TÉCNICA NEGATIVO 💖 ACUARELA PRINCIPIANTES

well [Music] how are you today we are going to see a technique called negatives I think this is a very good technique for those who are starting out in watercolor so that they understand more or less how the layers are worked in the video Previously I told you more or less but here we see it in a little more detail and I am going to try to make more specific videos so that you understand and it does not cost you so much work here what I am doing is preparing my color if I recommend In this case, they prepare it in a round and have quite a lot of color because we are going to need it above all so that they have the same color and there is no difference when they are already putting it on their palette, my first color, that is, the most credit I have. The one I will use is going to be purple and precisely with these here I am using a gray and a blue and I am going to use them to start darkening my purple when I need a paper that is more or less 260 to 300 grams so that I can water them first. What we are going to do is put a super light layer with our first color and if you notice it is almost because the color has been florit but once it dries the truth is that it is going to fade a lot but this will help us to see how the first flat the second plane but there is a discount that first they have to put everything is a base practically with water everything is nice to let it dry it is very important that they let it dry completely and not despair and once it is dry super dry they start doing some figurines here I am going to choose to make like some little plants but you can choose, I don't know, circles, triangles, you can make kittens alone here it doesn't matter much which figure you choose the joke since if you put one and behind another and behind that other it is very important that At least here they do have knowledge of what the first shot is, the second shot, this one could have said it, but what I didn't want was that this video would take longer because, well, then they get bored to death, but hey, if you have any questions about what the second shot is like. or third plane and we can leave it like that but well, just so that you understand me faster, it's one on top of the other and that other on top of the other and well, that's how they make their figurines, the truth is that it's something very easy, it's just that it's like They build, they concentrate very well on not getting lost, that is the only thing I recommend but it is really very easy and here we go with the magic because what they are going to do is that you already have more or less what your foreground is going to be, I already know that my first little leaves are the ones that are not behind the others because if you notice there are some little leaves that are like in the back so those are the ones that I am going to paint and the ones that I am not going to paint are the ones that are in the foreground so it is super important treasures that in this first step if they are well trout or done well concentrated on not painting the leaves or the figures that are not then when I am going to paint I am going to darken a little or in this case I am going to grab a little more pigment In this case, 8 was purple and I am going to spread all the paint on what is in this case the second plane, I am going to be doing that. Remember again, do not touch the little leaves that remain in the foreground. It is very, very important like this. that they paint everything everything except the leaves that are left there at the beginning so to speak on that same layer so that nothing else is noticeable just like just a completely flat layer they can add a little more texture as here you see and this one and no nothing happens, they let it dry super super well and here obviously it had to be me people look now I'm recording it but don't panic it's exactly the same in the first in the first step we didn't paint the ones that were in the foreground in the second in exactly the same They don't touch either the first or the second leaves, I hope my aunts don't understand they exist, but well, maybe we do see it more of this understandable, but well, that's how they go, treasures, that's all, everything, all they have to do is just respect the leaves that they have. For me it is already in the first in the second here we are going with the thirds and this begins to serve so that you begin to understand the depth and that it does not look super flat in this case it is still just my little purple I have not added any blue thing, well, no blue color is the only one that is purple and remember that as I told you in the first video it is only about grabbing more pigment and so be it, painting each little hole you have to be super super patient, yes, above all, the Time to let it dry is very very very important because if you don't let it dry the most likely thing is that some very ugly puddles will form and you won't be able to see where they were as limiting the color so be patient treasures and look here it is and now it is already Let's go with the darkest and here I already put a little blue so that my purple obviously gets darker and I'm going to start painting and imitating the leaves that I shouldn't touch and I think that here I would be doing more like the background background background good still new the background background but good so that you understand more or less how it works remember something that is going to happen to you is that perhaps as you put the watercolor your sketch will be lost but not that there is no need to panic It is normal, another thing that I recommend is that you do not abuse watercolor because otherwise every time you are going to put a layer and then another layer if it is very pasty, that is, if your watercolor is very thick, it is most likely that at the same time It's time to put on the next layer and I throw them away and we don't want that too, that's why it's super important to let it dry super super well, so this is an exercise in patience so they shouldn't be as fast as it is, also something that I always recommend. In this exercise or in any other exercise, patience is what you need to be patient and you will see that your results are going to be the most beautiful. Above all, in this exercise you have to be patient in respecting, for example, the leaves or any figure that you have. You are going to make sure that it doesn't take hold of you like desperation and whatever is sacred, so well, I recommend that, as you see, here you can see a little more about what the leaves are and up to the front, those that are behind and those that are to the back and in this case I am going to put my last layer that now if the background background in this case mix what was the gray, the blue and the purple and as I had mentioned there were parts where there is already graphite it was no longer visible then Their hats have to come out again and so start the experiment. You start making your figurines because if they are erased, you have to improvise. They won't go the same way, painting their background little by little and limiting how the shapes and patients like that are now just teeth. The truth is that this exercise is very, very useful. I used it when I taught classes and the truth is that the girls, well I say girls because they were always girls to whom I spoke about this, they really liked this exercise and the ideas. Then they finish, the truth is that they were very good. I remember a lot of a girl who made like some bamboos and they turned out very cool. The joke here, too, is that they only use one color for how to do all their painting or illustration and above all So that you can understand that part, I want to explain to you little by little and also in the future how to mix colors and that whole show. That's why I'm taking it out a little with my eyes. I see it well. I'm going to take it out, but above all, because for people who are starting out and even this exercise is for people who already use watercolor and can get things like super cool and personally I really like this exercise I think it can get a lot of juice out of it and you can do as your things and well, this is how it looks ending like all the layers as you can see if you can see what it is like in depth which ones are from the foreground second plane third plane which one is nothing to the bottom the background but so that they don't look melted right now what I'm going to do What to do is to work, whether it's like each leaf and the shadow of each leaf. In this case, if you made like other types of figurines, it doesn't matter. You can also work on it now. It would depend a lot on your creativity and how you solve it, but hey, you guys. I already wanted to show you this video because well this technique because I think it is very very very easy to do and for those who are just starting out and I repeat it again it is a very very good exercise and I think that with this exercise grabbing then the wave how is it that works with watercolor and layers and so you will get used to how it works so well, you know that like in every video I hope that it has really helped you and that you put it into practice, you know that you can leave me here your comments anything I will be trying to upload more videos like small tutorials you know you can visit me on my instagram and you can also tag me to see your work the truth is that I really like to see your work and you know if I show you the video subscribe Like and see you in the next video, thank you very much for stopping by [Music]