Cómo dibujar a Mario Realista | Super Mario Bros: La Película | ArteMaster

Welcome to the Canal de Artemaster! Today we return with one of those realistic drawings that you love, And that's why, taking advantage of the premiere of the new Super Mario Bronx movie, I'm going to be drawing a Super Mario with colored pencils, with as much detail as possible. I had a lot of desire to draw something realistic again. So without further ado I hope you like it and let's go with it. Great, because we're going to do it. Let's start with this big drawing of Super Mario Realista. And I have to say that apart from the fact that Super Mario is a super iconic character, Everyone knows him. I'm very much interested in drawing him, as he looks in the film. Seems spectacular, very well represented, And the truth is, I just got into a rush to draw it. Apart from the fact that I've been looking and really doing it for years that I didn't draw anything realistic, How quickly time passes. But here we are to give once again the 100% making a realistic drawing The ones who carry a lot of work behind them, That's exactly what this drawing has taken me 14 hours to do, And I know that for everyone who watches the videos and doesn't draw, When I tell you 14 hours, you put your hands on your head and say, But how are you going to take so long to make a drawing? But really in drawings as detailed as the one we're going to do today It takes that much time if we want to do it in great detail. And all those who have tried to make a drawing of this style I'm sure you understand me. And well, for the sketch he was using a 2B pencil That is neither very hard nor very soft, And we're doing it in a super-smooth surface, All those materials I'll leave in the description as always. And that's good, really here the sketch is not the most difficult The real detail and the complication comes in the colored, In realistic drawings, as you know, the sketch has to be as simple as possible. Now we start to erase the areas we want to color, I always say the graphite pencil along with the colored pencils. They don't get along very well, that's why we're going to get cleaned up before we color. But we are not completely lost. Only partially so I can keep watching a little bit of the trail. And guides us to every sketch we've ever made. Entonces como ya puede apreciar ahora with our favorite colored pencils We're going to be coloring in the first instance the arm on the right side And for that I'm gonna be using several shades of red. From darker to brighter, And yet this is what I'm going to be doing the textures of the folds, the shadows And all the reflections that could be in the texture of the clothes. This time I'm going to be using Prismacolor pencils. But also the pencils Caran d'Ache that I have there quite abandoned And they cost me a million dollars so I want to use them from time to time, But for the moment all the red part I'm gonna be doing with Prismacolor pencils in which I will be using more or less between 4 to 5 distinct shades of red I also like a little white and some yellowish to give some reflections. And it's like Super Mario has a big part of the red color design. Including también la gorra, I must say that this whole thing was a little monotonous. In the sense that all the rats were making the same color mixtures With those same 4 or 5 tonnes So in all that part it was more a matter of having enough patience And try to do everything with care and detail. More the fact that I'm looking for and changing colors continuously We know that depends on the best if we are making a realistic portrait We have to change several shades of color on the skin, for example But anyway, I have to say it was pretty entertaining. Fill that whole part in red. And I wanted to take this picture with patience. But the truth is that I've been doing it for so long that I've never made a realistic drawing. I didn 't want to disappoint us. So good, ya with all the red part of the clothes We're going now to the mouth, to the interior concretamente. And we're going to be coloring first in black. And then for the tongue with a little bit of magenta and rosado. We 'll also finish detailing the M de la gorra. What's going on? I also carry some reliefs So let's give you a little detail And now yes, you're with all the red tones listos We're going straight to the Blue Tones. Which we're gonna be using to make the mono tejano What do you wear Super Mario? And we're actually gonna be doing a little bit of the same thing. a escoger between 4 and 5 tones distinct de color azul Here directly even I'm going to be adding black color In some places that require it, where there is much shadow And if you notice, first I add the dark tones. In the shadows that require it And then gradually I 'll add the clearer tones in order. This allows me to do the degraded things I'm doing. With the most smoothed appearance possible Although I have to say that here concretely I was looking for textures of Tejana clothes. The color that was not enough to make you degraded But it was a more brush color from rays. Which allowed me to give that look of Tejana texture of pant, of jeans I was afraid at first because I didn 't know if I would be okay with that effect. I never did it in a realistic drawing in color. But I think I finally solved it pretty well. And get more or less the look I was looking for That's actually later, almost at the end of the drawing. We 'll finish finishing and give you more effects. This was also a repetitive part in the sense of the same colors in the same area But it was very comforting to see how they were coming out. Little by little all the details and buenos resultados And as I said, it's all happening so fast. But it is in each of these parts It took me several hours to finish it. And we're going to another big section. That's the part of the skin And this is where I was really most afraid that I wouldn't get it right. Because above all in this design of the film What's that? It has a very soft skin. And get that texture by degrading it. Because sometimes it's quite complicated. I'll leave everything as it is. I don't know if I can explain. So I chose to use the Caran d'Ache In this part of the face Along with some Prismacolor of course But taking advantage of that son is super super soft. Los Caran d'Ache wanted to use them. to get that texture as soft as possible of the skin I've been using them for a long time. You didn 