Renaissance Sculpture

Renaissance Sculpture developed through renewed study of ancient Greek and Roman art and closer observation of the human figure, particularly in fifteenth- and sixteenth-century Italy. Sculptors explored balanced poses, convincing anatomy and the use of perspective in relief, while continuing to work for churches, civic authorities and private patrons. Donatello's figures and shallow reliefs, Ghiberti's bronze doors and Michelangelo's marble statues demonstrate different responses to these concerns. Marble carving, bronze casting and terracotta modelling each supported distinctive approaches to surface and form. Sacred narratives remained central, alongside portraits and monuments that expressed the identity and ambitions of individuals and cities.