BORDSTEIN - MORDSTEIN #krimihörspiel #retro

HOR MAL ZU HORSPIELE & CO
19 Abonnenten
1 Videoaufrufe·06.10.2023
Harry und Stephan ermitteln im Rotlichtmillieu.......
F.Wepper
H.Tappert
D.Galuba
H.Stark
Kopfhockeynom by Hör mal zu.
Danke für deine Einladung.
Hallo.
What are you doing here?
Did he send you out in this cold?
You're going to die.
And what about you?
We have coats, as you can see.
Wool for the neck.
You also have to sing and play.
For the praise of...of whom?
You know exactly who.
For the praise of God, of course.
Have you gone mad?
Do you think this is a village?
We're playing for you, brother.
You can massage your brother.
Come on.
Get out on the street.
And if you're cold, move around.
I only did it because of the dress.
She's not used to it yet.
What is she not used to?
The street.
Hello.
The social service is also on the way.
Yes.
From time to time I visit my problems.
And you?
What are you doing here?
Break.
Get out of here.
What's wrong with us?
Do you know what's wrong with you?
You've been beaten up.
I don't want any mess in the store.
We have to wash the blood somewhere.
Look at her legs.
Go to the side.
What do you look like?
Come on.
I'll take you to the washroom.
What's wrong?
Have you seen a beaten up girl?
Two guys in a car.
I had...
Okay.
Where should it be?
And one said...
Look if the front door is open.
And I said...
What?
You want to do it in the living room.
I could have thought...
To be honest...
The living room...
Is the worst place you can think of.
Be careful.
What's wrong with you?
It's the first time I've experienced something like this.
Do something, Erich.
You just look around and...
And sing and sing and sing and...
Should I tell you who's responsible for this?
You.
Only you.
God loves you, right?
That's what you want.
That God loves you.
And...
Be careful.
Thank you, Erich.
Do you pray every night?
Do you invite me to your prayer?
And I get a schnapps from you.
Didn't they take the money from you?
Yes, they did.
That's why I want the schnapps.
Or do I get one?
Yes, you get it.
I see someone who pays for you.
Where is he?
Back in the yard.
Someone takes her to the doctor.
Now I'm interested in who you are.
Dr. Fasolt.
I work with the social services.
In this regard, I have the question...
What is the relationship between you and this girl?
No.
Nothing special.
She's a...
acquaintance.
Someone you care about.
Yes, someone I care about.
I'll make a suggestion.
We'll let you decide...
if you want to leave or go with them.
Do you want to leave or go with them?
You won't take her against your will, will you?
Yes, against your will, because she has no one left.
So...
Now you can continue your business.
Sit down and wait, please.
Can I talk to you?
I don't have to keep the young woman here.
She needs rest and care.
The injuries are a result of violence.
I had to report it to the police.
I'll do that.
Dr. Fasolt.
Psychologist.
I work with the social services.
The young woman is a prostitute.
I'll take her with me.
Then you know each other.
Somehow it's like a normal job.
Sometimes yes, sometimes no.
Sometimes it's a great misery...
when compulsion plays a role.
Who can you force to do that?
Children.
And those who stayed.
They are forced to do what they can't do.
And?
What do you do with the little misery?
I'll take her with me.
Get in.
Who are you taking with you?
This is Martha Killig.
What happened to her?
Come in.
Is she injured?
I think so.
Some people treated her like that.
We were at the doctor's.
Hello, father.
This is my son.
Hello.
Do you know how long I've been waiting for you?
Waiting for you to call me.
I'm going crazy.
I'm coming to you.
Wait for me.
Everything is strange at the moment.
Each of us understands that.
But you will soon feel at home.
I will help you...
...to get out of here.
First the shoes.
What have you done to yourself?
Good evening, Billy.
Good evening.
The dead man?
My guardian.
He's the man who guards the parking lot.
During the day.
Good evening.
At night he is unguarded.
I know who he is.
This is Callus.
This is the place where he always cashes at night.
What's that?
Music?
Yes.
It sounds like house music.
Was it around this time?
After midnight?
Callus?
Yes.
He was wrong.
Not that he liked me.
But he was a guest of the treasury.
Was he here tonight?
Yes, he was.
Did you talk to him?
As always.
He says good evening.
I say good evening.
What did he drink tonight?