't really remember how good you were. We did a review a while ago. Surely many here you have seen that But it is what it is, really what would highlight of the Caran d'Ache They have a capacity of capa capa spectacular It's very difficult to get sober. And that's in a way because the truth is that it did make it easier for me. It's time to make that skin texture pretty smooth. For all that, yes, in this case we are using Basantes tonos distinguidos (very different in tone) from tonos rosados, tonos beige, tonos amarronados Other, including mixtures of fruit and vegetables The variation in skin tone No, it's the same in every way. So here's the thing, we have to go different. the range of colors I have to choose the tones I want to use. A la hora de hacer una sección de color. It is time to make a color section. For example, the skin What I do is first select very well The 4 or 5 colors I'm gonna be using more And then as I'm coloring I see I need a concrete tone that I don't have there by hand I can't find it. That little by little with the experience You're gonna be aware of when you need to use One or another color I'm using all the colors I can. You have to know exactly where and when to use it. And that's only achieved with practice. And lately I'm doing a little more directing I don 't know if you 'd like me to do something direct, do something realistic. Maybe no drawing is as elaborate as this. But I don't know, we could draw something tiny Decide what you think the idea is. So, good, let's go to the bigot. In which I will be giving first a cap of marker a base of alcohol Well, really not a black. It's like a pearl of great price. And this was an experiment. I didn't really know if I was gonna get along or not. But, well, the idea was to make that cloak black or half brown. So then I can make those bigot pelitos with great ease. This way the contrast would be enough. using the colored pencils with clear tones as marron claro y blanco Making you stand out so much. Thanks to that very dark background we gave him at the beginning in the bigot. And this, besides, will speed up the whole task. The truth is that it has a rather curious effect So then we will also give the shade relevant to the teeth And we'll keep doing the same effect of the bigot too in the patillas. In fact, as I saw it had worked quite well to use the marker in the bigot and in the patillas I can also apply the same technique in the cejas. So first of all, that very dark cloak with the marker. And then I added a little more texture with the colored pencils. We're going too with the mono buttons that are golden colored. to make the color gold use black color, brown color, ochre color And a little yellow cream for the reflections. With those four tones if we apply them well We can get a pretty cool effect. We're going to the eyes. I'm gonna start making the pupils with a very intense black color. I need a drawing assistant. And for the contour of the iris I helped myself to a marker base dark alcohol All of that of course I do with great delicacy and care If I make a mistake on this point I can ruin everything. Then you're with that, with two or three different shades of blue. I'm going to do all the details inside the iris. Effectively trying to make that texture with patterns of rayitas to make you feel better When you've finally gotten used to the color of his eyes I'm going to do the reflections with a little white paper. which allows us to make a totally opaque white reflection I'm gonna keep adding the shadow on the white part of the eyes. And for that I'm going to use this lavender color along with a light gray tone. to give it a little volume and make this eye seem a little more rounded Then I 'll also use a very sharp black pencil. And with much care to make everything the top contour New with the same lavender tone and some more gray tones. Let's finish coloring this patch that you have in your head. And so we can give you that texture too. And now is when comes the really complicated part of the whole drawing You may think that you don't, but in reality you do. You are effectively los guantes. We have to give a lot of different shadows on all sides and that all have coherence And well you have to have enough patience to make first all the shadows with the color black And then I add the gray tones to complement those shadows. These gloves are mostly in clear gray. So first as you can see he applied the darkest parts of black And then I'll be doing the rest of the degradados with all the gray tones. more dark to clearer This was a complicated part. I had enough time to make each of the gloves. Because I didn't want to stay anything. But little by little and with patience he was coming out that texture that I was looking for So I was pretty happy. Tell me what you think when you draw a realistic picture. Which part of the drawing is the most expensive? Leave a comment saying why to see if it coincides with more people And here we are finishing the second glove. Because now we have little left to do. But I 'll give you a detailed review of the whole drawing. Let's say I do it first, then I 'll do the whole coloring page. Then at the end of everything I do the most minute details of everything As you can see I'm detailing the bordado de los guantes I'm going to go over here and add a little more texture to this whole arm. And even though these little details may seem like little things What really gives that touch so realist to our drawings So don't let the opportunity pass you by to give these final details. At the end of all your realistic drawings you really will be noticed a lot And here we are giving the last details of the embroidery with the posca You see, it changes the texture a lot just by adding those little details. And with these final details, friends and friends, I had 14 hours to finish this Super Mario. I hope you enjoyed the process of drawing as much as I did drawing it. I'll leave you with some final images. And here we finally have the final result of Super Mario Realista. I like how it stayed after so long without making realistic drawings. Leave your opinion in a comment Thank you so much for sticking to this part of the video. I invite you to subscribe if you're still not there. And here on the final screen I leave you a couple of videos to keep you entertained As always one more day thank you very much for seeing Keep drawing and we'll see you soon in the next video.