Germaine Krull - Photographs.

Germaine Luise Krull (1897–1985) established a multifaceted photographic career that traversed avant-garde experimentation, reportage, and commercial commissions. Born in Wilda (then part of Prussia), she received formal training in Munich before joining Berlin’s critical and artistic circles. From the 1920s onward, her work engaged modern industrial motifs, urban surfaces, and architectural detail, integrating abstraction into documentary forms.

In Paris during the late 1920s and early 1930s, Krull became associated with the Nouvelle Vision movement and contributed to the illustrated weekly Vu. She published photographic books such as Métal (1928), 100 × Paris (1929), and Études de Nu (1930) that combined formal innovation with editorial intent. Her photographic practice emphasized bold cropping, high‐angle viewpoints, and the fragmentation of forms, blurring the boundaries between abstraction and representation.

After 1935, Krull’s life and work entered more complex trajectories. She lived in Monte Carlo, continued her reportage work in Europe, and during World War II aligned with Free France, later relocating to Asia where she managed a hotel in Bangkok and traveled in India. Her late projects included portrait and documentary work such as Tibetans in India (1968). Her archives and photographic legacy are held across European and international collections.

Music
Tears of a Shadow
Eva Hummingbird

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