He didn't drink anything tonight.
That's why he's probably interested in you.
He beat up two of his girls.
They were brought in here,
and then they messed up all the towels on my toilet.
See?
Now we're getting closer.
Who?
Did he beat up the girls?
I don't know.
Callus?
He came later.
He had no idea.
I told him.
His chickens didn't lay any eggs this time.
They were grilled by someone else.
What about the girls?
Did Callus pick them up?
One of them.
The other one?
She was bloody young.
Pretty thing.
She took another one with her.
Who?
Dr. Fasold from the social service.
Thank you.
Yes.
Come here.
Who are you?
Criminal police.
Oh, dear.
I guess I'll have to let you in.
That would be nice.
Do you have a watch?
Yes.
We know it's pretty late.
We'd like to apologize.
You apologize?
What's the matter?
Do you have two women living with you?
Since someone's at home now...
You know, they're night workers.
Good day.
Look, I made a report to the police.
About a rape.
Two prostitutes, yes.
Is that why you're here?
They have a tenant who was murdered last night.
A certain Callus was murdered?
You don't know the name?
I heard about it.
Last night, coincidentally,
in a place where prostitutes and tenants hang out.
Where you also hang out?
Yes, where I also hang out, in the office.
You took one of the girls with you, didn't you?
Yes.
She was probably abused on her way home.
Where is she now?
Here in Rome.
She spent the night here. I'm taking her breakfast right now.
Can I see her?
This is my son Roland, who helps me with my work.
This is Inspector Derrick from the murder commission.
Callus was murdered.
I explained to my son who Callus is.
He knows.
What does he do?
She had breakfast, but didn't say a word.
That's normal.
Can you bring her here?
Tell me, doctor.
What are you going to do with the girls?
Do you want to keep them here?
Yes.
In connection with my work.
Psychology.
What is that?
I don't need to explain that to you.
This is Inspector Derrick from the murder commission.
Doctor,
Callus
was murdered last night.
Good evening.
Derrick.
Dr. Fasold.
Are you here every evening?
At the moment, yes.
Good evening.
I was just about to leave anyway.
Thank you, doctor.
It stays that way.
You come to my office.
I promised.
Do you see the man who was in a hurry because Rose left?
She's free now.
She lost her guardian.
You know how much money there is on the streets.
Hello.
Rose.
Go home.
These are the officers of the criminal police.
You have a dispute with the lady?
That's none of your business.
And you take care of your own shit.
You have a worm in your head, don't you?
What does he have?
A worm in his head.
The man's name is Borgmann.
He was a friend of Callus.
Friend?
What does your friend mean?
They live in a world where this word doesn't exist.
Aren't they admirable?
They leave night after night.
Yes, doctor.
I'm just saying that I admire you.
Do you know that Buschlein is a blessed trumpeter?
Show them that I'm not saying anything wrong.
Please, sit down.
It would be good if you told me why I'm here.
I'd like to talk to you.
What do you think of Dr. Fasolt?
Why are you asking me?
You know the doctor.
Yes, of course I know him.
Officially, professionally, as an expert.
What else do you want to hear from me?
All right, I'll tell you.
This man is a lonely man.
There's no one like him.
You can imagine that I don't like men.
Except for one.
And that's the one we're talking about.
And why is that?
Because I like it that way.
And why do you want me to explain it to him?
No, no, no.
That's enough.
Can I sit down?
Yes, of course.
But I'll let you know.
I won't say anything else.
That's a pity.
You can get up and leave.
What does that mean to me?
That's a question that might bother you.
What did you do with Rosi?
How did you get her?
She begs you.
But nonsense, nonsense, Derrick.
You know that.
When a psychologist works with a patient,
he is always rewarded with special affection
that you have to defend yourself against for a while.
She works with you?
Yes, Derrick.
Everyone is in a personal situation
that is as difficult as a coffin lid.
My job is not easy, Derrick.
Mine neither.
Good day.
Is Rosi there?
Yes, Rosi is there.
Doesn't she leave the house?
When she leaves the house, she goes to her doctor.
She goes to him or he comes here.
What? He comes here?
Dr. Fasolt comes here?
Yes.
Is something wrong?
I'm always afraid to say something wrong.
To Rosi?
Yes, yes, I would like to talk to her.
Visit, Rosi.
Can I open the door now?
