house,
a skylight brings natural light into the space.
In the attic, a spare room is designed with the future in mind.
Overlooking the living room below,
it can easily adapt as the family grows.
We are now more able
to balance our
individual needs
for privacy and communal activities in our multi-generational house.
We are happy that our new house has enabled us to continue living in
the same way we are used to, despite the completely new living spaces.
To live in and around nature is actually a very beautiful part
of living in a landed house and it's part of the whole human experience
of biophilia and being happy, living in harmony with nature.
So for us, nature isn't just something
that we try to add on or force into our projects,
but it's a very integral part of how we introduce light,
ventilation, privacy,
and make each home a special tranquil retreat for our clients.
Although we are actually, for most of our projects,
it's in the heart of very urban estates.
What makes this house special
is that it never tries to fight its terrain.
Instead, Hyla Architects allowed the slope
to shape the way the home is experienced,
gradually unfolding on each level, revealing gardens, light and sky.
Because in Gardens of Sinai,
designing the terrain isn't simply about working with the land.
It's about creating a home that lets a family
experience nature in a different way every single day.
If you enjoyed this episode and you want
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Please click on the subscribe button to stay tuned
for more compelling design and architecture related contents.
My name is Alex Lee and I am from Design Seeds.
Thank you for watching and I'll see you guys next week.
