Illuminated manuscripts are handwritten books that are highly decorated in precious materials like gold or silver. The use of metallic materials like gold and silver is what gives these texts their name ‘illuminated’, as they reflect the light. These handmade books were often on Christian scripture, but some early examples have survived such as the works of ancient writers like the Roman poet Virgil. Muslim artisans also created books using the same technique to ornately decorate their books, but the term illuminated manuscripts usually only refers to works produced in Europe on Christian themes.
Illuminated manuscripts were expensive to purchase, which means only those with plenty of money could afford them. Illuminated manuscripts were initially only created by monks in abbeys, but as the demand increased and they became more popular, their production became commercialised. The Book of Hours, a Christian devotional of prayers, was the most popular type of book, given that more Book of Hours texts have survived than any other works produced during the time.
It was between the seventh and the sixteenth centuries that the greatest examples of illuminated manuscripts were created, since by then the basics of illustration and decoration had been perfected. The best known, and probably the quintessential illuminated manuscript dates from c. 800 and is known as The Book of Kells. The Book of Kells was produced by the monks of St. Columba’s order of Iona in Scotland somewhere, but a precise location isn’t known (although there are many theories about its composition which place its creation in places like the island of Iona, Kells in Ireland, or Lindisfarne in Britain.
— CHAPTERS — 0:00 Introduction 0:54 What is an Illuminated Manuscript? 2:31 Materials Used to Make Illuminated Manuscripts 3:39 How Were Illuminated Manuscripts Made? 6:17 The Early Illuminated Manuscripts 7:23 The Book of Kells 8:42 The Printing Press and the End of the Medieval Illuminated Manuscripts
Did you know that the shape of books today is due to medieval illuminated manuscripts?
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Illuminated manuscripts are handwritten books that are highly decorated in precious materials
like gold or silver. The use of metallic materials like gold and silver is what gives these texts
their name illuminated as they reflect the light. They were created between circa 500 and 1600 CE
and their production declined with the invention of the European printing press in circa 1440 CE
by Johann Gutenberg. Although at first people were skeptical about printed books and preferred the
old way of handmade works, eventually they became the more popular and cheaper option
which marked the end of the handmade book and illuminated manuscripts specifically.
These handmade books were often on Christian scripture but some early examples have survived
such as the works of ancient writers like the Roman poet Virgil. Muslim artisans also created
books using the same technique to ornately decorate their books but the term illuminated
manuscripts usually only refers to works produced in Europe on Christian themes. Illuminated
manuscripts were expensive to purchase which means only those with plenty of money could afford them.
Illuminated manuscripts were initially only created by monks in abbeys but as the demand
increased and they became more popular the production of them became commercialized.
The Book of Hours, a Christian devotional of prayers, was the most popular type of book given
that more Book of Hours texts have survived than any other works produced during the time.
What did they write on? Well although paper was invented in China during the Han dynasty in circa
105 CE and introduced to the Arab world in the 7th century by Chinese merchants, Europeans wouldn't
accept it until the 11th century because they associated it with non-Christian peoples. Before
the use of paper the people of Asia Minor created writing surfaces out of animal hides. The hides of
animals like sheep and goats were soaked in water, the hair was scraped off, it was stretched on a
was parchment. Parchment made out of calf skin is called vellum and became popular since it was a
higher quality surface for writing on than any others. Monks in the abbeys favoured vellum and
it became the standard material for their works. Because papyrus and paper was used by pagan writers
in the past and the so-called heathens in the east, the use of these materials was discouraged
and was considered un-Christian by the medieval church. As books became more popular their
production expanded from the abbeys to secular merchants and they were sold in stalls and stores.
Between the 5th and the 13th centuries books were only produced by monasteries. In the 6th century
CE Saint Benedict made it a requirement that every Benedictine monastery had to have a library and
these books sometimes were brought with the monks who came to live there but most would have been
produced on site. The monks who made books were known as scriptors and the room in which they
made the books was a scriptorium. The scriptorium was a large room with wooden chairs and tables
that angled up so they would hold the manuscript pages and the monks didn't just write the books
but were a part of every step from processing the vellum to copying the text to the final touches
of illustration and illumination. There would be a supervisor in the room who would distribute the
pages at the beginning of the day. Monks only worked on the manuscripts during the day because
it was a bit risky to have fire so close in the evening and the supervisor would maintain the rule
of silence for the entirety of the day. Often a monk wouldn't work on one page until it was done
but swap with others in the room. The modern shape of books being longer than they are wide
began with the monks in medieval Europe who cut their vellum pages to that shape.