I want to know if Dr. Fasolt was here.
He was here.
And I'm going to him.
What is he doing there?
I'm a case for him.
He explains to me that I have a chance.
And what do you want now?
Tell me that I don't have one?
What are you doing now?
Did you quit your job?
I will try.
I know that there is no one.
I always knew that.
And he tries to explain it to me.
And I understand it.
And I say to him.
Okay, doctor, then I'll be a midwife.
You don't have anything against him, do you?
What is Varga?
Varga is the only man I've ever loved.
We have a dead relative.
Albert Carlos.
It's about him.
What don't you like?
That the psychologist is after you.
Why?
Because he's involved in the murder.
What did he do?
In a way that I don't quite understand.
But he's involved.
The prostitute is involved.
And the trumpet player is involved.
It would be very nice if you told me how you came up with that.
Harry, you know that. It's always the same.
A murder takes place.
Of course, there is a dead person.
There is a circle of people.
There are certain circumstances, certain events.
You ask questions, get answers.
Well, good.
Then the questions stay on the edge.
That's what my imagination is busy with.
My imagination is busy with Dr. Fasolt.
With the prostitute, Rosi.
And with that trumpet player from the Nazi army.
Why him?
I asked him.
You were near the crime scene.
Can you say something about it?
He said, yes.
May God forgive the murderer.
And I stuck to that.
And to the fact that Dr. Fasolt does house visits at my mother's.
That he is incredibly excited, at least for my feelings.
This autopsy report and the projectile of the weapon speak against it.
Hello, Fasolt?
Yes, this is Derrick.
Good evening, Mrs. Fasolt. Is your husband at home? I would like to speak to him.
Good evening, Mr. Derrick.
My husband is not at home.
You know, he is usually on the road in the evening.
Hello, Derrick. You're here again.
Yes, I can ask you the same, Dr.
You're here again.
Yes, but, Mr. Derrick, you know...
This is the scenery I'm dealing with.
A field where people can be seen in a broken form.
Open, uncovered.
They have taken off their coats, so to speak.
With which everyone else is covered.
Is that also true for you, doctor?
Bockman is dead.
You understood what I said, didn't you?
I hear it, yes.
He is dead.
Yes.
Three shots.
From close range.
Was it at the place where we saw his girls?
Yes, right there.
Well, tell me something, Derrick.
And the three girls we saw?
No trace of them.
Then the girls are free now.
They are no longer forced.
Which means that you have to take care of them.
Alex Zahlen!
What do you want to do?
Alex Zahlen!
Do you know where the girls are?
Of course I know where they are.
Where Bockman kept them.
Like someone else keeps his chickens.
Or his rabbits.
Tell me, how long has Dr. Fasun been here?
20 minutes.
And when he came in, what kind of impression did he make?
He was in a good mood.
Unusually in a good mood.
Don't be afraid.
Don't run away.
Running away is the instinct of flight.
It tells you to run and nothing else.
Don't be afraid.
Does anyone of you understand a little German?
Yes.
You?
Well.
You will be helped.
Where is your husband?
He's not doing very well.
He passed out in the bathroom.
It all takes a lot from him.
What he's doing and what he's thinking about.
It all upsets him a lot.
That's my impression, too.
It was like that a few days ago.
When he brought little Martha with him.
He spoke to her colleague.
Rosy.
Yes.
She asked him to come to her at night.
And he went there.
I can't leave a person who is in need.
Martha!
Excuse me.
Tell your husband we're gone.
We heard amazing things, didn't we?
Where is Rick?
He left.
Get dressed.
Go to sleep.
The girls are taken care of.
Roland is with them.
Did Fasol say that?
No, he didn't.
I sat next to him and he said...
I'm going to kill you.
When you step in front of the mirror.
You ask yourself, who is that?
Because you won't recognize yourself.
And that happens to you when you say one more word.
And then I pushed him away.
Then you called Dr. Fasold?
Yes.
I called him and he said...
I'll be right there.
Good evening.
I'm sorry I'm late.
I'm sorry to bother you.
Don't bother.
Your husband said he was waiting for you.
Will you leave us alone?
Of course.
Life is crazy.
And you're part of it.
Shall I tell you something strange?
I was wondering if I could have mild circumstances.
Look how sensible I have become.
I wouldn't have deserved you.
