32 Tai Chi Sword Movement No.6

Zen Tai Chi: Exploring China's Legacy
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Hello, how are you?
I'm the head of the Tōdai-Kin instructor.
This video is,
I'll send you the three-second-sword.
Please see.
Left foot center, first hand legs draw.
In this move, put your right foot out.
It will be like cutting the left knee up, slanting it down.
Right shoulder center,
From everyone's point of view,
It's like a clock that cuts down on a curve.
When will you turn your hand outwards?
As for timing,
早く剣を動かすと、
There is a law that says you can see the reversal of your hand.
斜めは下切るような形に臭いずになるだろう. 斜め is going to be cutting down in the shape of a slope.
The handstring will be in the shape of a top.
From there, put your right shoulder out in the slope,
It's about putting your shoulders down in the center.
It's going to be a Durr-Lumpy thought.
Right shoulder out,
When I stretch out my hand,
I'll see you in the next one.
Here's a note,
It's hard to see the sword before you turn it backwards.
Bring the sword to a place where it can be seen.
Such operations become very important.
This has the advantage of being easy to see.
Actually, cutting off going towards the other,
There are advantages to going with the sword hand.
If, when you want to cut off your opponent,
剣手を相手に向けるとは,
This means that there will be a lot of stuff.
剣先を見るという意味は、
I'm going to kill you.
The neck, or the back, will be in the direction of the backbone.
That is, with the sense of facing the vector towards the opponent,
剣先を見るの意味合いになります.
From there, right foot, weight,
♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪
I'll raise my left knee.
When you lift your sword,
If the sword goes inside,
It's very difficult to do.
テキストなどでは,
剣先を見ると書いてあるが,
Please consider moving to a place where you can see the sword first.
That means,
The first one is the one that I'm going to use.
And to clarify the line of the opponent's spine,
剣先を見る in the sense of seeing before.
If, when this sword is inside,
If your opponent grabs your right hand, forearm, outside,
You have different faces than your opponents.
It's harder to cut.
If you don't have an opponent, you can live for as long as you want.
If you are stopped by an opponent,
You won't be able to move.
But if you change the position of the sword,
It's possible to cut or cut down by transmitting power to the opponent.
If the sword goes behind,
剣先の位置はここですか? ここですか?
Is it possible to actually cut it depending on the position of the sword?
Let's go and see what we can do.
In the Taeda Kenshi, there are many forms of standing and falling.
It's better than cutting with both feet.
Raise your legs and tell your sword,
I'm using more consonants like this.
The look is a kind of python.
The picture will be shaped like cutting from the top.
The pyjamas usually end at shoulder height,
The door will be cut to the side.
It cuts up to about the knee.
What is a knee-clip?
It's going to be a very different shape.
The engineer, once he's lowered his wrist and raised it,
In the form of letters like "やヘ" you can prick your opponent's knee.
To cutting,
The hands are not too bent,
斜めを切断する切り方になります. 斜めを切断する切り方 will be the cutting way.
In the form of a double-barreled shotgun,
There are practice methods to increase stability.
It's a two-way street.
I'm going to have to pull the sword out.
By balancing, you will be able to achieve your goals.
The strength of the doorbell,
It will be possible to raise the balance.
The door is locked,
洋式剣ではタンハイシーないし,
ヌーダータンハイ is called a move.
This is a "Fighting Pao" from the slope below.
This formula,
It's almost like a double-barreled shotgun.
Go east, from Shangzhou Pinlai.
I'm not going to lie.
剣を斜め下に切つけながら, 剣を斜め下に切つけながら, 剣を斜め下に切つけながら, 剣を斜め下に切つけながら, 剣を斜め下に切つけながら, 剣を斜め下に切つけながら, 剣を斜め下に切つけながら,
Let's move the right foot.
To the right or to the east,
Stand up straight with your left knee up.
I'll cut the slope down.
剣を斜め左下に切つけつつ, 剣を斜め左下に 切りつけつつ, 剣を斜め左下に 切りつけつつ, 剣を斜め左下に 切りつけつつ
Push the right or the left in the east direction,
This time, you can watch the video till the end.
Thank you very much.
If you're willing, please register your channel.
So, see you later.