After cutting their pages they would rule lines for writing and leave blank spaces for illustrations.
Then the text would be written in between the ruled lines often in black ink. Then another
monk would proofread it for errors. Then perhaps a third monk would add in titles with red or blue
ink and then it would be passed on to the illuminator who would add the colour, the images
and the gold illumination. They wrote with quill pens and ink colours were produced by grinding
and boiling natural chemicals and plants. If this room of silence doesn't sound very fun well you
wouldn't be the first person to think that. A scriptor monk was expected to turn up rain, hail
or shine no matter their state of health or whether they were interested in the particular project.
In fact there are many comments and remarks written on various pages that make clear some of
monks weren't exactly thrilled with their job. With some in the margins including,
this page was not copied slowly, I don't feel well today, this parchment is certainly hairy
and three fingers right but the entire body tolls just as the sailor yearns for port the writer
longs for the last line. The earliest European work to have coloured illustrations and decorated
capital letters at the beginning of each page is the seven pages of the fourth century CE text
Although it doesn't have any illumination the decorative capital letters and illustrations
both became practices that define an illuminated manuscript so it deserves a special mention.
Moving to the next century we have an illuminated edition of Homer's work the Iliad titled the
Ambrosian Iliad which was most likely completed in Constantinople. The sixth century illuminated
manuscript titled the Saint Augustine Gospels shows many similarities to the Ambrosian Iliad
and seems to have been influenced by it. One of the most impressive early illuminated manuscripts
dates to the sixth century has purple dyed vellum pages and is both written and illustrated in
silver and gold ink. This is the Codex Argentius or silver book which is a gothic translation of
the bible and is commonly understood to have been produced for the gothic king Theodoric the Great
in Italy. It was between the 7th and the 16th centuries that the greatest examples of
illuminated manuscripts were created since by then the basics of illustration and decoration
had been perfected. The best known and probably the quintessential illuminated manuscript dates
from circa 800 and is known as the Book of Kells. The Book of Kells was produced by the monks of
Saint Columba's order of Iona in Scotland somewhere but a precise location isn't known although there
are many theories about its composition which place its creation in places like the island of
Iona, Kells in Ireland or Lindisfarne in Britain. What is quite probable is that it was made in Iona
and then brought to Kells to keep it safe from viking raiders who struck Iona in 795 not long
after their raid of the Lindisfarne Priory. In 806 68 monks were killed in a viking raid in Iona
and the survivors abandoned the abbey and moved to Kells and it's at this time that the Book of
Kells probably traveled with them and was then completed in Ireland. The Book of Kells is an
illuminated manuscript of the four gospels of the Christian New Testament and is highly praised for
its grandeur, intricacy, detail and high quality illustrations. Literacy in Europe had greatly
improved by the 13th century and the higher demand for books meant the introduction of professional
bookmakers. Since the 9th century in Britain and France literature produced in the vernacular was
encouraged and this greater demand for books meant a greater demand for scribes. Since girls
weren't taught Latin as often as boys, Latin was the traditional language illuminated manuscripts
were written in, women started to become scribes and they wrote their books in the vernacular.
Nunneries began to produce books, notations were left by women in the margins and one manuscript
ended with a request that the reader pray for the scribe with the feminine pronoun used.
In circa 1440 CE Johann Gutenberg invented the European printing press and the first bible,
a Latin bible, was printed in 1456 and is known as the Gutenberg bible. A book comprising 400
pages rather than taking at least six months to produce could now be printed in less than a week.
People fearing new things of course rejected the printing press and opted for real books.
People didn't want cheap imitations of manuscripts and so printers went to great lengths to make
printed books look more like the handmade ones with leather binding and gold gilt on the covers.
Illustrators were even hired to provide images. These measures helped make the European people
more receptive to the new books and although illuminated manuscripts were still commissioned
through the early years of the 1600s the quantity and quality was inferior to the works produced
before the printing press. Eventually the skill of illuminating was forgotten as the printed book
became popular and the illuminated manuscript which was eventually produced as a valuable item
only for the very wealthy became even more scarce and eventually were no longer produced.
Have you ever seen an illuminated manuscript like the Book of Kells? Let us know what you
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